It is obviously a very simple lily pattern, but you can find its fineness when you look closely.

Not only were the patterns carefully pinched on each line, but even the veins on the stretched leaves were clearly visible.

Looking at such a simple pattern, only those who truly understand the art know that the simpler the more difficult it is.

It’s like drawing. It’s not difficult to draw a five-pointed star, but the most difficult thing is to draw circles and straight lines.

The same goes for filigree pinching.

The workmanship required for pinching of filigree must be well-proportioned, and the shapes of pinching must be well-proportioned. Only when the blue is blue in the later stage will the effect be clean and tidy.

There is an old saying that "silk skills are more important than blue skills", because the skill of pinching silk can be expressed in the works in detail.

The copper tire under Lu Zi'an's hands was cleaned by acid and exuded a soft luster.

At this time, the thin and long bottleneck contrasted with this filigree lily, even the thin and long bottleneck had a hint of noble temperament.

It seemed as if a swan was singing, or it seemed like a lily was looking down on the world with a pure and slander.

"Master Lu..."

Lu Zian came to his senses and saw everyone staring at him. After checking again, he made sure that it was correct. He smiled and handed the copper fetus out.

Everyone obviously yearns for it very much, but they still maintain order and give in to their own politeness.

Several masters formed a circle and carefully admired the copper tire, but felt that the filigree pinch was really beautiful.

Although I have not gone through the blue-spot process, I already have the rich background of cloisonné. This is probably the master's character!

While watching, everyone recalled Lu Zian's technique just now.

My eyes fell on my own works by chance, but I always felt something was wrong.

What went wrong?

Someone simply brought the finished product and compared it carefully, smacked his tongue: "The taste is not right."

Their works are exquisite, but not sufficient in charm.

Their pictures are always filled with fullness, and they always feel that this is enough to be grand and gorgeous.

I don’t think that when I compare it, I feel that it is too complicated and the glaze is too thick.

Like Lu Zian, a few branches outline a whole vase, which has a unique beauty.

"Simply put, it's just a blank space." A master took the open large glass and squinted his eyes and savored the feeling: "The picture should be coordinated. One inch more is too messy, and one less is too light, and it should be just right."

After seeing it all, everyone turned their attention to Lu Zi'an again.

But I saw him sitting in front of the workbench, with about two hundred paint bowls on the table.

Without drawings, Lu Zian made the color based on his own ideas.

The fine powders of various colored materials were placed in the plate and placed in a bunch of them in a dazzling array of water.

These fine powders are the most important enamel powder of cloisonné.

The main raw materials of enamel powder are quartz, feldspar, porcelain clay, etc., soda ash and borax are used as flux, titanium oxide, antimony oxide, and fluoride are used as emulsifiers, and various metal oxides are coloring agents. After pulverization, mixing and melting, they are poured into water and quenched into enamel fuses, and then finely ground.

Of course, there are also enamel slurries made of wet-ground clay.

Enamel powder and enamel slurry each have their own strengths. They have a general term, that is, enamel glaze.

Although he was a little reluctant, the copper tire was handed back to Lu Zi'an step by step.

Lu Zi'an smoothed the body and after finishing it, he began to prepare for glaze.

He immersed the brush in the glaze, thoroughly evaporated it thoroughly, and then carefully outlined and depicted it on a petal.

"Huh?" Someone frowned in surprise. Regardless of the other people's eyes, he picked up a copper wire next to him and gently dipped it in Lu Zi'an's paint bowl.

Unexpectedly, unlike any pigment they usually use, the glaze color prepared by Lu Zi'an is actually sticky.

"This is……"

Finally, others noticed the abnormality and surrounded them.

Lu Zian always sat upright, the vase was slightly tilted on the wooden rack, with gentle strokes, slowly filling the glaze colors.

And this is Lu Zi'an's second innovative process.

When clicking the blue step, Taixiao's masters usually use blue guns and straws.

They were used to scoop glaze of different colors and slowly inlaid them in various small grids made of copper wire.

However, Lu Zi'an's glaze color is filled and outlined with brush strokes.

When you click a leaf, Lu Zian needs to use at least five colors, and the pigments used range from deep to light, and sometimes even nearly ten kinds of them are needed.

The leaves drawn in this way are even very clear, and a leaf stretches quietly, exuding a peaceful feeling of time.

Looking at this little blue is a kind of enjoyment.

"One point" means this kind of artistic conception.

While everyone was observing carefully, they couldn't help but pick up their tools and sketched them carefully.

