Looking at the word "Jun Soul", he was completely shocked.

In his opinion, some of these fragments of Jun porcelain have really reached a sufficient level.

Especially a dark red porcelain piece, like mist breaking and the morning glow booming. This flowing luster made him look straight.

From this porcelain piece, he finally understood the true meaning of what he had heard of, "A family has tens of taels of gold, which is not as good as a piece of Jun porcelain." Unfortunately...

Unfortunately, it was broken.

With infinite emotion, the leader sighed and shook his head, and walked back with infinite regret.

I found the workshop manager and directly blamed him.

Since there has been progress, why does it fail when reporting?

If they had known that such progress would have been possible...

The workshop director listened to him silently. When the leader noticed something was wrong, he paused, and then he said in a deep voice: "Sorry, leader, this is Master Lu, and it is also the result of the consensus discussion among all of us."

“…Can you ask why?”

People looked back at Junhun, then looked at Lu Zi'an, who was concentrating on glazing. The momentum of Lu Zi'an when he wrote the word "Junhun" suddenly appeared in his mind that day.

The pen tip is slightly sharp and can be swung with one stroke.

The ink traces slightly penetrated, but they were condensed but not dissipated, and the scorching sun shone on Lu Zi'an's side face.

With tall facial features and confidence and calmness are revealed between the eyebrows.

Lu Zian, who stood with his hands behind his back, had a bright eyebrow and a heroic spirit: "A man cannot stand without soul, and no soul without treasure!"

The word "Junhun" comes from this.

No defective products are left!

Every work strives for the ultimate goal, and the kiln fire is the selection standard that Lu Zian has always adhered to.

So to this day, there is still no successful Jun porcelain.

It's not possible, it's just unwilling!

After understanding these things, the leader's eyes changed when he looked at Lu Zi'an.

It can really be said to be an eye-opener. He never expected that there would be such a person.

He also brought a chair over and stared at Lu Zi'an with glaze.

It turns out that there are so many rules for glazing, and there are so many requirements when refilling.

Every stroke and every stroke is all charming, not to mention some complex decorations, which require more energy.

By the time Lu Zi’s safety department finished glaze, it was almost two o’clock.

At this time, Lu Zian finally let out a sigh and gently put down his pen.

"Master Lu, let's do the things here. You can have a meal now!" After working with him for a long time, everyone felt sorry for him.

Lu Zian shook his head: "No hurry, I'll seal the kiln door and eat it."

Yishui'er's silhouette was opened, and Lu Zi'an stood on one side, watching them put the blanks of the utensils into the silhouette one by one.

All were based on Lu Zi'an's arrangement order. Only then did people realize that there were skills in placement of this sack.

The size of the silhouette is exactly the same as the size of the utensil!

"Master Lu, all are installed."

Lu Zian took the hot towel he handed over and patrolled while wiping his hands.

After confirming that, he nodded cautiously: "Let's share the pot."

The upper half of each sash was finally covered with tight stitching.

This is because the smelting bowl must be tight and there are no gaps left, otherwise it will be easy to smoke and the quality of the burning will decrease.

After confirming, Lu Zi'an nodded cautiously: "Arson arson."

What is the fire?

It is just some small parts and ornaments, which are based on the same process as this batch of porcelain blanks, but they are all made small and are not distressed if they are broken.

It is specially used to understand the conditions in the kiln, so it is usually placed at the kiln door for their observation.

A row of zodiac gadgets are placed at the entrance of the kiln, and many people are looking straight.

Drink! This craft!

This monkey appears vividly, this dragon is majestic and powerful. Although the whole set is very small, the rare thing is that the details are very exquisite. As long as such handicrafts are successfully cooked, they will probably be priced at sky-high prices.

Master Lu actually used such porcelain embryos as a fire sample?

People feel distressed when they look at this exquisite fire-like appearance! It hurts!

They wished they could take out the porcelain embryo they had just stuffed into and put it in a fire style, if they could exchange these zodiac signs of Master Lu.

