The train stopped slowly, and the door of carriage No. 11 was facing the number "11" on the ground. It seemed that the driver of this train had a very good driving level.
After the train stopped, the conductor opened the door and the young couple held hands and got on the train. The old lady following them was about to get on the train, but unexpectedly the little boy suddenly ran over and pushed past the old lady to get on the train.
Originally, the old lady's legs and feet were not very good, but she was squeezed by the little boy and almost fell down. Fortunately, Mo Shouchen, who was behind, had quick hands and eyes, and was able to support the old lady.
Although the child's mother saw her son almost knocking the old lady down, she didn't say anything and cut in line and got in the car in front of the old lady. This mother and son were really uneducated.
After the old lady stood firm, she turned around and thanked Mo Shouchen: "Thank you, young man."
"It's okay, aunt, let me help you get into the car."
After saying that, Mo Shouchen helped the old lady get on the train.
After getting on the bus, Mo Shouchen asked: "Auntie, what is your seat number?"
"Car 11, No. 47." the old lady replied.
"I'm No. 44. We seem to be next to each other, so I'll help you over."
"That would be too troublesome for you." The old lady smiled and nodded.
Mo Shouchen helped the old lady walk into the carriage. When he reached No. 40, he couldn't help but frown because he saw the mother and son sitting just opposite his row.
Sitting together with this untutored mother and son, just thinking about it gives me a headache.
Fortunately, there were not many passengers in this carriage, they were just scattered on the seats, so Mo Shouchen directly helped the old lady find an empty seat and sat down.
Soon, the train started. Mo Shouchen glanced at the time, and it happened to be 11:44.
The script prompted him to go forward. He felt that going forward meant going to the car in front, so after settling the old lady, he got up and went to the door connecting Car No. 10 and No. 11. He tried to open the door.
He opened it, but the door was locked, and he couldn't get through at all.
The conductor happened to be nearby. He said to the conductor: "Hello, can you help me open this door?"
The conductor shook his head: "No! The doors between the carriages will only be opened when the car is parked."
Do the doors between carriages only open when parking?
This is the first time I have heard of such a rule.
Mo Shouchen was about to discuss with the conductor to ask him to help open the door, but the conductor asked seriously: "Where is your train ticket? Give me a look!"
Mo Shouchen took out the train ticket and handed it to the conductor. The conductor took the ticket and looked at it twice, then gave it back to him and said in a tone that could not be refuted: "Go back to your seat!"
"My friend is in the car in front. I want to go find him. Please open the door for me, please."
Mo Shouchen made up a random reason, but the conductor repeated what he just said.
"Go back to your seat!"
Mo Shouchen had no choice but to return to his seat, but as soon as he sat down, the conductor walked up to him and said, "Go back to your seat!"
Is this conductor sick?
Mo Shouchen complained in his heart, but he still said to the conductor politely: "It's too crowded over there. There aren't many people on the train anyway. It doesn't matter where you sit."
"Go back to your seat." The conductor repeated again, and then added, "Otherwise, I will kick you off at the next stop!"
Facing this unkind conductor, Mo Shouchen couldn't help but take another look.
The conductor looked to be in his forties, male, of medium build, with a slightly dark complexion. He had a straight face from the beginning until now, as if someone owed him money.
What's even more strange is that as a conductor, he actually has to chase passengers off the train. This is so unreasonable, so Mo Shouchen concluded that there must be something wrong with this conductor.
Mo Shouchen didn't want to cause trouble, so he had to get up and return to seat 44. However, his compromise did not make the conductor give up. The conductor actually asked the old lady to return to his seat, and then the young couple.
Several people returned to their seats. Only then did Mo Shouchen realize that the people who had just come up were sitting together. He didn't know if it was a coincidence or some other reason.
The mother and son were in a row with the old lady, and Mo Shouchen and the young couple were in a row. Mo Shouchen's seat was by the window, and sitting opposite him was the little boy.
At this time, the little boy was standing on the table, holding the luggage rack above with both hands and playing on the swing. Several times, his foot almost kicked Mo Shouchen in the face.
Mo Shouchen was already annoyed by the conductor, and coupled with the little boy's impudent behavior, he finally couldn't help but scolded: "Get off here!"
The little boy was stunned for a moment, obviously a little scared. His mother quickly held him in her arms, and then shouted to Mo Shouchen at the top of her lungs: "Why are you shouting! You are such an adult and you still have the same understanding as a child, do you want to