The entire workshop was silent. They felt the feeling of Lu Zi'an's outline when he suddenly had a deeper understanding of Dot Lan.

In their eyes, the brush in Lu Zi'an's hand seemed not to be doing the blue, but to fill the missing part of the Chinese cloisonné.

What changes are the entire Chinese craft world in the wind and clouds.

In Taixiao Factory, Lu Zi'an was carrying out the blue technology in an orderly manner.

Yuki Shiraki, who was unable to find him for a long time, gradually focused on Taixiao based on Lu Zi'an's past and the new Weibo post.

"I think Master Lu must be in this Taixiao factory!" Yuki Baimu explained his analysis process while giving feedback to his superiors: "I have read the information. Ying Xuan assisted in the research of cloisonné technology in Taixiao. I used the picture above to compare the recent Taixiao products. Its glaze and color are very similar..."

Based on these clues, Bai Mu was inferred by Gui that Lu Zi'an must be in Taixiao Factory!

I just don’t know what they are studying, it should be related to cloisonne, so I deliberately blocked the news, but others didn’t know it!

The news was fed back to the Puji Kingdom and quickly gave them an answer: If possible, it would be best to bring the latest seven-treasure burning process developed by Lu Zian back to the country.

In order to make the two parties communicate more fully, they even held a short online meeting.

After the meeting, Shengliang wiped his face and sweated his hands: "This... Bai Mujun, do you think Master Lu's works are really Qibao burned?"

"I think so." Yuki Shiraki's face was slightly darker, and he pushed away the chair and stood up.

He looked a little anxious, lit a cigarette but didn't smoke it, walked back and forth a few times in the room, restless: "I suspect they are studying newer skills. The troublesome problem is that we can't get in at all."

"This is easy to say." Shengliang Yangyang said the phone number in his hand: "I have been paying attention to the changes in personnel from all sides. There is a person who also came to China."

When he heard that there was a door, Yuki Shiraki suddenly raised his head and said, "Who?"

Shengliang smiled mysteriously and lowered his voice: "Danny... they can fight cattle across the mountains, so we can learn... What is China saying?"

This Danny...

At the beginning, Lu Zi'an joined forces to play with them, but in the end, Lu Zi'an gained both fame and fortune, but the Eagle Kingdom didn't get anything good.

No need at this time, when will it last?

Yuki Shiraki thought about it and a cold smile appeared on his face: "Borrowing a knife to kill someone."

The troops were divided into two groups, and Yugui Baimu found someone to stay outside Taixiao, remembering Lu Zi'an's license plate number.

After learning that Danny came to Beiyi, the first thing he did was to find Amherst, Shengliang used the other people's mouth to stab Danny about Lu Zi'an in Taixiao.

Danny was straightforward and didn't think much about it. After trying to enter Taixiao that day and was stopped, he blocked Lu Zi'an directly at Taixiao's gate the next day.

"Hey! Master Lu, do you still remember me? Kai and I are **... Oh, we are fat friends!" Danny smiled brightly.

Huang Tian introduced him at the beginning, but Danny and Zou Kai were very good at chatting later, and they also learned Chinese with Zou Kai for a while.

Lu Zian also knew that there were actually reporters hiding these days outside the Tianmen. In order not to cause any bigger things, he waved his hand and Ying Xuan opened the car door and let Danny get in the car.

Shengliang in the corner bit his finger: "I knew it would be so easy to get on the bus..."

"If we were going, Lu Zian might not let us get on the bus." Yugui of Shiraki poured a basin of cold water: "He knows very well what we are asking for him."

It is precisely because this matter is too difficult that Lu Zian avoids it.

If I really want to see you, I'll have seen you a long time ago.

Danny first talked about his longing for Lu Zian. After being interrupted by Lu Zian, he finally said his purpose: "Master Lu, I want to negotiate with you about whether the Qibao flask you made a few days ago can be sold to me?"

"Qianbao Burning?" Lu Zian smiled and said, "Sorry, I didn't make Qibao Burning."

Danny was stunned, his mind swiftly: "...Huh? That's the lily vase on your Weibo! The beautiful one!"

The car was moving forward silently, and the car was very quiet.

Lu Zian glanced at him calmly and smiled slightly: "Danny, who did you come for?"

After being looked at by his cold gaze, Danny felt cold all over his body.

It was obvious that the temperature and temperature of the car was suitable, but he felt that his back was a little wet.

At that moment, many thoughts flipped into his mind.

Say, or not?
To be continued...