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Could it be that the signing of Zhang Xueyou was not announced to the public, but that the news was planned to be made public after the game, and that it also taught Zhang Xueyou how to deal with invitations from those companies during the game.

First, considering the protection of Zhang Xueyou, he avoided other companies from using despicable means, especially the wireless side, which was not unaware. Second, in order to avoid Zhang Xueyou being dispersed by the media and unable to focus on the competition itself. He wanted to sign a singing competition champion, which would be very helpful to Zhang Xueyou's future.

Within the company, the people who knew that they had signed a new singer were limited to several core characters such as Lian Bo, Chen Pu, and Feng Meiji. Others, including artists, knew nothing about this matter. They were concerned about another thing, "A Chinese Ghost Story" is about to be released.

On the second weekend of September, Phoenix Culture's third film "A Chinese Ghost Story" premiered. This is an event that the Hong Kong film industry is paying attention to. A large number of media reporters gathered at the Lisheng Theater in Princess Golden Cinema in Miton Road, Mong Kok.

The director of "A Chinese Ghost Story" is Xu Ke, and Xu Ke's relationship preferences with Princess Jin, and his film studio has also been supported by Princess Jin in many aspects. Zou Wenhuai also wanted the premiere of this film because of this film, but instead wanted the premiere of Wang Jing's "Nightclub".

Lisheng Theater is the best audio and video equipment theater in Kowloon. There are more than 1,400 seats upstairs and downstairs. In the early stages of its completion, it was mainly rented to Jiahe. The first round of European and American films was released. It was not until the 1980s that Princess of the Lei family took back the lease rights and began to enter the first round of Hong Kong films.

Lei Juekun arranged the premiere of "A Chinese Ghost Story" to be built in the earliest and most complete Lisheng Theater, which is the best and most complete, which shows his attention and expectations for this film.

Xu Ke is also very confident in this film. "Shanghai Night" is a work announced by the film studio, and this "A Chinese Ghost Story" is a work that opens up the market. It does not seek to surpass Li Hanxiang's literary film "A Chinese Ghost Story" in one fell swoop, but it also needs to establish the advantages of this mixed version of "A Chinese Ghost Story" that combines business and literature.

During the preview, Lei Juekun and Xu Ke had already finalized that more industry insiders must be invited to watch the premiere. Although this is a movie written and invested in, Xu Ke's directorial skills cannot be ignored. Otherwise, why should he have to cooperate with Xu Ke? Taking this opportunity, he can also promote the brand of Xu Ke's movie studio.

There were indeed many guests at the premiere. In addition to the crew of "A Chinese Ghost Story", all the main creators of "Shanghai Night" were present. Many celebrities who had worked with Xu Ke before also came. There were also Zhou Runfa, Wang Jing and others who saw Lei Juekun and Mo Fei come here, which made the long-awaited reporters enjoy their appetite until they killed all the films they brought.

As an investor, he also has two important tasks: screenwriter and producer, so he naturally has to be present. With the example of Mo Fei's boycott activities before, no one in the reporters asked whether he had a lack of oxygen in his brain and the ghost girl, even if the ghost girl was not far away from him.

The reporters did not make things difficult for him, but Huang Zhan asked a question that made Mo Fei very embarrassed in front of the reporter. Maybe this old monster of salty and wet is trying to destroy Mo Fei's reputation. After answering a question from the reporter, he turned around and asked Mo Fei: "Do you still want to be a gentleman today?"

Could it be that I understood what this savage guy was thinking as soon as I heard it, and said without hesitation: "In such a public place, I can't even be a villain, so you'd better be a gentleman."

"Okay, I'll ask you, you are the best songwriter. Why did you invest in this movie and ask me to write songs? You won't be the only one who can do it?"

The old ghost wants to praise himself. Could it be that he was happy to follow him: "It's not that I can't do all my talents, but that you are skillful in Uncle Zhan. Such songs that express classical themes must be grand. It's of course the best to ask Uncle Zhan to write. Moreover, I've been so busy that I've been dizzy all over the time. Not to mention writing, I don't have much time to write, so I have to ask Uncle Zhan."

"Okay, this time you owe me a favor. I don't want much, and I'll be satisfied with a drink and five stories." The old guy took advantage of the situation, but instead started to talk about conditions in front of the reporter.

The smart reporter immediately rushed over and asked, "Uncle Zhan, Mr. Mo, I don't know what the story you are telling is. If it weren't for your personal questions, could you reveal it?"

Huang Zhan had long thought of pulling Mo Fei into the water. Today, the reporter's question happened to scratch his itch, pretending to have a very serious expression, and said, "Of course, this is nothing shameful, but some people are just one in person and one behind the scenes. The little story I'm talking about is similar to those in "The Book of Documents", but what he said is fresher and more interesting."

Could it be that the dark lines were all over my head. This salty and wet guy is abominable. Now the reporters are interviewing, not chatting with each other. Needless to say, even if they ask, these reporters may not really not post this passage. Now, at the latest tomorrow, all Hong Kong people will know, may they still be a dirty joke king, which is too harmful to the image, and their views will be ruined by one word.

...

The performance after the release of "A Chinese Ghost Story" was indeed similar to what Mo Fei expected at the beginning. The box office on the day of the premiere exceeded 1.5 million Hong Kong dollars. In the following week, the box office performance continued to rise, and finally ranked third in the first week of the year with HK$13 million, ranking behind "The Trap of the Sky" and "The Hotel Peace".

If you continue to move on with this state, can you already judge that the final box office of this film will be between 45 million and 50 million, and may exceed 50 million, but the possibility is not high. The box office in other places will definitely not be high in North America and Europe. At most, it is one-fifth of the "Stealing Trap", which is also not very difficult. However, in other Asian countries, because of their similar cultures, the box office should not be too bad.

The production of "Nightclub" which was released a week after "A Chinese Ghost Story", was much better than Mo Fei had expected. It won a box office of 10 million on the day of its premiere. The final Hong Kong results should be much the same as "A Chinese Ghost Story". This big sale made Mo Fei a little rare.

Immediately afterwards, in the North American and European markets, the reaction of "Nightclub" was much stronger than "A Chinese Ghost Story". On the day of the premiere of the North American market, under the condition of a small number of screenings, it actually won a score of 2.1 million US dollars, which is more than twice as much as "A Chinese Ghost Story". It seems that such a film is in line with the tastes of Europeans and Americans.

The big sale of the two movies cannot keep Mo Fei's excitement for too long. Such an ending was basically what he could have expected before. There was nothing too outstanding, especially after the big sale of the first two movies, such results were no longer so dazzling.

On the contrary, the latest series "Miao Cuihua" launched on ATV made Mo Fei really happy. The ratings on the day of the premiere reached 35, and then it began to rise. On the third day, the ratings had exceeded 40, steadily suppressing the TVB's series of the same period. According to conventional practice, it should be maintained at over 40 in the end.

Since 1984, Masashi has stopped focusing on movies, which has reduced the excitement of defeating Masashi to a very low level. Only by defeating Boom can Masashi feel that she really highlights her resentment.

The popularity of movies and TV shows has also given me more ideas. "The World of Heaven" has started filming. Will there be a film that can really win awards? If you make money, you will have to gain reputation. Don't everyone do this?
Chapter completed!