Lin Muran sighed: "In fact, many movies are used in multi-part montages, but most of the time, they are not known. On the one hand, most directors, even if they are used, will not be as crazy as you said. The whole movie is directly made with the symphony structure of the symphony."

"What's more, multi-voice montages, even if they have appeared more famous and generally recognized as the most worthy of research, is just a first attempt. It's not that how difficult and difficult this technique is, is certain, but it does not mean that it cannot be done. But the biggest problem is how to perfectly integrate multi-voice montage into the plot of the movie, the requirements for the plot are harsh!"

"It's like, if a carving master wants to complete a specific carving work, he first needs a carrier, such as jade cabbage. So, should he first have a piece of green jade? Secondly, the size should be large, the color should be even, etc. If there is no such raw stone, then even a carving master will be a skillful woman! "

"Similarly, for movie directors, multi-part montage is actually difficult today, but it is not impossible to do it. But the problem is that directors cannot use multi-part montage to achieve any movie, but must do it based on the overall and plot of the movie."

"I just sorted out the plot of "A Man's Light and Decoration" and came to a conclusion that I couldn't believe. What you thought just now is that "A Man's Light and Decoration" is really possible!"

"Of course, this is difficult, but I believe that if it can be done, it will definitely be recorded in the history of film and even shocked the literary and artistic film industry!" Lin Muran said.

"And, in fact, it can be said that none of the current movies are real multi-part montages. In my opinion, only by treating the entire movie as a multi-part symphony is it a real multi-part montage movie!"

"Teacher Chen, have you really not learned about movies?" Lin Muran was still a little unbelievable.

Chen Zhixian shook his head and said, "No, actually, I'm just talking about it. If you really make a movie with multiple montage in front of me, I may not recognize it. No, it's not that it may not, but that it cannot recognize it at all!"

"What a pity, it's really a pity. Teacher Chen, have you really never thought about developing into the film industry? Your talent is simply a natural director!" Lin Muran also developed a love for talent.

It was really too much shock to him today, and it was too big.

A movie with multi-part montage, well, a real multi-part montage movie with creativity and ideas, is actually spoken from an outsider who doesn't understand movies.

I'm afraid no one will believe it if you say it out, right?

In fact, what Chen Zhixian didn't know was that Lin Muran's excitement and shock at this time was far beyond his imagination.

In his opinion, perhaps the idea of ​​a multi-part montage is just a casual talk.

But what Chen Zhixian didn't know was that multi-part montages have always been experimental in the film industry, especially in the literary and artistic film industry.

Many people even doubt whether multi-part montage is really feasible.

Because even the first palace-level director to propose this concept, he just experimentally made an experimental film of multi-part montage.

And that movie was not a success, and multiple voice montages were just a simple taste.

If it were just like this, Lin Muran wouldn't be too surprised.

After all, this is just a fantasy fantasy of outsiders.

Because of multi-part montage, this concept is not new, but what really makes Lin Muran excited and even shocked is...

The plot of the movie "One Man's Lights and Decoration".

"Actually, you may not know that in the 1920s and 1930s, there was a pattern called the structure of the film symphony in the classic Hollywood narrative model. The entire structure was divided into overtures, themes, the first theme variations, the second theme variations, the theme reappearance, and the ending. But this structure has long been eliminated!"

"Some people subconsciously think of this when they hear movies in the form of symphony, but in fact, this is never a real multi-part montage!"

Lin Muran explained popular science to Chen Zhixian.

Although Chen Zhixian nodded, he looked like this, but in fact, he felt very panicked!

Damn, it turned out that it had appeared long ago?

Then you won't say it earlier.

Then Lin Muran shook his head and said, "To put it bluntly, the structure of the symphony structure of the movie in Hollywood, the so-called overture, theme, the first theme variation, the second theme variation, the theme reproduction, and the ending are nothing more than the superficial and not a multi-part montage at all."

"Multi-part montage treats the film's performance materials, sound, dialogue, text and music as different parts of an orchestra, and can perform various choices such as uniform play, counterpoint performance and fugue style, which not only maintains independence, but also forms dialogue, so that the diverse narratives of sound, characters and paintings are organically integrated."

"Not just an application of overture rhythm or something."

Chen Zhixian really wants to say, Director Lin, you are so powerful, you are not clear about it, but I still can't understand it.

This is all the fucking thing.

The most uncomfortable thing is that he doesn't understand, but he can't really show that he doesn't understand at all.

After all, Lin Muran is so enthusiastic, if he lets him know that he is playing the piano against a cow, cough, it would be embarrassing.

"And do you know what I am most shocked?" Lin Muran deliberately kept him in a silence, but a look of pride appeared on his face.

OK, you keep going.

Chen Zhixian looked at the stern look.

"What shocked me the most was that I sorted out the plot and found that in "One Man's Lights and Decoration", Lao Huang, Xiao Yu and Gangzha can be used as three parts of the movie. These three parts can be narrated from an open and multi-perspective perspective, making the whole film a multi-part destiny trio, and at the same time provides the audience with the possibility of dialogue with the characters in the film."

"However, we don't need to stand in the perspective of God and tell a complete and closed story. We can completely capture Lao Huang, Xiao Yu, and Steel Slag to create independent individuals with independent consciousness. The emotions, souls, and destinies of the three people are intertwined and collided with each other. We can make everyone in the movie lonely, and everyone is working hard to get rid of loneliness, but in the end everything is like drawing a circle and returning to the starting point. Everyone is still lonely, even more lonely.

Finally, the idea you proposed before is a stroke of magic. We turn all our thoughts about loneliness and other thoughts into a symphony, blending them with Beethoven's "Ode to Joy". Everyone in the movie is bitter, lonely, and helpless. But this is definitely not the real theme that the movie wants to express, so the end of the movie is smaller than a person's expectation and decorate. "Ode to Joy" echoes in the universe, directly turning the whole theme completely, and it will allow people to see hope again in despair."

After hearing Lin Muran's words, Chen Zhixian only had one feeling, who am I, where am I? What am I doing? Damn, what are these things? Is this so awesome?
Chapter completed!