When Lu Liuye strikes out, it must be a killer move. This guy doesn't leave any chance for Lu Yu to breathe. He uses several moves in a row, and he even uses the unique skill that Shangmen Xingyi has to mention: "
"Tiger pounces in full shape"!
"Boxing Sutra" says, "The tiger-shaped person has the form of crouching the tiger and leaving its hole, and also has the courage to pounce on food. In the abdomen, it is the kidney. The water tiger rises into the water, and it is also the wind. The wind comes from the tiger and is in the fist.
But when the tiger pounces, the buttocks and tail (called Du Vein, also known as Changqiang) rise and fall without being visible, and the tiger is sitting or lying down and coming out of the cave."
The tiger shape takes a vigorous route, good at regulating energy and striking with energy, especially the eight methods of the tiger shape.
The Eight Methods of Tiger Shape are not routines, but a set of Sanshou.
The so-called Sanshou is the most common combat move we talk about.
It was born out of routines and has strong combat skills. If an average person masters one of the moves, he can defend himself against the enemy. If he can fully practice these eight moves, he can handle them with ease when necessary.
Lu Liuye mainly uses the following eight moves.
The first move, "Tiger Pounce".
When the opponent directly attacks my chest with his right hand, I use my right hand to backhand his right wrist from the outside and below of his right wrist. At the same time, I take a half step to the left with my left foot, hold his right elbow with my left hand, stretch it with both hands, step forward to the right, and my hands become
Use your palms to hit the Huagai point (upper chest) with force, causing the opponent to fall down.[
The key point of this move is to step forward, take the wrist, and move the elbow at the same time, and the advance to the chest must be timely and rapid.
The "Boxing Sutra" says: "The heart is like gunpowder and the fist is like a child. If you have an idea, it is difficult for a bird to fly."
Second hand, "Tiger Trust".
When we use the Tiger Pounce to attack, if the opponent uses both hands to support my elbows from the outside and bottom upwards, I use the power of his upward support to turn my palms outwards to the left and right, lift up the lower part of his cheeks, and move forward
Even if the opponent is still on his back and falls out, the left foot should be stepped forward and the right foot should be used to increase momentum when performing this move.
You need to pay attention to this move: when turning the palm to supporting the palm, the movement should be quick, and before moving up to support the belt, the progress and steps should be fierce.
The third hand, "Tiger Supporter".
If the opponent attacks my chest with both hands, I step back to the left or right to dodge. If I can't dodge, I put my hands from the top of the left and right sides, and insert the fingers together, separate the tied hands, and use the palms of both sides (the palm edges are flat) to attack me.
Upward, with the tips of the two middle fingers facing each other, hit the upper part of his chest. The left or right foot advances as it hits the chest, and the other foot follows to help.
Key points: Keep your arms rounded outwards; the two "palms" should be flat and upward, touching the chest, progressing, and following steps at the same time.
Fourth hand, read the full text of "Tiger Catch" Super Far Eastern Empire.
If the opponent hits me on the top of my head with my right hand, and when facing the left side, my right hand goes up from the outer bottom of the opponent's right hand to his right wrist, stretches it downwards, and at the same time takes a right step (less than half a step), and takes a left step outside of his right foot.
Use your left palm to chop his right side, or grab his head. If the opponent attacks my upper part with his left hand, the attack method is the same as before, except that the movements of the left and right hands and feet are interchanged. When the right hand strikes, the left hand strikes.
The key points are: the right step of Diao Wan Pad should be performed at the same time, and the left step to the outside of the opponent's feet to chop the right side or grab the head should also be performed at the same time. The Xingyi technique pays attention to the coordination of movements in order to be effective.
The fifth move is "tiger holding its head".
If the opponent steps forward to the right and hits me on the left with his right hand, I block his right hand with my left hand and then hold Yang Fist with both hands (with the center of the fist pointing upward), using the fist wheel and the side of my wrist to pinch his neck, and then
Bend both elbows, lower the tips of the elbows, and rub his upper chest. At the same time, I step forward to the middle door with my right foot, and step with my left heel to help. If the opponent attacks my right side with his left hand, I step forward to my left, flanking his neck with both hands, and only move in the direction.
on the contrary.
