That's right, it was actually Ba in the door.

But at this time, Ba did not get up to greet him as before, but sat on the sofa as if he had expected it, under the cover of his armor, like a sculpture, motionless.

Miss Yuan did not go up to talk to her, but walked up alone, found a place to sit down.

After sitting down, the two of them had no conversation, and they didn't even have any emotions. Only the invincible suppression accumulated in the room.

Because Miss Yuan doesn't need to speak.

Does it make sense to speak to yourself?

It's meaningless, she has no habit of talking to herself, except acting in front of others.

Yes, acting.

Remember when she told Shifang?

There are two sources, and there are two sources (for details, please refer to Chapter 132).

Very simple thing.

Ba is the source, and the source is Ba.

She said that she had divided herself into two parts (for details, please refer to Chapter 132).

Miss Yuan is the real, the fourth fulcrum.

Asagawa Yo, and even the Ten Directions themselves, and even Tamamomae, all believed that the Ten Directions were the fourth fulcrum.

But in fact, Miss Yuan was very frank. She said it from the beginning, no. (For details, see Chapter 152.)

It's really not. Facing Asakawa's last moment, she didn't say a lie.

The fourth fulcrum is not the Ten Directions, but herself.

To be precise, it is part of her, that is, the "Ba" she usually exposed to.

The fourth fulcrum corresponds to the fourth class.

That is, those homeless people, those "social dregs, useless wastes", and those "non-human people".

They are non-human people, because although they have normal human bodies, they are just things with human bodies, rather than ‘people’ living in society.

The essence of human beings is "the sum of all social relations". Although these homeless people are humans, they have no social relations inside, but they are just empty shells.

"Close", "despair" and "powerlessness" are the specific manifestations of this class. They have nothing to do with the subject society, and their social relations have been broken.

Such a collective forms the most subtle class in the collective consciousness, the fourth class: "marginal people", "non-human people", and "home people".

So, who is more suitable for this fulcrum of collective consciousness?

There is no doubt that it is Ba.

Ba is the ultimate inhuman.

Ba has no interpersonal relationships, she and everyone nodded. What everyone knows is that she is Miss Yuan’s dog and Miss Yuan’s loyal servant.

More than all homeless people, they are withdrawn and have no interpersonal relationships. The perfect inhuman being created from the beginning is to shape the fourth fulcrum as the goal.

In this world, no one is more suitable for the fourth fulcrum task than "Ba".

"Ah, time is coming." Yuan stood by the window, holding his elbows on the window frame, looking at Tokyo, where the fire was raging outside and death was everywhere.

She actually couldn't see what Tokyo really looked like.

Source, not human.

She is a natural strange person, an indigenous person in the spiritual world, a natural phenomenon, an existence that seems completely incomprehensible with a normal eye.

It was just that he was forcibly pulled out of the spiritual world by the Heavenly Court Palace, and then cultivated as a bridge to communicate with the spiritual world. He was instilled from beginning to end.

But the Heavenly Court Palace overlooked a little.

That is Miss Yuan. In fact, she cannot see any common world that humans do, and her perception is completely different from that of humans.

The world in her eyes is strange and absurd, as if it were the scene from the beginning of the universe—

The difference between the beauty she witnessed from humans is like animals and plants.

For example, the Tokyo that Miss Yuan saw now is so beautiful.

Because, at this moment, Tokyo was as peaceful and beautiful as she returned to the spiritual world.

The shapes of countless monsters seem to be a hymn to the spiritual world and an hymn to nature.

The spiritual world is both noble and indifferent, beautiful and cruel...

It makes you feel the infinite space and the eternity of time, causing you to feel a sense of fear. Miss Yuan remembers that there are many trees, banyan trees, locust trees, and flame flowers there.

In addition, there are people in the human world and in the spiritual world.

However, all the things that humans see every day are completely different in the spiritual world. Every time Miss Yuan sees them, they will produce different scenes.

Every time I watch it, it is completely different from the last time I watched it.

The spiritual world and dreams are the reflections of the present world and the reflections of the universe.

In the real universe, it seems that they all have souls and each has their own secrets.

There, everything seemed to be alive, as if the eyes could capture their souls and secrets alone. However, every time I wanted to continue to spy on, those secrets were caught in my hands, but they were always escaped.

The colors in the spiritual world are all familiar colors, but they are different; they all have their own unique characteristics and indescribable characteristics.

