This time Tam Yongzhi translated it in English.

Zhong Yue could roughly hear that this is what he meant, of course he just grasped keywords, such as chinese, and die. However, after listening to it, Jin Yinglie did not look furious and furious. Instead, he looked at Zhong Yue and turned around and left.

Mitsuhiko Aoyama also felt that if she continued to argue in such an occasion, she would directly reduce her identity and sighed: "The Chinese nation of moderateness."

"What are you translating?" Zhong Yue frowned, looked at the departing parties, turned around and asked in confusion.

Tan Yongzhi pursed her lips and said weakly: "I... translated as you said."

"Student Tan, please look at my eyes!"

"..." Tan Yongzhi's little hands were entangled with her clothes and turned her head over.

Under Zhong Yue’s “powerful power”, Tan Yongzhi finally couldn’t resist it and said, “Okay. I just think your words are easy to turn the finger at us. We are only two of us, so… so I translated it into what you two make sense.”

“…”

Zhong Yue rolled his eyes in anger, this... No wonder Mitsuhiko Aoyama scolded him for being mean. His words about his original confrontation with Jin Yinglie were translated into a panacea after Tan Yongzhi's translation!

"Didn't your father tell you that as a translator, respecting and adhering to the original intention is the most basic professional ethics!"

After being yelled by Zhong Yue, Tan Yongzhi, who was already a little nervous, stared at her eyes and cried, and was about to explode.

Zhong Yue is really angry. Jin Yinglie is obviously pointing at the same time. If Japanese calligraphy looks down on Chinese calligraphy internationally, Korean calligraphy looks down on Japanese calligraphy at all, while our Chinese calligraphy is a mess, without any master-level figures who can be equal. There are also many sensational people who even learn to learn the ink in this way, trying to get a piece of pampered calligraphy circle that is already full of holes.

Zhong Yue naturally had to make a difference when he came this time, but he was considered to be decay and mean, so he certainly vented his anger on Tan Yongzhi.

"They are from the International Calligraphy Association. If you offend them, what will happen to the exchange? I'm also considering it for you!"

Looking at Tan Yongzhi's pear blossoms with rain, Zhong Yue wanted to say that he didn't need to compromise so much, but he already had rich experience and understood that if he said this at this time, he would probably cry even harder.

"Not this is allowed next time. Remember, we are here to bully people!"

Tam Yongzhi looked at Zhong Yue's expression, and somehow she couldn't stop her tears.

“…”

Could it be a masochist?

...

I have to say that there are still many collections in this library. I thought that the Chinese calligraphy delegation would support this time and some heavyweight figures came, but two young people who participated in the competition instantly lost their interest in entertainment. They were criticized by Jin Yinglie, and they stopped showing up. In Japanese calligraphy, he was already a mythical figure and didn't need to make any more concise. Now what he wants to do is how to improve Japanese calligraphy to an international art platform. This is the tentative step of this exchange meeting.

Zhong Yue took Tan Yongzhi to wander around the library. Tan Yongzhi's eyes looked red, and the people around him always thought that Zhong Yue had bullied her, showing a look of contempt.

"Don't wipe your tears, I think I've bullied you."

"Isn't it?"

Zhong Yue pointed to the works in the booth and said, "Ono Daofeng, this is the model of Japanese calligraphy.

In the Calligraphy Museum, Zhong Yue and Tan Yongzhi took a walk around. Except for the original works and rubbings of a few ancient Chinese calligraphers, most of the calligraphy works are still displayed in Japanese calligraphers. Many Japanese calligraphers completely deviated from the essence of calligraphy. Although they have artistic elements, at least Zhong Yue doesn't think it's very good. However, this Japanese mid-year calligrapher, Ono Daofeng, did get the essence of calligraphy.

"This Ono Daofeng has a status in the Japanese calligraphy world, which is equivalent to the height of the four schools in the early Tang Dynasty. One of the three wild traces refers to his calligraphy. However, many of his works have been circulated in the world, with nearly 100,000 works."