Forget it, you can't be so unpromising...

Everyone covered their hearts and took a step back.

After installing the sash containing the porcelain blanks in turn, Lu Zi'an began to seal the kiln door with brick mud.

Seeing the kiln carrying everyone's hope gradually being sealed, everyone's mood was a little complicated.

Lu Zi'an left a fire-viewing hole above the kiln door. After repeatedly confirming that the change in the fire pattern could be seen, but it would not be too large, he cleaned his hands again.

"Okay, ignite."

First, I burned a small fire. Listening to the crackling fire, the fire was burning. The leader said with a little hesitation: "How long will it take to burn this?"

"It can be as short as one night, and it can be as long as three or five days." Lu Zian wiped his hands clean and finally sat down by the table as everyone wanted.

It’s hard to tell whether it’s lunch or dinner. It’s almost four o’clock anyway, so he’s not particularly hungry, probably too hungry.

In addition to the craftsmen who specialize in adding firewood, others also started to eat.

Like every time before, everyone was guarding by the kiln, waiting for fate to come.

In the past, they would have felt nervous and fearful, but now they are all calm.

Although I am still looking forward to it, I can chat and laugh with a little nervousness.

Time flies very quickly and slowly.

The night is getting deeper.

Many people are sleepy and fall asleep in various strange postures.

Lu Zi'an sat in front of the kiln and looked up at the sky. The thick clouds had dissipated, and a full moon hung in the sky, clear and gentle.

With the moonlight, he sat at the table and wrote four words in Qingye's running script: "New Interpretation of Jun Porcelain".

In porcelain culture, there is a famous ceramic artist, many people are familiar with, that is, Tang Ying, who is called "Tao Sheng" by foreign ceramic collectors.

Tang Ying was good at painting since childhood. When she was 16 years old, she was selected by the Office of the Internal Affairs to paint and make porcelain samples for Kangxi.

This is a craftsman who is very talented in porcelain art and is almost genius.

He was only 47 years old when he was involved in the firing of porcelain, but in just three years he had become familiar with the various processes of firing of porcelain.

He imitated ancient porcelain.

The four famous kiln works of the Song Dynasty imitated by Tang Ying, such as the golden wire and iron wire patterns of the Ge kiln and the ice cracks of the Ru kiln, which can almost be fake and real when placed together with the original work.

He surpasses ancient porcelain.

Tang Ying was good at calligraphy and painting. He boldly combined calligraphy, painting and ceramic art, and integrated the artistic conception of calligraphy and painting into porcelain firing, and finally pushed the artistic level of porcelain to the pinnacle.

He created new porcelain.

Tang Ying not only developed glaze formulas for antique porcelain, but also developed new glaze formulas based on this.

What is most amazing is Tang Ying’s bold innovation in instrument shape.

The Heart-turning Bottle and the Jiaotai Bottle are the pinnacle of Tang Ying's artistic career. To this day, no one can completely copy it.

However, Tang Ying's greatest contribution to porcelain culture was the "Teaching and Art" compiled by him.

This is the first book in Chinese history that presents the process of ceramic firing in graphic and text, and records in detail the various processes of ceramic firing.

This provides important documentary evidence for future researchers, and its achievements last forever.

【According to the imperial edict, the 20th picture:

It is called quarry making, it is called purifying and refining soil, it is called purifying and combining glaze, it is called making silhouettes,

It is called round utensil molding, round utensil, carved utensil to make blanks, and green materials are used.

It is called refining and selecting blue materials, sealing emulsions, round utensils, blue and white, and painting utensils,

It is called dipping glaze and blowing glaze, it is called cutting the blank and digging the foot, it is called forming the blank and entering the kiln, it is called firing the blank and opening the kiln,

It is called round and carved, it is called the bright furnace and the dark furnace, it is called the bundle of grass and the bucket, it is called worshiping the gods and rewarding the original.

Each of them has detailed explanations and prepared the work order. Those who later govern Taoism learned from it.
To be continued...