Everyone knows that the heartbeat has a certain pattern, but if it is converted into an electrocardiogram, it fluctuates up and down.
I boldly imagine that a novel is like a complete electrocardiogram. It has highs, lows, and turning points, but it has certain rules, because it has its own main line. If it is too gentle, then you will be dead.
The electrocardiogram is no longer necessary.
My method is different from the mainstream method of determining the main line and then adding bones and flesh. It may be able to help newcomers. I spent all my time organizing it tonight just to give everyone a guiding light.
First of all, my idea is just an inspiration. Now, let me lay it out bit by bit.
Character setting, upgrade setting, ending and climax setting, this is what you need to do at the beginning.
Then set the climax. What I want to say is to start from the climax part and connect all the stories together. A complete story often has several big climaxes and countless small climaxes. As the protagonist
Upgrading, every climax is the death of a phased boss. I often compare the story to an online game, create a character, upgrade and buy equipment, encounter an enemy, download a dungeon, collect treasures and kill the boss, and then kill the enemy after upgrading, or
The hero saves the beauty, or the beauty meets the heroine, and finally ends. Every death of the boss, every defeat of the enemy, is the climax of the story.
It is necessary to have a novel character and skill setting. This is an important point why your story is attractive, because you are new enough!
The ups and downs and turns of the story are one of the biggest selling points of your story. Why is your story ups and downs enough? The way I tell it will fundamentally determine its ups and downs!
You have to set the final climax, and then set several big climaxes. Remember, there can be a connection between each climax, but there must be ups and downs. When you just set it, at least in your opinion
If there are two different stories, the only connection between them is that their protagonists are the same person. Just like the electrocardiogram, no matter how it beats, it is your story.
After perfection, a certain thing can be connected between each climax, but in order to have more selling points, you can hide it and explode at that moment.
Now let me give a small example, I believe it is easy to understand.
In the first climax, it is first confirmed that Xiao Ming killed Xiao Hong, and then it was completed. Xiao Hong is Xiao Ming’s girlfriend. They have had many pasts, but one time Xiao Ming discovered that Xiao Hong was sitting with a man, very intimate.
After Xiao Ming killed Xiao Hong, he found the man and killed him. OK. The second climax part (this setting is arbitrary, the order does not need to be rigidly according to what I said.) How many years later,
Xiao Gang attempted to assassinate Xiao Ming and committed suicide. In the perfect version, Xiao Gang was a college student. His teacher was Xiao Ming. He had a good relationship with Xiao Ming. Xiao Ming was also very good to him. Once they had dinner together and went to a remote place.
Gang suddenly took out a knife and stabbed Xiao Ming, but Xiao Ming dodged the vital point. Then Xiao Ming asked why, and he said his sister was Xiao Hong.
ok, I think everyone can see it. I am just giving a simple example, but I have hidden everything I want to say in it. Can you see it? Haha, Xiao Gang’s appearance, Xiao Hong’s death, why didn’t Xiao Ming
When he was caught, how did he become a teacher? How did Xiaogang and Xiaohong be siblings? Why didn’t Xiaoming know who the man who was with Xiaohong was? What was his relationship with Xiaohong? Xiaohong
Is it really betrayed? These are all mysteries, and you need to use a lot of plots to fill them. This is the plot between the two climaxes. If your idea is unique enough, you can use three, four, or even
More climaxes will tell your story. The connection between them is your clue. Skills, beautiful women, a lighter, anything can be your clue.
Enough fluctuations and enough ups and downs prove that your electrocardiogram is beating, your heart is alive, and your story is complete.
Between several climaxes, it must be awkward. At least you can't tell what's going on. It's like you told a lie. Your girlfriend asked you where you were, and you said you went to a friend's house. Whose?
Home, what are you going for, why do you remember where you are, who is there, is there a girl, did the flowers cost money, why does it smell like a woman, why is there a lip mark on your neck, etc. You have to convince your girlfriend
, you have to find a way to spread this lie. Only when you have persuasiveness, will people believe it. Your friend has a stomachache, you help him go home, his wife is cooking at home, he is grateful to you and wants to keep you.
You stayed while eating. Because your friend had a stomachache, you needed to help his wife cook. His wife was a lame and accidentally fell down and fell on you. She accidentally kissed you...
This is the plot! This is the word count! This is your story! This is the outline you want to write!
After writing this, I think you will have some insights in your heart. Every climax and handsome picture is your occasional inspiration, but how do you connect between the climax and climax? This requires
You started writing the outline. At that time, I just had an inspiration. Now, after I have perfected it and written it out, this is my "story". You can do the same with your story.
Many people say that writing an outline hinders future innovation. You must know that the outline can be modified at any time. My method is just to set several climaxes, climaxes, climaxes, and plots. You can still innovate by yourself.
.The consequence of not having an outline is...you will become a eunuch.