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Chapter seven hundred and sixty books, paintings

Chef training was urgently put on the agenda.

In order to improve the cooking level of relevant personnel, well, mainly to prevent the word "Yanhuang" in Yanhuang Villa and Yanhuang Restaurant from being ruined by those pig foods. Poor Fang Tian thought about it and had no choice but to do so and wrote the "Complete Book of Daily Diet".

Fortunately, this is a specialty for him, so although there are relatively many things to be written, it is also fun to be written. And while writing, Fang Tian has learned some insights into the "Yin and Yang Way" that he has understood for a long time.

Yin and Yang are everywhere.

Not to mention the distant and mysterious things like the positive and anti-matters of the previous life, such as dark matter, that are as mysterious as Lao Tzu's great way, just talk about food, clothing, housing and transportation around you, regardless of whether you are talking about clothing or food.

Clothes matching is a topic.

As for the simplest black and white, is it okay to wear black or white? Yes! But the problem is that it is too monotonous.

The upper body is black, and the lower body is better. Similarly, the upper body is white, and the lower body is better.

If the upper and lower parts are black, then you can wear a pair of white shoes on your feet. If even the shoes are black, then you can carry a small white bag with you.

Well, this is for ladies.

For men, if you have a sleeveless sleeve, wear a white watch, and have a collar, and wear a white scarf. If you have neither a sleeve nor a sleeve, but a full body of formal wear, then you can always embellish something white in your clothing pocket.

What is this? This is yin and yang.

Fang Tian is not good at dressing up, he is good at dressing up food.

In fact, in the past, or in previous lives, Fang Tian was not good at matching food. He knew it, but he had more contact and more knowledge, and then barely learned to walk in Handan.

He is a half-study person, but not a chef's expert.

And now, when he is idle, when he sits down and writes about diet at will, all the practice and understanding have flowed through the port of diet, like a flood that has opened the gate.

Scrambled eggs with green peppers, scrambled eggs with leeks, and scrambled eggs with tomatoes. The eggs remain unchanged, but no matter how they change, they are all vegetarian and vegetable. - Can you use tofu to scrambled eggs with pork?

OK, but not good.

Such a combination may be deconstructed from the perspective of "scientific" in the past and later generations, but here in Fang Tian, ​​there is only one sentence, that is, it violates the way of Yin and Yang.

The evolution of organisms divides plants and animals from microorganisms.

Plants and animals are themselves a pair of yin and yang. For animals like humans, if they tend to consume pig, beef, and mutton for a long time, they will inevitably "increase" and accumulate in the body. The reason for "increase" is that the yang intake is too much, and yin should be used to harmonize.

What is this Yin? It is a plant.

So you want to eat pork, yes, but it should be served with a plate of green leafy vegetables.

From the simple combination of yin and yang of food, Fang Tian remembered the theory of the monarch, minister, assistant, and envoy in traditional Chinese medicine, four qi and five flavors, and the need to fight each other. Medicines are actually foods, special foods. But they are different in nature and are often not peaceful and not suitable for daily consumption.

Chefs can learn ingredients matching from pharmacists. Pharmacists can get relevant inspiration from chefs.

There are no undesirable ingredients for good chefs.

For a good pharmacist, there are no medicinal materials that cannot be used.

Whether it is food or medicinal materials, there is no good or bad thing, and each has its own uses.

So in the human world, are gentlemen or villains, each with their own uses and cannot be replaced by each other?

Fang Tian sometimes stopped to think about this state of concurrent emotions, but most of the time he ignored it and still just wrote diet books quietly. A few days later, the manuscript was completed.

Who will give it to for training?

My thoughts wandered around the familiar people again. As I turned around, Fang Tian remembered Xiao Xiya, the little girl he also sent to the temple because she "awakened" the elemental sensing talent halfway.

Judging from the temple's clinic, their experience and ability in personnel training are excellent.

If this matter is left to Xiao Siya, she can build a bridge between Pierre and others and the temple.

This matter was decided. Later, after the previous book "The Complete Book of Daily Diet", Fang Tian compiled a book from the perspective of simple food, titled "Fang Tian Delicious Score".

Well, this was prepared for Sharjah. On the day of completion, I sent people to Giant Rock City.

When Fang Tian finished writing and returned to the small building on the island from the well in the courtyard, Xiao Aiwei was.

The fragrance lingered, and the little girl sat on the floor, holding the drawing board and brush specially made by Fang Tian for her, tilting her head to meditate, watching Fang Tian come over, smile, put on a piece of paper, brushed a few strokes quickly, and then handed it to Fang Tian: "Brother, am I doing well?"

In the painting, two people stood hand in hand, titled "Vivi and Brother".

