Let's take a chance and prove that a certain little author didn't run away...
While writing the paper this week, Xiaorong compiled the outline of the third volume.
Bi She is currently writing the third draft, and the progress is acceptable. If there are no problems in the defense after a while, graduation should be stable.
Although the work matters are still not settled (sigh).
In addition, in the past few days, Xiaorong has also studied the books of his predecessors in the same field, and found that others have written really well. Xiaorong's hands are also itchy (damn, I actually have the urge to code... I feel my thoughts
It is no longer clean).
It’s been a long time since I’ve had the urge to actively code.
But this may also be like a novice reading the game guide and eager to try it. In the end, his brain has learned it but his hands have not.
At the same time, when I calm down and think these past few days, I also think of some plot stories that I wanted to write in the book before.
I found that some ideas are really good, but some ideas are difficult to write down, or they deviate too much.
Of course, the main contradiction is understood by the brothers. Xiaorong always makes "additions". A simple plot is always temporarily filled with content, making it very bloated. As a result, several chapters are written for a small matter.
I would say it's water, but the details are also rich, and it's quite real and rigorous.
But it’s hard to say that after everyone looked at it, they didn’t seem to see anything.
Brothers, do you feel this way, hahaha.
It's an old problem.
But many, many good brothers have continued to support Xiaorong (I would like to thank everyone again), allowing me to write all the way to the current 2.13 million words.
However, Xiaorong himself feels uncomfortable writing with this kind of meticulous writing style.
Because there is almost no progress.
The previous 2.13 million words also made Xiaorong feel confident about this "reader-style romantic writing" from the beginning, to a little doubt later, to despair, and finally realized that this road was dead, and began to turn around and find another way.
Come to think of it, it's actually quite frustrating.
Denying the past self.
but,
Also relieved.
There are some pitfalls that can only be remembered by those who have stepped through them.
You also have to step on it.
However, when Xiaorong started to update again in March, the feeling of "addition" that made the plot drag out came back.
Although the plot at the end of this volume was written relatively quickly compared to previous chapters.
Character dialogue has also been greatly increased.
But Xiaorong was still not satisfied.
I feel that there still seems to be a lack of overall macro control. The current solution is to make the outline more detailed.
Therefore, with the help of this paper and the new volume, I just stopped for a while and thought again.
Xiaorong currently encounters two problems.
The first is that the outline of Volume 3 is not yet complete.
There are too many plots that Xiaorong wants to write, but they are all just ideas and not very complete.
As a result, I have to think carefully before writing.
I am afraid that I will fall into the dilemma of "crazy addition" again.
The second one is that Xiaorong is looking for a methodology that can tell a complete story in a clear and coherent manner without being dissatisfied.
I have some ideas and new methods in my mind, but they need to be tried and accumulated experience.
So this has become the main task of the new volume.
If writing a story is regarded as a battle, and the writer is the swordsman, then the technique and method of writing a story is a sword that helps the swordsman overcome obstacles.
The new volume is meant to present a story with a comfortable pace for readers.
But for Xiaorong, he still needed to find a sword that was sharp enough.
The current idea is to 'start over' from explaining a simple thing, from simple to complex, from rough to fine, from shallow to deep... from shallow to deep.
So, cough, it still needs a little, little, little, little, little, little time.
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