Hanfeng looked at the hand that grabbed him, then looked at He Chun and said, "It's not interesting, it's not interesting at all."
He Chun became even more angry when he heard this: "What are you saying is boring? Do you mean to say that my bamboo painting is fake?"
Seeing how aggressive he was, Han Feng was no longer polite: "Yes, your painting of black bamboo is a fake!"
When the onlookers heard this, they immediately became excited. Some people were laughing, while others looked at Hanfeng with disdain and said he was talking nonsense. One of the loud voices said loudly: "You fart! You are so young that you don't understand."
Don't talk nonsense. He is the grandson of Mr. He, a great collector, and a famous antique connoisseur. You dare to talk nonsense and say that his paintings are fakes. This is slander. Do you know that you will be jailed for slander?"
Hanfeng followed the sound and looked over, only to see that this person was the person who sat next to He Chun when he visited He Zhongguang yesterday!
He Chunze didn't panic at all. He looked at Hanfeng coldly and asked, "You said it was a fake. How did you know it was a fake? What if it wasn't a fake?"
Hanfeng sneered and said: "Then I will give you lessons."
When everyone heard this, they started to curse again: "Holy shit, where did this kid come from? How can he be so arrogant? He actually dares to say that he will teach Mr. He. He is really an arrogant person who doesn't know the heights of heaven and earth!"
He Chunye sneered: "Then I will be a good student for a while. If you can't explain why, I will call the police immediately."
Hanfeng said: "It's up to you."
He Chun said: "Then let's start."
Hanfeng said: "Then please take out the painting and I will give you a good talk."
He Chun immediately called the staff. After signing the staff's responsibility letter, the staff entered the password to open the glass cabinet, took out the painting, spread it flat on the glass cabinet and left.
Hanfeng walked up to the painting. After hearing the news, the crowd who came to watch were from three floors outside and three floors outside. Those who couldn't see from the outside asked the people inside to find out what was going on. The originally orderly exhibition hall suddenly became noisy.
Very lively.
Han Feng looked at the painting and said lightly: "First of all, the material used for the ink bamboo picture painted by Wen Tong is silk instead of paper. Silk is a kind of silk fabric that feels very delicate and smooth. Even now,
The quality is still very good. Compared with paintings made on paper, which will turn yellow over time, it must be much better.”
Hanfeng paused for a moment when he said this. The onlookers who were very angry at first immediately reached out to touch the painting. After touching it for a few times, they stopped talking. Those in the back who couldn't touch it hurriedly asked: "Is it made of silk?"
"
Some of the people who touched the paintings were from He Chun, and they remained silent, while one whispered: "It's rice paper."
His voice was not loud, but it already made people feel unprecedented shock. A few people who did not want to believe it asked loudly: "No, is it really made of paper?"
Jing Jing was also shocked. Now that she saw Han Feng being calm and calm, she already decided in her heart that Han Feng was right, and asked happily: "Xiao Han, continue talking."
Hanfeng waited for the noise to quiet down and then continued: "Wen Tong's ink bamboo painting is made of double-spliced silk. Double-splicing means that you can decide the vertical and horizontal directions. Therefore, his painting is 131.6 centimeters long and 131.6 centimeters wide.
105.4 centimeters; and the vertical and horizontal dimensions of this painting definitely don’t match.”
After saying these words, He Chun's expression began to change, because his confidence in his treasure began to waver.
However, he would not accept this reality so quickly, so he said to Hanfeng in a deep voice: "Keep talking."
Hanfeng smiled, and his voice became more relaxed: "Wen Tong is the originator of bamboo painting, and his ink bamboo paintings are the best works in his lifetime. Therefore, there are many paintings that imitate his ink bamboo paintings in later generations.
There is now an ink bamboo painting by Wen Tong in the Guangdong Museum. However, this painting is made on rice paper, and Wen Tong's painting is made on rice paper.
The biggest difference between the two ink bamboo paintings is that not only is the size larger than the original, this painting also has the four characters "Ye Ke Test Ink" in the lower right corner of the painting. "Yu Ke" is the Chinese character for "Tong". This is
The most powerful proof that the ancients imitated the ink bamboo painting! And in the lower right corner of the painting in front of us now, don’t they have these four words?”
Hanfeng's words stunned everyone, even He Chun was speechless, and cold sweat began to break out on his forehead!
Hanfeng didn't want to give up just yet. He looked around and said, "To be able to draw Wen Tong's paintings so closely is because of his profound skills. It is definitely not something that an unknown person can do. In addition,
It is an ancient painting. Although its value cannot be compared with Wen Tong's original work, it is still worth two to three million."
After saying this, Hanfeng paused deliberately. Seeing that He Chun's face improved slightly, he immediately started to use his trump card. He wanted to ruthlessly smash the last bit of luck that He Chun had!
Hanfeng looked at the painting and said with great disdain: "It's a pity that Mr. He's painting is not even a forgery of the ancients. Please see, this kind of rice paper is called Yuedong Renhua Yangtze River Xuan. It was only produced in the late Republic of China."
