00196 In addition to the ability, the real round carving
"Below, I will use the craftsmanship of the statue of Victory to tell you about the round sculpture in detail. You must listen carefully and ask if you don't understand something."
Alberni wanted to train Wang Ding to become an excellent carving master, but he didn't know that Wang Ding was absent-minded at this time.
However, when he heard Alberni say that the Statue of Victory was used as a guided textbook, Wang Ding's interest rose again.
But Wang Ding never expected that the clay sculpture that Alberi presented to him was not the goddess of victory at all, but a large piece of three-dimensional square clay raw material, which had not been processed at all.
"Wang Ding, this is a large piece of clay sculpture material. You see that it has no beauty at all, but through the hands of the sculptor, it can turn decay into magic. Do you believe it?"
The spiritual energy flowing out of Wang Ding's jade plaque can help him see the growth space of imperfect sculptures, but Wang Ding can't see the raw materials.
Wang Ding didn't say anything, but Alberni took action.
Seeing Albery bringing a hammer and a chisel, he knocked down some clay pieces on the clay sculpture.
The stones in all directions had edges and corners in an instant, and Alberni asked Wang Ding again at this time.
"Now you look at this clay sculpture, do you think it has changed?"
Wang Ding said that the spiritual energy in his jade plaque has indeed reacted a little bit now, but because Alberni carved the outline of the goddess of victory, the spiritual energy cannot perfect this work at all.
However, not only did not say that he lost his spiritual energy, Wang Ding was attracted by the carving look of Alberni. He immediately became involved in the carving world. Looking at the clay sculpture in front of him.
"The entire clay sculpture was not divided just now. After the teacher knocked and chiseled it, several partitions appeared, limbs and heads. Now I see the limbs and heads, and they have obvious boundaries."
Wang Ding pointed to the clay sculpture and said to Alberni, who was immediately satisfied with Wang Ding's answer.
"Yes, you're right. Take the character as an example. Generally, we must first chisel the limbs outside the volume of the head, and then chisel the head, chest, and pelvis into the head, chest, and pelvis. Then chisel the other side.
After the basic shape of the human body is completed, the concave and convex shapes of each part are chiseled out one by one according to the structure and proportional relationship of the human body, such as between the cheeks and the facial features, the chest and the neck.
The height, undulation and concave shape formed between the ** and the chest, and when the concave and convexity is divided, there should be room for the next two processes."
Alberni said as he continued to tap and beat with the chisel in his hand. The next second, lines appeared in the clay sculptures of geometric bodies, and the large proportional relationship of shapes was beginning to emerge.
Wang Ding was deeply attracted. Although relying on the spiritual king Ding, he could add icing on the cake to the final process of sculpture, but without the early learning of this craft, Wang Ding knew that the sculpture himself was still a layman.
However, Mr. Alberni’s personal teachings made Wang Ding know the method of sculpture. Moreover, Wang Ding really wanted to experience the feeling of carving.
Alberni seemed to see Wang Ding's expectations, but he did not think about asking Wang Ding to take action at this moment.
For a beginner, Alberni always felt that Wang Ding did not have that ability, so he put down the chisel and hammer in his hand. Alberni changed the tools. At this time, what he had in his hand was a smaller flat chisel and round chisel.
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"Wang Ding, after the large shape is constructed, what we need to apply is our own painting skills. However, what we draw is not on paper, but on sculptures. We use brushes or other water pens to draw a general outline on the material.
, then remove the excess materials other than the outline drawn with the axe and carving tools, and then use the tools in my hand to carve out the figure's body structure, the virtual and real relationship between facial expressions and clothing patterns, especially in dealing with character dresses,
Pay attention to expression methods such as virtuality and reality, movement and stillness, wet and dryness, curves and straightness, gathering and dispersing, and hanging, etc. You must have a certain talent and talent in painting to complete it."
Alberni was already shaking the chisel. He wiped off the clay dust from the clay sculptures, but Wang Ding's eyes strangely reproduced the image of the goddess of victory.
What appeared even more was the image of the part engraved by Alberni. Of course, spiritual energy was used again, so Wang Ding could see the painting and then deal with the current work based on the ups and downs of the characters in the painting.
"Teacher, your part seems to be not cut enough."
Wang Ding couldn't help but speak, and Alberni was shocked. Seeing the position of Wang Ding's finger, after performing a few seconds of calculation, he nodded with relief and said, "Yes, your memory is indeed
Yes, this position is a bit thick, so I need to scrape it again.”
Alberni could not have imagined that Wang Ding was so powerful, but he had only seen the goddess of victory several times, so he could master the proportions and sizes of the statue of the goddess of victory in a superb way, which was good at all.
Alberni's subsequent craftsmanship took a lot of time, which was based on Alberni's frequent creation of the Statue of Victory. If others were to put it aside, they would definitely not be able to complete the initial shape shaping in one day.
After completing the second process, Alberni took a fancy to Wang Ding again and taught carefully, "Wang Ding, we have gone through two processes from the thick blank to the fine blank. The third step is that we must also base the fine blank.
The so-called light repair task is to repair unnecessary knife marks and chisels, and at the same time, the subtle shapes of each part are clearly portrayed, striving to achieve a smooth and smooth artistic effect with clear texture. We use the light repair tool
Small flat knife, small round knife, triangular knife, etc. These small tools are more conducive to the implementation of the characters' expressions on us, and the folds on the clothes are more conducive to realization. Do you want to experiment with carving?"
On the way to teach Wang Ding, Alberni felt that this Wang Ding was not simple. He should have certain sculpture skills. Although he may have never tried sculpture, Alberni looked at it from his expression.
It is concluded that he is confident, or that Wang Ding is a genius in this area. He has a strong talent, and this talent means that he can learn sculptures only under the simple guidance of others, and he is also the style of a sculptor.
Wang Ding looked at the current work. After the first two processes, Wang Ding was able to know through spiritual energy where the defect is and where it needs to be improved.
Since it is learning, you should take the initiative in person. Wang Ding said, "Okay, I'll give it a try."
Wang Ding just took the small flat knife from Master Alberni's hand, and two people came to the studio. Before Wang Ding could turn around to see who was coming, Dawei had already called out first. (To be continued, please search for the dough.
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