Antique Street is adjacent to Laofushan Bus Station. It is a multi-directional intersection with an overpass. Of course, the traffic is also developed. Wang Ding came out of the hospital, took the 204 bus, and went straight to Antique Street.
It was already noon when you walked into the antique street in Gancheng, but although it was noon, it was still bustling like traffic, and people were having fun. Wang Ding now only has more than 300 yuan.
Money, but Wang Ding now cares for these more than 300 yuan, because he wants to make a profit all by relying on them.
Walking forward slowly, Wang Ding saw a circle of people not far away. There were three layers inside and three layers outside, which were thick and airtight. Wang Ding couldn't see what was doing inside.
Because he didn't want to use perspective, Wang Ding took the initiative to squeeze into the crowd.
"We are old natives in Beijing, and our family is declining. Because my mother is in bed, she has no choice but to sell her family. The rust bowl of the Yuan Dynasty, the Doucai of Chenghua, the lacquer plate of the Ming Dynasty and Qing Dynasties, the willow leaves of Kangxi, and the red glaze hat bowl.
Qianlong Jade Candlesticks, Pastel porcelain from the Republic of China, today I am in this antique market, and I can’t miss it if I pass by it.”
Wang Ding slowly leaped into the crowd, and he couldn't wait to see what was inside through the crowd.
Wang Ding works in a pawn shop. He knew that this antique market gathered many rare treasures that were popular among the people, and the statement he heard just now could not be killed with one blow, because a few years ago, an old man had
I saw a picture of Mr. Xu Beihong's "Eight Horses" in this crowded antique market.
In the history of modern Chinese painting, Xu Beihong's horses have entered the painting world, and no one can compete with him. "The Eight Horses Picture" is one of Xu Beihong's most famous works. It uses the eight horses of Zhou Muwang as the theme, with eight horses.
The horses are of different shapes and are elegant and lively. In terms of painting techniques, they are the product of the extremely successful integration of Chinese and Western styles. Xu Beihong uses Chinese ink and painting as the main means of expression, and uses Western perspective and anatomy to vividly depict the horses.
He is a heroic figure. His brushwork is vigorous and powerful, and his ink is refreshing. It is a rare treasure.
When the old man saw this painting, he was so excited that he could not speak. After being excited, he even looked at the eight horses carefully.
And these eight horses all appeared vividly, one called the Jedi, and the feet did not sank the ground, and they could fly in the air; one called the Fengyu, which could run faster than the bird; one called the Fengjing, which traveled thousands of miles at night; the other called the Fengyu, which traveled thousands of miles at night; the other called the Fengyu, which was called the Fengyu, which traveled thousands of miles at night; the other called the Fengyu, which was called the Fengyu, which was called the Fengyu, which was
Super Shadow can chase the sun; one is called Juhui, the horse's hair is extremely colorful and radiant; one is called Super Shadow, the other is called Ten Shadow; the other is called Tengwu, who runs in the clouds and fog;
One is called 文版, with wings on his body, soaring ninety thousand miles like a big roc.
Eight horses were vivid. The old man looked at them with a thumb-sized magnifying glass for a while, unable to control his excitement and said, "This painting is of excellent appearance and has a market value of more than 100,000 yuan!"
Then, the old man naturally failed to successfully detect leaks, but this was enough to become a good story.
Wang Ding came to the front of the stall. The first thing he saw was not the person who set up the stall, but the large and small vessels placed on the ground. As the vendor said, there were porcelain, candlesticks, Taiping Elephant, and hats.
, enamel, landscape pastel calligraphy and painting, willow leaves, doucai, and many strange things that the king's tripod had never seen or heard of.
Wang Ding only had a slight understanding of these things. When he was studying, Wang Ding chose cultural relics appreciation and conducted superficial research on these things at the theoretical level. Then he learned some practical things in the pawn shop, saying that he had collected, the four treasures of the study.
Wang Ding was a little confident. But when it comes to porcelain and jade from the Ming and Qing dynasties, Wang Ding dared not say anything more.
In this industry, his boss Cai Shida often criticizes him. Can he be the best as a young man?
Seeing Wang Ding rushing to the front, a young man selling things started to speak, "Brother, look at our treasures, it must be all high-quality collections."
The young man who spoke was a 20-year-old man with a mouthful of Kyoto, a round face, and a silly look unlike a businessman.
Behind the young man was an old man, sitting upright on the stool, pointing at his own thing to praise, revealing the huge smell of a vendor, and it could be seen that he was an old fried dough stick with a mouth full of oil.
Wang Ding smiled naturally and was not in a hurry to answer. "I'll take a look first, just be busy."
"Okay, even if you don't understand, you can ask me. This is something from the Ming and Qing dynasties, and this is from the Republic of China."
The young man gestured with two gestures and cut the things on the street stall for Wang Ding to show him.
