Calligraphy emphasizes the unity of man and nature.

Some works that have passed down from generation to generation are often born in this state. Some representative works of a generation of calligraphers, if they ask him to write them again for the second time, they will not feel the same as before. For example, Yan Zhenqing's "Memorial to Nephew" was written in such a state of sorrow?

The brewing, catharsis, the integration of heaven, earth, and man is only one, and there is only one time.

"Preface to the Lanting Collection" came into being in the joyful scene of the Qushui River and the Lanting writing poems. Even Wang Xizhi himself could never achieve the divine helping work like the Lanting Collection after that day, and regarded this work as a treasure.

It is conceivable how valuable this work is.

Zhong Yue looked at the scene that evolved, turned around and entered the room, preparing to create. The man was quite conscientious, and what he brought to Zhong Yue was mica cooked Xuan. If it was an ordinary raw Xuan, Zhong Yue would probably be crazy. The fine-brush landscape painting pays too much attention to details. If raw Xuan, the paint will be stained and the whole painting will be invalid.

Zhong Yue did not intend to use sketching in this painting. In the current sense, sketching is actually learned from Western painting techniques, so that the current Chinese painting techniques have also paid attention to sketching in disguise.

However, there was no sketching technique defined in ancient times. The birth of many paintings, either on a boat trip or at home, was not the scenery you saw in front of you, but what did you rely on?

There are mountains and valleys in my heart.

This is the essence of Chinese painting. The birth of paintings is the communication between man and nature's spirit, rather than visual sensory records.

Why is Chinese painting always called freehand painting? It is because Chinese painting contains the spirit of literati and the carrier of will, so it is called freehand painting.

Someone came in the studio. Since school was not yet started and there were no works to be handed over, most students were still enjoying the end of the summer vacation. Occasionally, students who came to join in the fun came to see Zhong Yue standing in front of the big table by the corner of the window. They were stunned at first, and then showed a look of pity, shook their heads and sighed, and murmured to themselves: "I am another person who is not afraid of death..."

Zhong Yue had already started to take a small hair and started painting.

Can there be people in landscape paintings?

Of course, the characters in landscape paintings are different from those in figure paintings, and they pay attention to the same image.

Perhaps just a few strokes have been written, you may not even be able to see the person's facial features, body shape, body shape, or body shape. However, when you enter this painting, you can be surprised to find that you have had an emotional understanding.

This is what everyone has done.

Western school of painting pays more attention to techniques, but Chinese painting, all techniques and colors, serve the same theme.

That is the intention.

What exactly do you want to express in a painting?

Is it a secluded and leisurely, or anger in my heart, or joyful and contented, etc. This is the essence of Chinese painting.

Zhong Yue's lines contain the nine-moment brushwork of the gods and man. They are even more handy about mountains, rivers, plants and trees. Even if the lines on paper are not yet formed, you can feel what these strokes are drawing.

The flowing water is gurgling.

In the ink rhyme, Zhong Yue's brushwork constantly changes.

Water is formless, but the momentum is best seen from it.

The water is smooth and the water written by Zhong Yue is neither too fast nor too slow. It seems that it is just this speed that allows the lotus leaves carrying the wine glass to slowly drift, making it interesting among literati and scholars.

If there were a modern and contemporary Chinese painting master standing aside at this time, he would definitely feel that Zhong Yue was shocked.

The brushwork is so sophisticated that the whole work has been revealed before it has been filled with color.

I don’t know when it started outside the house, but thunder was already rumbling, and a storm was brewing.

Zhong Yue put down his pen.

Walked over and turned on the fluorescent light and ready to color it.

In this work, Zhong Yue limited the size of the painting to a very small size and had to complete the painting within an hour. If the size is large, it would take a lot of energy to paint.

Lanting is not big at all, so why bother to do this?

Zhong Yue's painting is only the size of a fan.

The paints on the drawing board are squeezed into a pile. Wang Ximeng's painting method emphasizes green coloring and brightness, which is exactly the artistic conception that Zhong Yue wants to express.

Drink and write poems, sing with high highs.

This situation naturally highlights the word "官网".

In Zhong Yue's paintings, the characters are blurred, but looking at the whole picture, the scene is full of joy and charm.

The pigments are rendered between paper. Zhong Yue’s pen and materials are all very experienced.

The rain was a little heavy, and the thunder rumbling, and no one came to the entire studio. Perhaps it was blocked by the pouring rain.

Mountains, streams, orchids, and elegances form a harmonious picture.

Zhong Yue felt a sense of pleasure, although the borrowed pigment was a bit dry and discolored because it was a bit open for a long time.

But from a general perspective, this painting still satisfies him.

The fine brushwork and heavy color were definitely the leader in the prosperous era of the Tang and Song dynasties. With the prosperity of literati paintings, the painting, which was regarded as vulgar and craftsmanship, gradually became lonely. It was not until modern times that this unified pattern of ink painting was broken, and heavy color ushered in revival.

This is also the reason why Zhong Yue dares to be so bold when using colors now.

This is the best era of Chinese painting!

Zhong Yue put down his pen and looked at the rain outside the window.

“Submit task.”

"Has the host confirmed to submit the [Ancient Rhyme Painting] task?"

"yes."

"drop……"

The system rang for a moment, and dullly analyzed the voice:

“A related painting is detected.

Style: Northern Song Dynasty courtyard style painting.

Work level, intermediate paintings.

Artistic value: Seventy-six.

Historical value: Eighty-nine.

Comprehensive collection value: 81.

Meet the task requirements and complete the task.”

This is the first time Zhong Yue used the system detection function to evaluate his work. The quality of a painting does not simply look at the brushwork. Ideas, ideas, innovation, subject matter, etc. will affect the value of this painting, nor does it mean that all paintings written by masters are fine works.

However, Zhong Yue was personally satisfied with this work at least. Because this was his incorporation of emotions, he painted it so vividly for the first time. Lanting's ancient charm seemed to have also infected him.

"Does the host complete [Ancient Rhyme Painting Scenery]? Will he start the secret realm mission [Bi Lin Ge Pool]?"

Zhong Yue's heartbeat accelerated a little, which was a photocopy reward for the original work of the Book Saint.

“Open.”

"The system reminds you that the secret realm mission has unlimited opportunities, and the host needs to learn to make choices."

Zhong Yue was even more excited. He hadn't encountered a similar secret mission. Could it be a treasure hunting mission? If it was really a treasure hunting mission, wouldn't he be developed?

The rain outside the window stopped.

The wind and rain are coming and going in a hurry. The mountains in the distance are lush and green.

Relaxed and happy, making people feel reborn.

The sky is as bright as it is, and it is bright and fresh.

Zhong Yue carried his schoolbag and said impatiently: "Open!"
Chapter completed!