Anyone who acts in the spiritual world can discover that all matter is from the mortal world and is dust that can be kneaded at will.

But it is all absurd and weird, but it seems natural that the most primitive nature of all objects is presented nakedly before you. When you see it, you can't help but feel fear, because you see yourself.

Everything in the spiritual world gives people an impression, as if I was sitting next to an empty room. I knew that the room was empty, but for some reason, I felt that there was a person inside, which made people terrified.

You scold yourself; you know it's just your nerves at work-but, but... After a short while, you can no longer resist the fear that tightly captures you.

You are held in an invisible terrifying palm and cannot escape.

But that feeling is full of intimacy for Miss Yuan.

Just like it is now.

In her eyes, everything in Tokyo is no different from the spiritual world.

The coloring of everything is very strange, making people feel restless, and it is difficult to explain exactly.

For example, the sky is thick blue and opaque, like a finely carved lapis lazuli carving plate, but it also trembles with a glitter, which reminds people of the mysterious throbbing of life.

The black vines on the streets were originally as despised as rotten, but at the same time they aroused a passionate desire, which made people vaguely think of the empire under Hiriogabarus, which was both vicious, but also possessed an indescribable terrifying power, extremely brilliant and vigorous.

The combination of flesh and blood, fire, and the bright red color of the two is like the little red fruits of holly shrubs, and it seems to make people think of Christmas. The snowy white ribbons and gifts, the joyful atmosphere and the noisy laughter of children make people immerse themselves in joy.

Seeing these reds, even the light softened, and the world around it showed tenderness as the breasts of a dove, which made people feel happy and brought people the fragrance of spring and the purity of the spring splashing with foam.

What kind of painful fantasy creates these images?

These colors all seem to be alive, as if they were created when chaos first opened. At that time, nothing had a fixed shape, it was plump and plump, exuding a strong breath of life, as if it had a unique melancholy feeling.

They are the colors of magic being cast. Anyone can open the door leading to unknown secrets of souls when they see it, and then walk into the mysterious palace of the illusion.

They breed unpredictable dangers. They may turn a person into a beast at a glance, but they may turn a god. All healthy, normal things, all the beautiful friendships and simple joys of the simple people avoid them from afar, but they have great temptation, just like the wisdom fruit that can distinguish good and evil in the Garden of Eden, which can bring people into unknown realms.

Just staring at Tokyo outside, Miss Gen was watching all this affectionately.

A smile finally appeared on her face, and a glory of love radiated in her eyes, a glory of love that is rare in the world, as if it were the glory of love.

She stared at all the tragedies in Tokyo, and her heart was filled with uncontrollable feelings.

The entire Tokyo, from Edogawa to Adachi, from the Sky Tree to the Tokyo Dome, the spiritual world uses extraordinary and wonderful power to unfold a unique, carefully painted giant painting in this place.

Countless black vines, cruel tragedies, incredible negative emotions, combined with the previous colors, formed an incredible picture, making Miss Yuan crazy.

It was very wonderful and mysterious, and she almost stopped breathing.

Such a scene depicts a feeling that cannot be understood and analyzed in her heart.

If this comparison can be made, perhaps a theologian, a devout believer, saw that great existence created the world and the scene at the beginning of the Genesis, was filled with this joy and fear of condolence.

Such a scene has a downpour, it is both ordinary and full of infinite enthusiasm. At the same time, it contains some terrifying element, making people frightened.

The existence of this masterpiece must have penetrated into the secrets of the spiritual world and explored some kind of beautiful and terrible secret. This person knew what ordinary people should not know, so what he constructed was something primitive and shocking, which did not belong to the world, and was astonishingly beautiful, filthy and evil.

Looking at this picture, Miss Yuan could feel that her painful life seemed to be preparing for this scene. When this picture was completed, her soul, which had been tortured since her birth, was rested.

She began to welcome her for the coming death, because the purpose she pursued throughout her life had been achieved.

Yes, the next death.

"It's time to come." She reluctantly regained her mind from this scene and no longer immersed in it.

Although she expects and longs for everything in the spiritual world, she does not want it to be like this.

The spiritual world is her crib, her swaddle, and her place, so she has a sense of intimacy. To this place that looks extremely evil, blasphemous, full of extreme malice and infinite danger to the outside world, it is the same as home for her born weirdness.

But she didn't want to go back.

What she wants to pursue is not what to go home, but "freedom".

It was not just her freedom, but all those who were ruled by the Heavenly Court.
To be continued...