One of the little girls is Little Aiwei, and the other... the other is obviously a pig's head, okay?

Fang Tian was both amused and laughed. He reached out to rub her little head, then shook his head and said, "No, there is still a need to make progress. Come on, brother, please give you some advice!" After that, he really gave advice.

The little girl who succeeded in her cunning tricks secretly showed a proud smile.

For Fang Tian now, painting is as simple as drinking water and eating, especially painting landscapes, plants and trees, especially plants and trees. In this world, at least, in this world, there is probably no one in this world who has a deeper understanding of plants and trees than his feelings and understanding of plants and trees.

Of course, it seems a bit proud to say that, well, be modest.

Next, Fang Tian said lightly and just like painting randomly, all kinds of lifelike plants and trees appeared on the paper. The plants, one stem, one beard, one leaf, one flower, one fruit, etc., were all lively and lively, as if they had walked from reality into the drawing paper.

How could Fang Tian not be familiar with those plants and trees that accompanied him day and night?

It is not only the familiarity of the eyes, but also the familiarity of perception and even life experience. They are, well, they? To be precise, they should be him and them, and they have already known each other deeply.

A few paintings, one of which is an old tree, is arrogant. A big tree in his prime is honest. A small pine seedling is stubborn. There are also a few grasses, which seem to be a little weak, but anyone can see it at a glance. The kind of inner stretch that is full of energy.

It seems that what is on the drawing paper is not the plants, but people. The various patterns are different, but when you look at it intently, the drawing is indeed just the plants, without any particularity.

If the painter sees these pictures, they will be shocked.

But for Little Aiwei, who has long been used to her brother's magic, it seems natural, and because of this, she just watched quietly.

"Girl, don't draw those elements for the time being, just start with flowers, plants, etc., huh?" After drawing a few paintings, Fang Tian turned his head and said to Xiao Aiwei.

"Yeah!" Little Aiwei nodded seriously.

Why let the little girl start from the grass and trees without drawing elements?

Because although elements flow, in the eyes of those who can see it, they are sometimes even more brilliant and flowing, like the wind revolving, like the clouds rolling, like the rain, like the snow, or like the gurgling water, but these manifestations are too unreasonable, or too complex and changeable, far less than the plants and trees. They are both specific and vivid.

Moreover, to draw plants and trees, you must feel them.

Feeling plants and trees is feeling life.

And feeling life...is there anything more important than this to practice?

Turn back to the table and Fang Tian meditated.

He told the little girl not to draw elements, but he thought about it himself.

For a moment, from the little girl's "elemental painting", Fang Tian remembered the inexplicable landscape magic array that had just formed in his hands, the actually inexplicable "life source magic array", the various artificially created magic arrays obtained from Galodos before, and the calligraphy of his previous life.

Is there any way to combine these?

After a while, Fang Tian spread out the paper, picked up the pen, dipped it in ink, one stroke, one stroke, and another stroke. He seemed to be writing and painting, but what he wrote or painted was the word "water".

Among them, it has the essence of calligraphy and the meaning of painting.

This is only one aspect, and more importantly, this figure secretly fits a basic elemental magic array.

Fang Tian was sure that if Galodos saw this great wizard who was skilled in magic circles at first glance, he would never think that this was a word, but would think that it was clearly a magic circle.

Furthermore, if an ordinary magician sees this thing, he will definitely think of the elements after his first glance. - because this figure is very similar to some... well, the nature of the water element?

After putting down the pen, Fang Tian looked at the figure carefully from beginning to end, but he was a little confused.

On this paper, the characters are strict, the paintings are ethereal, the freehand paintings of water elements are ethereal, and the elemental arrays are strict, which also means that the thing he just wrote is wandering between strict and ethereal.

People who learn calligraphy see characters, people who learn painting see paintings, magicians see elements, and like Gallodos, they see magic circles.

Is this a character or a painting? Is it a simple freehand painting of water elements, or an elemental magic array?

All.

So is there any more accurate noun to define it?

Suddenly, Fang Tian remembered something called "tale" in the fairy tale novel I read in my previous life.

If this piece of paper can carry elements, if there is a flow of elements in the line for various reasons, then is this piece of paper in front of you essentially a magic circle?

As he thought about it, Fang Tian felt a little in love with him.

The next moment, he took the paper and went to Galodos with it. He wanted Galodos to look at the paper and then see the reaction of the great wizard.

After a moment.

After a moment...

After a moment………

After a while, the hot tea that had just been poured had turned cold.

But since seeing this piece of paper, Galodos has been motionless. It seems that the spirit and soul of the great wizard were sucked in as soon as he saw this figure.


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