Key points of the movements: When making progress, block with the outside of your hands, clench your fists and expand outwards to the left and right to accumulate force. When making progress, you must move at the same time. The "Fist Sutra" says: "This method is to move forward, to enter the person, to enter the body, and it is true that the skills and hands are all combined."
We must also strive to "reach the point where we can't reach the step, and the tiger can leap up the mountain."
If the opponent takes a left step and hits my ears or temples with both hands from left to right, I make fists with both hands and raise them forward and upward, and my arms arc outward to protect my head.
In the Yin Fist (Yin Fist with the back of the fist pointing upward), strike the upper part of both fists with both fists, while simultaneously taking a left step and a right step to increase momentum.[
The key points are: raise both arms to support the head, and hit the chest progressively. The movements should be consistent for better results.
The seventh move is "Tiger Wags its Tail".
If the opponent steps forward to the right and hits me on the head or my ribs with my right hand, I step right on the outside of his right foot, and at the same time use my right hand to turn over his right wrist outside of his right wrist and stretch it towards my lower right side.
, step left behind his right foot, trap his right leg, stretch out his left Yin fist in front of my right shoulder to gather strength, and strike his chest and ribs with the fist wheel and the side of my wrist without moving my right foot. This posture is also known as "
"Tiger tail whip" is also called "sweeping thousands of armies".
Suppose the opponent hits me with his left hand on my upper and middle parts. I will still use this method to catch and break my moves, but the movements of my hands and feet will be switched from left to right.
The key points here are: stepping forward to hold the wrist, stepping up to Yinquan (with the back of the fist facing upwards), and hitting the chest or left ribs with the fist wheel at the same time, in order to achieve their best effects.
The eighth song, "Tiger's Claws".
When the opponent uses his left hand to attack my right side, I use my left hand to grab his left wrist from the outside of his left wrist. At the same time, I step back to the left and sideways, coldly stretch my left hand to the upper left, lift my right knee, and kick the outer edge of my right foot on his left thigh.
legs, and at the same time slap his chest with the palm of his right hand. At this time, if the opponent hits me on the left side with his right hand, I step back to the right, turn my right side, take his right wrist with my right hand and stretch it coldly to the upper right, and kick his thigh with the outer edge of my left foot.
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Key points: The movements such as stretching the wrists, raising the knees, kicking, and patting the chest should be done in one go, naturally, quickly, and nimbly.
The tiger shape is a powerful one among the twelve shapes, and it is even more powerful when used by Lu Tianshu. He stepped out with his feet, the strides were not big but he could keep up with Lu Yu's movement, eight moves in a row
When he came out, he followed him like a shadow, forcing Xiao Lu into the forest in an instant.
What you walk with is walking force, and the force is moving forward. The steps you take are like plows, and there is a subtle feeling that you can turn up the soil when you take one step.
"Good Kungfu!" Lu Yu, who was forced to fight and retreat, cried in his heart. In Lu Yu's opinion, the masters he has seen in his life are the best in Xingyi practice except Wang Lun, Shang Kun, Lu Tianshu and his master Fujitora.
In terms of people's actual combat ability, apart from the old man who always makes fun of himself, only Mr. Lu Liu in front of him can surpass him.
His Xingyi Quan is both orthodox and innovative. It is truly a martial art that is unique in the world. Although Lu Yu is very familiar with Xingyi Quan, he still cannot understand the connotation of his moves when facing an old man.
To be honest, this drove Lu Yu crazy, because according to his habit, he could often accurately predict the opponent before he made a move, thereby occupying an advantageous position to anticipate the enemy's attack, but this old man did not follow common sense at all.
This strange and unpredictable move made Lu Yu extremely passive for a while, and the dense forest was full of dangers.