In addition, please take a look at the technique used to mount this painting. It is obviously a modern process, that is, machine mounting."
"No way, after all, it is a worthless modern imitation. Mr. He has capsized in the gutter this time."
"Well, this guy looks like he's just trying to get his reputation. He's using his grandfather's trademark to cheat. Let's see if he survives this time, hehehehe."
"Damn it, isn't it because Naizu is a famous collector that so many people believe in him? I don't know how many people were harmed by his ignorance in the past. Damn it!"
The sounds of gloating began to sound, and He Chun had no time to care. He was just looking at his so-called treasure in a daze.
Ning Jing asked at this time: "Xiaohan, do you even know the mounting technology? Then tell us about it and let us understand it too, haha."
Ning Jing was now in awe of Han Feng and was thinking about how to help him build a reputation, so the questions he asked were all to the point, making Han Feng secretly grateful in his heart.
When everyone heard Jing Jing's question, they all agreed: "Yes, yes, Mr. Han, tell us and let us open our eyes."
Han Feng took a deep look at Jing Jing and said, "Okay then, I will talk about ancient and modern framing techniques and the differences between the two."
Speaking of this, he paused and began to organize his thoughts. The magic of the omnipotent mind spell is that whatever knowledge Hanfeng wants to obtain, this knowledge will appear in his mind. After sorting out his thoughts for a while, he started talking: "Tradition
Framing is based on the paper texture, ink and color of the work.
, determine the appropriate supporting method, and cover the painting core with batter water on another piece of rice paper, called 'supporting core'. There are four supporting methods, and the water thickness of each supporting method is different. This is the most basic
It is also the most important process. Its quality is directly related to the life of calligraphy and painting. Therefore, old artists often call the supporting paper "life paper".
Then, according to the determined style, a piece of work is framed through inlaying, backing, upper and lower walls, calendering, and decoration. The rice paper used in this mounting process is mainly raw Xuan cotton, and the inlays are mostly made of silk.
The damask silk cannot be used as the backing paper if it is cooked, otherwise it will easily wrinkle and bulge. In traditional mounting, after being put into water twice, the core of the painting can be as smooth as a board, and the ink color can be more vivid.
The modern mounting method that has suddenly emerged in recent years, also known as machine mounting, is not as profound as traditional mounting, difficult to learn, and difficult to master. It replaces manual work with machinery. The painting core and mounting parts are made of ordinary paper like double-sided tape, which is laminated, heated and ironed.
It saves labor and effort. Most of the inlays are made of chemical fiber and other fabrics, which vary in thickness and thickness. Because of large-area heating and ironing, wrinkles and other changes in the painting core cannot be seen. For example
If the painting will peel after being rolled for a few times, and cannot be cleaned and repaired, some framers, regardless of the connotation of the work, use darker colors for the fabrics, which inadvertently blocks the extended space of the work, resulting in a dull painting.
Lifeless. This is the biggest difference between traditional and modern mounting methods. Please look at this painting. Is the mounting method similar to the shortcomings of modern mounting technology I just mentioned?
Therefore, this painting is not only a fake, but also garbage among fakes!”
"Holy shit, I'm convinced, this is an expert, a young genius." Praises kept coming, the spotlights of media reporters kept flashing, and Han Feng suddenly became the focus of the exhibition.
When he looked at He Chun again, he had disappeared. Only Hanfeng knew when he had slipped away, but he pretended not to see it, and He Ningjing began to walk away from the crowd.
Not far ahead was the porcelain exhibition area. This was Hanfeng's favorite antique, so he led Ning Jing and walked over quickly.
The porcelain exhibition area is divided into blue and white porcelain, enamel porcelain, white porcelain, Tang Sancai and other categories. The one that most arouses Han Feng's interest is undoubtedly the blue and white porcelain.
I walked slowly in the cold wind and lingered in front of the blue and white porcelain display cabinets. I was very happy to appreciate these artistic crystallizations of the ancients.
Ning Jing followed Han Feng, and listening to Han Feng's explanation of the blue and white porcelain displayed inside, she began to be shocked again!
Hanfeng's explanation was very detailed, from the appearance of blue and white porcelain to the manufacturing technology and the cultural atmosphere of the dynasty at that time. He explained it clearly and in detail. He was constantly amazed by Hanfeng's profound knowledge of cultural relics.
Quietly excited, he looked at the blue and white porcelain of different shapes and asked: "What you just said is relatively broad. As far as I know, among the blue and white porcelain, Yuan blue and white are the most valuable. Can you tell me about Yuan blue and white?"
?”
Hanfeng smiled and said: "With the development of domestic and foreign trade in the Yuan Dynasty, China's porcelain industry made greater progress than the Song Dynasty. Jingdezhen Kiln successfully fired blue and white porcelain. Blue and white porcelain generally appeared and matured, and production and sales were booming.
.
Yuan blue and white porcelain is represented by Jingdezhen. It is exquisitely made and rarely handed down, so it is extremely precious. According to the time, it can be roughly divided into three stages: Yanyou period, Zhizheng period and late Yuan period. Among them, "Zhizheng type" is the best.