"Hundreds of thousands...well, it's such a high-yield player."

Fortunately, he is a Japanese calligrapher and does not make a living by selling calligraphy and paintings. If he is in China, if a calligrapher's works reach the number of 100,000, then a 100,000 per market may be the value of his peak works. Being able to produce more than 100,000 works, this Japanese calligrapher is also obsessed with calligraphy and hardworking.

It is not that Ono Daofeng's calligraphy has low artistic value, but it also involves economics. If Wang Xizhi's works are owned by everyone in China, then the auction price will be so.

"His calligraphy was not influenced by Tang Kai like those of Nakamura Nibuzawa. His calligraphy retained the 2-fold brushwork of the Jin people. Its level is still very high and has a good Jin rhyme."

Tam Yongzhi looked at Zhong Yue and the topic was shifted. She forgot about her previous grievances, "Have you studied him?"

"No."

"How do you know?"

"Don't you watch it?"

Tan Yongzhi was even more surprised, "Can you see a person's calligraphy trajectory?"

The so-called viewing of a person's calligraphy trajectory is to see through a work that the person has learned his calligraphy before and what kind of font styles are there. Such a judgment requires the appraiser to have a deep foundation in calligraphy. Of course, if the person's calligraphy style is very obvious, then I will talk about it another way.

"This is very simple. Ono Daofeng is obviously the two kings of learning from the Dharma."

Tan Yongzhi is very familiar with the culture of Japanese calligraphy. She is not only familiar with Japan, but also in South Korea. These are all compulsory courses in calligraphy education. "In that era, the social environment with Tang style culture as the mainstream also influenced the development status of Japanese calligraphy. The "Two Wangs" style became the mainstream of the entire Heian early calligraphy history, which promoted the formation of the first calligraphy climax in the history of Japanese calligraphy. Calligraphers such as Kukai, Yukishi, and Saga became the core figures of this era of Tang style calligraphy collection. They were called "Heian San Bi" by later historians, and Ono Daofeng and others had another climax after Heian San Bi. Japanese calligraphers called it localization of calligraphy."

Zhong Yue shook his head and said, "Localization is localization, but they have not learned the essence of calligraphy. Look at these works of Ono Daofeng, his ink is very strange."

“It’s really unnatural.”

"This is why they don't understand what our Chinese calligraphy pursues in art. His dry brushes are almost controlled by the thickness of ink. They think that when they go to this place, they should be light in the ink marks on the calligraphy, so they try their best to adjust the thickness of ink, but they don't know that they add to their strength.

Our Chinese calligraphy has always shown itself, but our display is very subtle. These dry brushes, brush strokes and loose font structures echo each other, are all artistic breakthroughs in the hearts of calligraphers. After learning some of the basics, these Japanese calligraphers feel that Chinese calligraphers are self-satisfied and have no breakthroughs, but just look at the sky from a well."

"Then what you mean, there is nothing wrong with the calligraphy world now?"

"Birds of a feather flock together, and the calligraphy circle is also a small world, and it is divided into different levels. If everyone has the enlightenment I mentioned, it is impossible. The Japanese calligraphy has been passed down from the sparks of fire, and no talents like Ono Tao Feng have emerged like bamboo shoots after a rain. There are a few strange things like Inoue."

"Ono Taofeng is better than Zhiyong of the Southern Dynasty, Huaisu of the prosperous Tang Dynasty, or Mi Fu of the Northern Song Dynasty, and he still looks back to him."

Zhong Yue turned his head and smiled and said, "So I tell you, we are here to bully them. The ancients are not inferior to the ancients. There are three kilograms of nails on the broken boat. Of course, I have to hit these old gangs who think they have stepped on Chinese calligraphy under my feet!"

Tam Yongzhi: “…”

This person is really naughty.
Chapter completed!