Wang Ding pointed out the mechanism, and Xu Fengshui could no longer hold on to the solid expression on his face.
"Haha." With a happy smile, Xu Fengshui gave Wang Ding a thumbs up. "You guy, I really don't know what to say about you. You've seen this."
"So Mr. Xu, are you really lying to us?" Wang Ding instantly felt that Mrs. Xu was black-hearted.
"Haha. You are like Xiaolong. At the beginning, you saw that there was something wrong with this painting, but what makes you more outstanding than Xiaolong is that you insist on your judgment. It's really gratifying."
Mr. Xu's laughter and words did not make Jin Long feel uncomfortable. On the contrary, Jin Long had a cognition in his heart at this time, that is, Wang Ding is no longer the Wu Xia Ameng. Compared with him, he said
No one is already behind. So accepting this fact, Jinlong was not angry.
"I tell you that this painting is a work of Tang Yin copied by a painter. This work is called "Dry Raft and Rod Picture". Not only is this painting a fake, but the seal is also fake. But because of historical reasons, I also
I don’t know who stamped the fake seal of Master Huang Tingjian on this copied work of Tang Yin. It can be said that by chance, it created such a work."
“So that’s how it is.”
Wang Ding understood that this painting was proved to be a fake painting, but Wang Ding still admired the person who copied Tang Yin's works. You should know that Tang Yin's words are three parts similar in spirit, seven parts similar in shape, and extraordinary in brushwork. They have countless paintings.
Classic. Although the scene he depicts is less than three points in this picture, the charm conveyed in it can still be seen. If it weren't for the seal, Wang Ding would never have seen any clues.
"Old Xu, I would like to ask here that in addition to seals, can we also judge based on other characteristics? Because if this painting is not a problem with the seal, it would be too realistic!"
When asked, Xu Fengshui said enthusiastically, "This kind of imitation technique is not outstanding. The counterfeiting of calligraphy and painting has always been very prosperous. This also reflects the ancient emperors and even the proletariat about calligraphy and painting.
But we still have targeted appreciation skills. Just as seals are used by creators as exclusive marks, they usually add inscriptions before poems, or use the contents of calligraphy and painting such as sizes, patterns, seals, inscriptions, etc.
Then, we have made a detailed record and compiled a record. After the historical spread, these can become effective proof that a painting is a genuine product."
Wang Ding knew that the inscriptions are written in front of books, calligraphy, paintings, and inscriptions, and are mainly used for evaluation, appreciation, verification, and recording. It was formed in the Song Dynasty. The records are even more self-evident. These two can undoubtedly become appreciation of calligraphy and paintings.
The basis for
"I know this. Is there any more?"
"Of course there is." Old Xu was still unsatisfied. Seeing that Old Xu's lips were a little dry, Wang Ding was busy and poured another cup of tea for Old Xu.
"Mr. Xu drinks tea!" He handed the tea to Mr. Xu. Mr. Xu took the tea, sipped it with a few sips of satisfaction before continuing.
"There are also some details on calligraphy and painting. Through these details, you can find the authenticity of calligraphy and painting. You two have listened to it, but I basically don't tell you about this. First, there are other characters. The problem of writing other characters has always been very serious. The author of calligraphy and painting
There will be no such mistakes. If this happens in calligraphy and paintings, or inscriptions, especially inscriptions on calligraphy and paintings, etc., it will be considered to be the foot exposed by the counterfeiter. This painting is a fake."
Wang Ding recited the word "Another" several times in his mind, and also wrote it down.
"The second is the year and month. The year and month in the painting or inscription may be inconsistent with the author's age, birth and death, or are different from the facts, and will also be considered as evidence of a false statement. For example, a Ming Dynasty Tang Yin's
The year and month mentioned in the work are the date of Huang Tingjian of the Song Dynasty, which must be a fake. This requires the appraiser to be familiar with the author's historical and historical background. Do you understand?"
"Yeah." The two nodded one after another. Mr. Xu took a sip of tea through the gap, and then said, "There is another thing that you may be negligent, that is, avoiding taboos. In the feudal emperor era, Linwen had to avoid taboos. What does it mean?
When writing characters with the same name as the emperor of this dynasty, one less stroke should be written. This is called avoidance, commonly known as missing strokes. In calligraphy and painting, when you see the missing strokes, you avoid the taboos of the emperor.
, we can determine the creation period of calligraphy and painting. This is equivalent to saying that this painting was created by Qing based on taboo calculations, but its origin is Ming, which is a loophole in falsification. This problem has always been an irrefutable proof. But of course, it is a irrefutable proof.
, Only by having knowledge of history and knowledge about the past and the present can you discover this, so it is not easy to appreciate calligraphy and paintings."
It is not said that taboo is not missing in poetry creation. The Qing Dynasty implemented a cruel text prison. At that time, many works also encountered taboo due to restrictions, including the Ming Dynasty that also avoided the word "pig".
Listening to Mr. Xu's words, Wang Ding realized that the appreciation of calligraphy and painting is also a profound knowledge, and it is impossible to become a disciple in one or two days. He can only strengthen his learning ability and can only use calligraphy and painting.
Some achievements in appreciation.
However, Wang Ding also knew where his advantage over others was.
After Xu Fengshui finished speaking, he took out the second painting he wanted Wang Ding and Jin Long to appreciate. This second painting was the real work of Tang Yin.
This is a picture of ink plum blossoms, on paper, ink pen, 96cm in height and 36cm in width.
This painting uses dry brush and burnt ink to paint the branches of plum blossoms, rubbing the texture, and expresses the vigorous and twisted posture of plum blossoms. Uses ink and wash to paint the flowers, and uses careful and delicate brushwork to draw the stamens. The brushwork is vigorous and elegant, showing the beautiful and refined style of plum blossoms. The plum blossoms are clear and refined.
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The creative style is exactly the painting style of the late Tang Yin period. The plum blossoms in the middle of the picture are graceful and graceful, and the poems on the upper right are free and elegant: the golden cloth land of the Brahma Wang family, and the white jade is the back flower of the forest. You might as well use ink for wine, and a clear shadow is written horizontally and slanted.
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Wang Ding and Jin Long began to taste it at this time.
Based on what they had just learned, the two discovered the place and characters of the poem creation: Gongtang Watch Mei and Wang Shaofu Yun, Wu Qu Tang Yin.
The seal on the lower left is stable and elegant, which also explains what seals it has transferred." The seals are "Tang Jushi" Zhu Wen, "Tang Yin Private Seal" Bai Wen, "Nanjing Jieyuan" Zhu Wen, "Liu Ru Jushi" Zhu Wen, "Wu Qie" Wu Qi
” Zhu Wenyin.
Compared with other Xiangbians and Tang Yin's painting style, the two of them decided without contracting that this was a beautiful work of Tang Yin's ink and plum painting.
"Good paintings, Tang Yin's works are of great value. Mr. Xu's ink plum painting is one of the representative works of Tang Yin's landscape paintings. The price is more than one million."
Jinlong's occupational disease has occurred again, so after tasting, he directly set a price for Mr. Xu.
Mr. Xu gave Jinlong a blank look at this time, and his face turned red as if he had knocked medicine. "I just know that money and art are priceless. Since I have collected this painting, I didn't think about its value.
However, since you have pointed this layer out, I will make a decision. Wang Ding, if I want to give this painting to you, how do you thank me?"