The plot of the next four Taiqing mansions is much more complicated than the first two dungeons.
Xiaorong was not satisfied with the plot outline that I had thought up before (you know me, I never give in~), so I decided to start over and redesign it today...
Let’s adjust the time by the way. It’s so uncomfortable to have day and night reversed.
The next update will be at 12 o'clock tonight, send it on time!
Finally, let’s briefly summarize the driving plot in recent chapters.
To be honest, Xiaorong doesn’t actually drive on purpose, but I write everything in great detail, trying to create a sense of immersion and reality.
Book friends who have read along the way should have a deep understanding of it.
Well, this is probably the reason why some brothers feel that the plot is slow and they have to watch it.
Well, I wrote half of each of these chapters about KISS. It’s really mine.
Therefore, Xiaorong writes many plots and depicts them very carefully, and sometimes some foreshadowing clues are hidden in them.
Therefore, I generally don’t write irrelevant and forbidden content...unless I can’t help it.
The plot and plot are also written in such detail, giving everyone the impression that Xiao Xiaolu has become Qingjun, the first heroine...
By the way, when I write Qingjun’s emotional drama next, won’t I write it in more detail?
I'll see what everyone says then~
So when I say all this, I want to say that I am not an LSP! I have obsessive-compulsive disorder, and I write very seriously and carefully when I drive, and I don’t want to rush things.
When I first started driving, I was always locked in a dark room, but now that I have some experience, I don’t even feel like being locked in a dark room anymore.
"That's it, that's it?"
Because I know how to change it to release it, I'm not as panicked as I was when I first encountered it.
For example, for the recent chapters, Chapter 119 went in for a while, revised it, and was released in less than half an hour.
Moreover, my driving skills have also improved, and I know the speed.
For example, Chapter 120 didn’t fail.
Newbies and new books, many of which were learned for the first time. I learned how to drive well this time.
Even when I was writing, I was still thinking about how to write the third person with a sense of substitution in the first person. The answer is very simple. Just write it with "I" first, and then replace it with "he". Half third person...
Ahem, maybe some book friends want to criticize me righteously, "If you don't feel ashamed, you will feel proud."
But, to be honest, Xiaorong really doesn’t think there’s anything vulgar about driving properly.
Not to mention purely literary masterpieces, in fact, everyone is tacitly aware of many things. In the Internet age, if you just search online, everything you want will come out...
Of course, when writing this kind of plot, you must respect women. You can write about normal desires, because both men and women have them, and it is human nature.
You cannot write plots that disrespect women (actually Xiaoxiao is very happy, woohoo). There is a certain plot in these chapters that has offended some book friends. Xiaorong hereby solemnly apologizes.
In the end, Xiaorong admitted that proper driving also has the idea of attracting readers, and it is still utilitarian.
But I didn’t write it with gritted teeth, but I wrote it cheerfully, killing two birds with one stone... (Strange talent +1)
Just kidding, this method is not a long-term solution. If you look at the top Internet writers in the circle, many of them do not rely on driving to be successful, but rely on other things to win.
Although Xiaorong is a salty fish, he also has the dream of turning around. It is better not to walk too narrowly. (These words feel a bit like being a bitch and setting up a memorial arch~)
Just properly trick LSP book friends into getting on the bus.
After these few chapters, the data is really good and has improved a lot... (although it is still a hit)
It is conceivable that some book friends who strongly condemn Xiaorong are actually quite honest.
so.
It's not that there's something wrong with me, it's that there's something wrong with you...
Very good. A single chapter about asking for leave cost me a thousand words. I felt comfortable and left.