[Modified version] "Well said!" Wu Jianhua praised loudly: "Excellent traditional culture is not in books, nor is it something we talk about, but is around us and integrated into our lives.
Now more and more people realize the importance of traditional culture, and even more realize the value of traditional culture. This is also the purpose of the country to promote excellent traditional culture.
As a cultural content company, you should indeed dig out more of our excellent traditional culture and disseminate it in a way that is acceptable to the public, especially young people."
Wu Jianhua looked at the beautiful daughter-in-law in front of him and praised: "I didn't expect that you are so young and have extraordinary knowledge. This is much better than that brat."
"Haha, I learned this from listening to what he said." Lin Wei replied with a smile.
Wu Jianhua shook his head, then looked at the doorkeeper Wu Hao was clinging to and said: "Since this guy's career has improved and his influence has grown bigger and bigger. In order to avoid unnecessary trouble, I have also retired from work.
After working hard all my life, I suddenly felt a little unaccustomed to doing nothing and staying at home. So, I found something to do for myself. It happened that I had published several articles when I was young, so at the invitation of the Federation of Literary and Art Circles, I
We participated in a collection and sorting of traditional culture organized by our local government. In addition to some folk songs, ballads, local operas passed down orally by villagers in some rural villages, there are also some local legends and myths.
These folk songs, ballads, local operas, legends and fairy tales propagated orally by farmers may be rough, simple, and even a little shapeless, with only a few sentences. But they are very simple and very charming.
With the rapid flow of rural people to cities, these rural villages are also at risk of disappearing.
In many villages we have visited, there are no young people in many villages, or even very few people.
These young people either went out to study or went out to work and settled in the city, and were unwilling to go back.
Now only these old people are left to guard the village. When these old people gradually grow old, these villages will be abandoned.
Some villages have a long history, possibly dating back to the Ming Dynasty, some are said to date back to the Tang and Song dynasties, and there are even legends that they were founded in the Jin and Southern and Northern Dynasties.
The old people in some villages told us with red eyes that once they pass away, these villages will be completely deserted.
They have tried many ways, but their children and grandchildren are still unwilling to come back. To put it bluntly, the countryside is still remote and conditions are poor, so young people are unwilling to go back.
We were actually very sad after hearing this, but there was nothing we could do. We could only try our best to record some of the things they had passed down orally from generation to generation in various ways and let the world know about them.
But these things are very local, and young people are not interested at all. So even if they are compiled, it may be a piece of information, a book, or a string of data lying in an archive, library, or server.
, lost in the dust of history.”
"The protection of culture is difficult to achieve by officials and individual organizations alone. More people need to join in, especially fresh blood. It is more important and more urgent for young people to join in." Lin Wei nodded, and then
He gave his own advice: “Whether it is cultural relics or traditional local culture, it is best to protect them in situ.
Just like cultural relics will lose a lot of color and cultural significance once they are removed from the original place. As for traditional local culture, once it loses this soil and water, it is like a duckweed without roots, without a place to live and take root. Traditional culture
The unique heaviness is also gone.
It's like a local dialect, which is very harmonious and harmonious in the local area, but when you leave the place and go to a big city or other places, it becomes isolated.
Therefore, in this area, we can refer to some cases of intangible cultural protection and carry out inheritance and protection through local guidance."
After Lin Wei finished speaking, Wu Hao, who had finished posting the door gods, came to them and said: "The method you mentioned will not work at all. The most important thing now is that there is a gap in the rural population. Young people
People don't want to go back.
If these young people can be attracted to go back, this problem can be solved through appropriate guidance. But the problem is that these villages are relatively remote and have poor conditions, and young people are unwilling to go back to live there.
And if you want to develop local tourism to revitalize these villages and attract young people to return, it does not meet the relevant conditions and cannot attract tourists.
Coupled with the current construction of new rural areas, the abolition and merging of villages, and the construction of affordable housing, these villages are accelerating the disappearance.
So, I think your previous plan is very good. Instead of being buried in the archives and buried in dust, it is more meaningful to disseminate it in a way that is acceptable to the public, especially young people."
Regarding his words, Lin Wei shook her head: "Not all cultures are suitable for dissemination, and not all cultures can be accepted by young people.
For example, local opera is now in danger.
Let’s not talk about other local operas for the time being. Let’s take Peking Opera, the most representative and influential type of opera. How many young people today listen to Peking Opera, how many sing Peking Opera, and how many
Studying Peking Opera.
This is true for such a national quintessence as Peking Opera, let alone local opera and the culture of these small regions and even small villages.
My suggestion is to protect this type of traditional culture from both conceptual and technical aspects. First of all, conceptually, we should correctly distinguish and treat the pros and cons of Chinese traditional cultural content, which is conducive to the progress of society.
Then promote and inherit, learn from and innovate, and actively integrate into world culture. This is the only way for cultural development in the future.
Of course, this is conceptual, let's talk about technology. I think it is necessary for us to establish a new three-dimensional traditional cultural data database.
In the past, the information we collected and compiled was either recorded in text, video, or recorded relaxation. However, these recorded materials are often difficult to access or disseminate to the general public, and they are not accessible at all.
Before long, it was buried in dust inside the archives library.
So can we use the latest virtual reality intelligent AR technology, VR technology, and digital simulation technology to display these contents more three-dimensionally and intuitively? And open them to the outside world so that the general public can see them very intuitively and three-dimensionally.
For this point, you can refer to the current online museums, such as the Digital Forbidden City project undertaken by the Forbidden City.
In this way, even if the inheritance of these things is discontinued in the future, we will still be able to see these things very realistically through these technologies."
