The paper version of the Jin Dynasty was not as bright as it is now. The preface to the Lanting Collection that Zhong Yue saw from the jade slip was yellowed and looked simple and elegant.

"How can you see clearly if you are so small..."

Even if Zhong Yue has good eyesight, he cannot look at a work that is only 70 cm long and more than 20 cm wide from three to four meters away.

"The host can control the size and size of the size of the size by relying on consciousness."

So humane?

Zhong Yue tried to move his sight, but sure enough, with his subjective control of his thinking, the length gradually increased.

Nowadays, the preface to the Lanting Collection of Shenlong, which is considered closest to the original trace, has been written inscriptions and observing the poems, from the original 70 cm to a scroll of calligraphy more than two meters long. Throughout the dynasties, calligraphy masters, collectors, emperors and generals have left inscriptions, observing the poems and seals on it.

Calligraphy cannot be compared with the calligraphy saint Xizhi. It is a blessing that it can be listed on the same work as the calligraphy saint and spread throughout the ages. Therefore, a clean, lively and elegant masterpiece was ruthlessly printed with more than 180 seals.

If you say the most shameless one is Qian Long. The handwriting is not very good, so you have to put on a pig's nose. The four big characters "Jin Tang Heart Seal" are more conspicuous than all famous inscriptions and inscriptions, and they are also mounted at the beginning. There is a great momentum that my handwriting is the largest and I am the number one in the world.

But Zhong Yue's current work is different.

Clean and clean.

In addition to the signature seal and several casual seals, the roll surface looks very comfortable and neat. Before I could read the words in it, Zhong Yue felt relaxed and happy.

"In the ninth year of Yonghe, the year was in Guichou. At the beginning of late spring, I met at Lanting in Shanyin, Kuaiji to practice the work. After all the wise men arrived, the young and old gathered..."

Zhong Yue slowly looked at it from the beginning, and the traces of the smearing were very natural. If you wrote it wrong, use a pen to wipe it, without any trace of artificiality. The first time I looked at the whole article, Zhong Yue looked at the layout and layout.

Many of the ancients' papers had no squares and lines. However, some works of history were often created as works hanging on the wall, or ordinary manuscripts for writing articles and poems, and such manuscripts can be properly arranged and have artistic beauty. This is the foundation.

Zhong Yue couldn't imagine the flowing clouds and water, and used other words to express his inner shock. Each line of words was like a beating note, full of rhythmic beauty. Before he could read it carefully, he felt that it was a masterpiece.

Running script emphasizes this kind of fluency. The old man said before that Zhong Yue’s running script was too stiff, and it really makes sense. If you take a single word, you will be good at both muscles and bones, but if you stack them in one line, you will appear very stiff. This is the so-called brushwork, the composition, writing, and structure.

Zhong Yue had seen the flowing water and Qushang. Only in this state of mind can he write such elegant and handsome works, like a banished immortal descending to earth. I am afraid that the saint of calligraphy will not be able to have the first look when he asked the Lanting Collection for the second time.

Twenty-eight lines, after reading it, Zhong Yue took a deep breath, then turned back and looked again. This time, his gaze moved closer.

When talking about the art of calligraphy and painting in the Wei and Jin Dynasties, people always associate it with the aesthetic taste of "the debate between form and spirit", and develop from "both form and spirit" to "remove form and spirit" to "remove form and spirit", which emphasizes nature.

Following the principles of the divine, this is the relationship between formal expression and spiritual connotation in art. It has both the Taoist "elegance" and the Confucian "literary quality". The combination of magnificence and simplicity has resulted in the artistic character of "both form and spirit" of traditional Chinese calligraphy and painting art.

After looking closely, Zhong Yue felt that his calligraphy had not been learned yet. Even the copy of the Lanting Collection of Shenlong version cannot be compared with the original image.

Every stroke of Zhong Yue felt that a slight move would affect the entire article, which was simply amazing! The saint of calligraphy, no wonder he could have been at the top of the calligraphy world for thousands of years, and no one could surpass it.

Natural and natural, harmonious and smooth.

Zhong Yue's eyes were dry after seeing it, so he left the jade slip and sat on the green grass for a long time.

He used to believe that since Wang Xizhi was from Jin and a man of the gentleman, no matter how great the calligraphers in later generations had, they could not be comparable to the saint of calligraphy. However, after reading the original photocopy of the preface of the Lanting Collection, Zhong Yue felt that he was wrong. In which dynasty this masterpiece was the most brilliant pearl.

When I looked at the Nine Powers of the Gods and Man again, Zhong Yue’s mentality was different.

He saw what harmony is from the Lanting Preface. It seemed that a little harder stroke would be unbalanced, and a little softer stroke would lead to poor muscles and bones.

Black and white, yin and yang.

Zhong Yue watched the ink wind fall on the grass, taking root, and the flowers are brilliant.

In line with Yin and Yang, Zhong Yue closed his eyes and carefully experienced the rhyme of the nine powers of the gods and man.

The way of calligraphy is Zhong Yue is destined to be lost in the brushwork and to innovate in the world! This road is still long and requires more efforts.

He stood up and entered the gathering place of the Wang clan of Langya.

Wang Xun looked at Zhong Yue's gaze with a burning look and said in surprise: "You..."

"Shangshu Wang, I'm fine."

"Yeah, go."

Zhong Yue walked firmly through the Wang Clan Ancestral Hall, sat cross-legged on the wooden bridge and watched the geese.

In line with yin and yang, it is as a stunning dragon.

Zhong Yue looked at the waves of water and felt more and more interesting.

He seemed to really understand something.

...

...

Skyscrapers in Shanghai

The scenery upstairs is beautiful, the Yangtze River Delta and the prosperity of the city are all in sight.

"Mr. Wang, please."

The middle-aged man was wearing a long gown and looked out of place with the world. He ate Western food in a long gown. It is probably only this Xiao Kai Wang who is like this, so he will not be teased.

The charming woman opposite smiled, "Mr. Wang, I heard that you almost started working with people from the Calligraphy Association a few days ago because of an unknown junior?"

"Um."

"Can you tell me?"

Xiao Kaiwang cut off a piece of beef and stuffed it into his mouth and chewed it carefully, "I want to accept him as his apprentice."

"Really? That's really an honor for that child!" The woman was obviously a person of some status and status. Her dressing taste and temperament are not comparable to ordinary rouge powder.

"Mu Xiang, I know what you are thinking. I can remind you not to touch him. If you dare to move the person I want, you Mu family will not interfere in the cultural industry in the future!"

The woman smiled coquettishly and said, "Youyouyou, I dare not move the person I want from Xiaokai Wang. Hello, you don't have that kind of habit, right?"

Wang Ge wiped his mouth, "His family background, talent and speed of progress are worth my efforts."

"Haha, that's really congratulations."
Chapter completed!