While Chen Mo and others were spending time with Immorton in the square, Ada Wang sneaked into the museum from the back door with another group of soldiers and the curator carrying the Sun Golden Sutra.
Although Immorton also deployed defenses at the back entrance of the museum, when he was distracted by the offensive by Chen Mo and others at the front entrance, he was unable to react to what happened at the back entrance.
This was exactly the tactic Chen Mo formulated before the attack began. He was responsible for attracting Immorton's attention from the front, while Ada Wang sneaked into the museum with the help of the curator to find the key to open the Sun Golden Scripture.
, use the above spell to save Immortun.
If the key cannot be found to open the Golden Sun Book, then Ada Wang has another task, which is to delay the arrival of Sekhmet as much as possible.
In order to help Ada Wang complete her mission better, Chen Mo even assigned a team of Titan Tyrants to her side, leaving only two by his side.
Relying on this group of Titan Tyrants and another group of soldiers, Ada Wang easily tore through the defense of the museum's back door and entered the museum under the leadership of the curator.
To their surprise, although the entire museum looked full of blood and killing from the outside, and even turned blood red, the inside of the museum remained the same as before.
It even seemed that because of the imminent arrival of a god, the museum was filled with a sacred atmosphere, and everything seemed clean and tidy.
Although the air is still filled with the smell of blood and killing, it gives people a feeling of symbolism of bravery rather than cruelty and violence.
It's like a ball full of blazing flames, filling people's hearts with courage and belief, making them want to fight bravely on the battlefield.
Although Sekhmet is a god who creates killings in mythology, she is still a very noble god herself. As the daughter of the sun god Ra, she undoubtedly has the most noble bloodline in the entire ancient Egyptian pantheon, and
Comparable strength.
Even in some myths, it is only the blessing from the god Ra, but it still cannot hide that even Horus, who has ruled the entire Egypt, is still no match for Sekhmet, and a strategy must be used to make the goddess of war sleep.
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Such a noble identity and powerful power bring about Sekhmet's extremely powerful divine power.
This also made people like Ada Wang instinctively feel the suppression from their bloodline after entering the museum.
This kind of suppression is not the restraint of dark creatures by some divine attribute, but the deterrence brought by the divine power of a god. However, the vampire's senses are more acute and can feel the ubiquitous power of God that fills the air.
Just power.
However, even though she said that, for Ada Wang, she still very clearly perceived how terrifying the coming goddess of war was inside the museum.
But fear cannot solve the problem, Ada Wang said to herself, suppressing the awe of the gods that comes from blood instinct, and searched the museum with the curator.
Decades of work experience have allowed the curator to know everything in the museum so well that he can tell where the museum has been tampered with just by looking at it.
So after briefly glancing at these exhibition halls, he said to Ada Wang: "This place has not been touched. The thing we are looking for should be up there? I'm not sure, but since I came in, I felt that there was something up there.
Threaten me as I did when I was young and faced a lion alone for the first time."
Hearing what the curator said, Ada Wang also nodded slightly and motioned for him to lead the way and take her up.
It's not that Ada Wang doesn't want to speak, but that she spends most of her energy suppressing her fear of divine power.
Although Ada Wang gained great power after being transformed into a vampire by Chen Mo, it is obvious that one of the disadvantages of relying on bloodline power is that she needs to be affected by more bloodline instincts.
Suppressing her urge to turn around and run away, Ada Wang followed the curator to the second floor of the museum.
There was originally a huge exhibition hall here. The main exhibition was a completely excavated tomb, and the funerary objects were restored to the way they looked when the pharaoh was alive. This was used to allow visitors to better understand the culture of ancient Egypt.
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But now this huge exhibition hall has obviously been rearranged, and the furnishings inside have been replaced and adjusted into a style for worshiping gods.
On the throne in the middle, the originally shriveled mummy had filled up, and it didn't look like a corpse, but like a sleeping beauty.
It has to be said that it was not without reason that Ansuna was able to charm Seti I and Immorton, two of the most powerful people in ancient Egypt.
At this moment, she has regained the beauty that once was able to charm the king of a country and a priest of the gods. Her beautiful face is sleeping quietly, and what she reveals is a pitiable tenderness.
But her strong and graceful body makes her look far from a frail woman, but more like a sleeping female leopard. She looks beautiful, but also contains amazing power.
Those are not the kind of muscles that Ada Wang often exercises in the world of Resident Evil, but muscles that can be accumulated through years of combat training. Each one is full of strength, but it looks slim.
Beauty does not mean exaggerated bulges and stiffness.
This may be one of the reasons why she fascinated the Pharaoh and the high priest. After all, for these two high-ranking people, they have seen too many ordinary beauties, such as this kind of wild beauty.
Talents can better inspire their desire to conquer and make them more attracted to people.
But at the moment, neither Ada Wang nor the curator has any thoughts of paying attention to Ansuna's beauty, because the supreme power emanating from her body is full of oppression and deterrence, making them unconsciously
Feeling shaky.
It felt as if there was not a corpse of Sleeping Beauty lying on the throne, but a beast that was licking its claws and could tear their throats into pieces at any time.
At this moment, the person in front of them was not the lover Immorton had been in love with for three thousand years.
That is the coming Sekhmet, the ancient Egyptian war goddess.
On a table next to her throne, the Black Book of the Dead, five funeral urns and the key that can open the two books are placed.
Now, Ada Wang and the curator must get the key they need under the nose of an impending god.
