Qu Duoduo was still not relieved and hummed, "He has lived a very comfortable life these days. He always wants to make things happen. Haha, I will accompany you to the end! Okay, you can go in quickly!"

Chen Mange was indeed quite cold, trembling with coldness. He quickly responded and hung up the phone.

The room was very warm. After Chen Mange and others gradually warmed up, they hesitated for a while and turned into the kitchen.

The casserole is slowly boiled in a light heat, and the aroma of the porridge rises gently and slowly.

The door of the study was always closed, and Chen Mange was playing games, looking up from time to time.

When Lu Zian was playing with porcelain washing and looking for inspiration, time seemed to have settled.

He even forgot about the things around him and was completely immersed in his thoughts.

Suddenly, he sat upright, put the porcelain washing that he had been playing with repeatedly in his hand on the table, and reached out to pick up the pen.

The pen next to it was washed with a scent of water.

He didn't even look at it, and the tip of the pen was about to leave when touched on the water.

The paper is filled with glimpses, beautiful pictures appear, and then disappear.

As the water on the tip of the pen becomes less and less, the speed of disappearing becomes faster and faster.

At the end of the painting, Lu Zian was no longer painting on paper.

A light boat floats between the mountains and rivers, looking far and quiet.

The shore rocks by the water are vigorous and the distant mountains are lightly carried by just a few strokes.

Even if it was just a sketch, Lu Zian also drew a distant and ethereal artistic conception.

If someone was in front of you at this time, I would probably feel extremely regretful for this scene!

But Lu Zian didn't feel sorry. He did it in one go, and immediately lifted the knife after putting the pen!

The tip of the knife gently presses against the porcelain glaze, and slowly exerts a light scratch on the glaze.

Many people are accustomed to using brush and ink to create pictures on porcelain, and then engrave them with a carving knife.

But this is actually a bit rigid. Lu Zi'an held his breath and used his knife like a pen, soft but still flexibly outlined the mountains and rivers in his heart on the glaze surface.

A variety of knife techniques, knife twisting, and pointing methods are available at will in Lu Zi'an's hands.

The more knife techniques you use, the more rich and delicate the picture can be.

A light boat can only feel its lightness and exquisiteness on paper, but under Lu Zi'an's carving knife, the technique of carving, chiseling and carving are used to form a bas-relief.

The glaze surface is extremely thin, and this thinness is not only reflected in the glaze layer, but also in the layers carved on the tip of the knife.

The porcelain blank cannot be touched to avoid the bottom being exposed.

Do not be too dark or too light to avoid uneven color.

The key is the degree of this engraving porcelain.

Everything is silent, only the sound of the tip of the knife being scraped or chiseled on the glaze surface.

The glaze surface is slowly peeled off.

Sometimes the tip of the knife will even be stained with a small thin, translucent glaze.

The crystal clear and radiant feeling of light flowing makes people feel palpitations in just one glance.

Even Lu Zian couldn't help but pause for its beauty at this moment.

But the next moment, he gently picked the tip of the knife and smeared the scraped porcelain glaze on the soft cloth on one side.

Why was porcelain engraved called peeling jade in ancient times?

It is because of the fact that the glaze surface is peeled off layer by layer, which looks like the feeling when carving and moistening jade.

It was not until the glaze color no longer floated on the surface that Lu Zian gathered his energy and slowly carved out the hull, and then carved out the wood patterns.

A boat jumped lightly on the porcelain surface.

When you look from a distance, you can even see the shadows around it, as if it was an unintentional model that was washed in porcelain.

Lu Zian raised it and looked at Guang, took a brush to gently remove the dregs, let out a sigh of relief, and began to portray the landscape.

He used the method of scattering and brushing, depicting towering peaks and deep and quiet water surfaces.

The quiet, distant, ethereal and vivid pictures were easily outlined by him.

Mountains are mountains.

Water is water.

What's rare is that he didn't stop there.

As the tip of the knife turned, he outlined a little water light in a hidden mountain stream on the side.

The luster and smoothness of Jun porcelain were used exquisitely by him.

The fog that was washed away by the waterfall was clearly a scene that was difficult to portray, but it seemed to be easy in Lu Zi'an's hands.

When you reach this point, you can easily feel the wonders of Jun porcelain.

The difference between Jun porcelain and other porcelain techniques lies in its creamy state.

This kind of vague and hazy feeling is most suitable for sculpting the vast mist.

Lu Zian was completely addicted to such a wonderful carving. The glaze was completely different from wood and jade, but it gave him more challenges.

The force must always be uniform, and it will crack too much, and there will be no trace when it is too small.

Under his knife, the landscapes painted on paper before finally slowly reappeared in the world.

Mountains are not mountains.

Water is not water.

When they float on paper, they are still and cannot be touched.

You can feel its artistic conception, but you cannot feel the shock it gives people.

But on porcelain washing, they are dynamic.

After all the carvings were completed, Lu Zian finally picked up the pen.

He combined the ancient brush and ink with the strange colors, turning thousands of rivers into clouds of misty colors.

The picture is clearer and three-dimensional, but the color is a bit brighter.

Lu Zian didn't care. He just picked up the fine sandpaper after all the colors were finished.

Even if it is rough, it is very meticulous.

After polishing over and over again, the bright colors of the previous ones faded away layer by layer.

When Lu Zi'an stopped, what was finally presented in front of him was already a complete landscape painting.

I saw a light boat floating in the sky blue porcelain.

It seemed to be still, but the surging mist next to it seemed to push it forward.

A good landscape work must be "as for landscape, the quality is interesting and spiritual."

However, the mountains and rivers under Lu Zi'an's knife seem to have encased all the magnificent, vast and profound vitality in nature into this porcelain washing.

Especially the vast fog, covering the distant mountains, as if there was still a large area of ​​scenery being hidden, making people feel unsatisfied.

After completing the details, Lu Zian let out a sigh of relief.

Playing with the porcelain washing, an unspeakable joy emerged in his heart.

beautiful.

No matter where it is put, it will attract all attention as soon as possible.

It is unique, silently beautiful yet extremely domineering.

When it enters the field of vision, other things cannot enter the heart at all.

Lu Zi'an gently rubbed his fingertips and murmured softly: "The color is still too bright, it needs to be used for a longer time. The ink color penetrates gently, and the color will gradually darken..."

What a wonderful thing it would be to make it produce the most beautiful changes in the most natural form?

At this time, a quiet fragrance lingers at the nose, and Lu Zian finally came to his senses.

I looked up at the window and realized that it was dawn.

He thought about it, and reluctantly washed the porcelain and put it down, washed it and walked out along the fragrance.
Chapter completed!