Following the direction the young man pointed, Wang Ding looked at his so-called treasures from the Ming and Qing dynasties. There were many things on the street stalls, and there were some things that Wang Ding could tell the authenticity of him without using a perspective eye. For example,
The Doucai Chicken Grooster Cup from Ming Chenghua. At the 1982 Hong Kong Auction, the Ming Doucai Chicken Grooster Cup was sold at a sky-high price of 4800,000 Hong Kong dollars. The Doucai is particularly bright and hazy. But this stall
The color of the Ming Chenghua Dou on it is dim, and the blue and white porcelain under the glaze close to the body is brighter and brighter. You can tell at a glance that it is a modern imitation.
Doucai porcelain during the Chenghua period of the Ming Dynasty was crystallized to commemorate the love between Emperor Chenghua of Ming Dynasty and Concubine Wan. What people pursue is the hazy beauty of love. The artistic conception of Doucai in this street stall is thousands of miles apart. Wang Ding couldn't help but feel chills.
The eyes shifted again.
I read it roughly on the stall. Wang Ding can be sure that more than 90% of the things are fakes. Of course, Wang Ding is not a professional appraisal master. If there are two or three antiques, Wang Ding can't take them.
Accurate.
The first one is a willow leaf vase from the Kangxi period on the front left. This willow leaf vase is a famous product in cowpea red glaze porcelain. It is 15 cm tall, has a short neck and a unique shape. Then there is the middle one.
The treasure-inlaid lacquer plate is a figure-laying plate, which originated from the Qing Dynasty. The third piece is a blue and white porcelain wine cup closest to Wang Ding.
In the antique collection industry, blue and white porcelain is definitely famous, and can be sold at a sky-high price of tens of millions or hundreds of millions of yuan. According to Wang Ding’s understanding of blue and white porcelain, he also knows the value of blue and white porcelain. If this thing is really a real product
, then you will develop immediately.
This blue and white porcelain wine cup is thin in body, delicate in feel, and has a deep degree of porcelain and a thick glaze. Apart from a flaw that is not conspicuously bumped, it is very consistent with the characteristics of blue and white porcelain.
Thinking of using this thing to take the first thing, Wang Ding was not in a hurry to open the perspective eye. With the experience last time, Wang Ding knew that the application of perspective eye must be good at using the knife on the blade. If you are not sure, you will definitely not open it.
"Boss, I'm optimistic. I want to ask, how did you get this blue and white porcelain?"
The young man naturally knew what Wang Ding said. Generally speaking, the source of antiques is very important. A good origin can increase the value of the collection. If the source is unknown, the room for appreciation is limited.
"Some of our things were passed down by our ancestors, and some were also shoveled from the ground. They also included some goods. But the one you saw was a worm handed down by our ancestors, but the goods we had on the stall."
As the saying goes, Wang Ding Shenxiao is the merchants taking away other people's things to sell on behalf of each other, but Wang Ding doesn't understand the land shovel.
"Dare you ask me, what is the shoveling of the ground?"
"Shut the ground is the goods we specially collect in the countryside. Some of the antiques are from tomb robbers." The young man smiled in a hint and pointed to another antique that Wang Ding was optimistic about, "The Liu Ye Zun in the Kangxi era is just
What we get from shoveling the land.”
On the one hand, the young man's smile did tell the origin of this antiquity. On the other hand, the young man also felt that when he met Wang Ding, who was not an expert, he could slaughter a handful of them. The industry was called slaughtering pigs.
After knowing the source of the antique, Wang Ding opened his perspective eyes only then.
But when he used his perspective to look at the wine cup, Wang Ding couldn't help but exclaimed in surprise. Although the blue and white porcelain performed well and had good quality, the materials of the blue and white porcelain wine cup were different from the bottom.
There was a very slight bonding line between them.
Wang Ding still knows the most basic porcelain casting process when working in a pawn shop. That is, the pottery manufacturing process is formed in one go, and it is fired in an official kiln. Occasionally, the ears of a porcelain will be processed later.
However, the body of the porcelain is definitely made together. Since this is the case, it is impossible to have different textures from the bottom and the body of the cup. In this way, this piece of blue and white porcelain must be a fake.
Shaking his head, Wang Ding couldn't help but feel a little disappointed. The first antique he liked died, which also greatly reduced Wang Ding's two other things he liked.
This time, Wang Ding didn't want to waste his time. With the mentality of treating a dead horse as a living horse, Wang Ding continued to look at the remaining two items with his perspective eyes.
The first thing I saw was the treasure-embedded lacquer plate from the Ming and Qing dynasties. There were eighteen ladies on this lacquer plate, each of which was wearing different colors of clothes, waving his body, and his flesh and blood. On the lacquer plate
The bottom is painted with black paint, decorated with four groups of folded branches and flowers, forming a picture of the Eighteen Ladies, reflecting the enjoyable life of the palace in the Qing Dynasty. The Eighteen Ladies are flawless and beautiful. If you don’t look closely,
, it can definitely be fake and real. But similarly, after the material of this lacquer plate is seen through, Wang Ding found that it also comes from two companies. There are subtle traces of old age at the bottom of the lacquer plate, and the patina is too unnatural.
There are many loopholes, and the second collection has been sentenced to be a fake, which has caused Wang Ding's confidence to fall to the ground.
The final goal is that Wang Ding can only choose the Willow Leaf Powder from the Kangxi era. But to this point, although Wang Ding has not yet begun to see through it, he feels that his hope is slim.