"I have to visit Senior Brother Xiayang another day."
Zhao Rong chuckled and whispered, and put away the 'Climb to the Sixth Floor' token, which existed in no more than one hand inside and outside the academy.
Noon time passed quickly.
The poetry and Fu arts exam started in the afternoon, and Zhao Rong sat in his seat in the Renzihao exam room on time.
The invigilator who walked in was a man with white hair, but his face was very young and green. He didn't look much older than the students on the field.
However, Zhao Rong and the other candidates were not fooled by this appearance. Except for the highly respected Yamashita Hongru, those who could become official teachers of the academy were at least Jindan monks. It was normal for them to have special skills to preserve their appearance.
Seeing the eyes of all the students in the room, the white-haired young gentleman smiled and prepared to curl his hair.
Before curling his hair, he lowered his head and turned over the papers, and suddenly smiled, seemingly amused.
"The exam begins."
Poetry and Fu arts examination papers flew into the hands of Zhao Rong and other students.
After Zhao Rong saw the scroll clearly, he couldn't help laughing.
I saw that the poetry and poetry test paper was more concise and sparse in words than the questions in the first classics and meaning assessment.
The title is only nine words long
It starts with emotion, stops with etiquette, and hides it in the heart.
"Love...courtesy..."
Zhao Rong thought for a while.
Obviously, this poetry test question is closely related to the word "love".
But there are many kinds of ‘love’.
It can be said to be one of the biggest themes in poetry.
This sentence comes from "The Book of Songs". Taking into account the context, this "love" should be tested... the love between men and women.
Coincidentally, Zhao Rong also mentioned this matter when he confessed to Qingjun in Nanci Jingshe not long ago.
In the "Book of Songs" edited by Confucian sages, the first chapter is "Guanyong", which talks about the love between men and women.
It can be seen that the sages and teachers were not taboo about the relationship between men and women.
But of course, we are not advocating for obscenity and sentimentality, but we are seeking to have an "innocent mind", that is, "pleasure without being obscene."
The current test question, "Sentiment starts with emotion and ends with etiquette hidden in the heart", which is a derivative of later Confucianism's ideas about the sage.
It means: It is okay to breed affection and love, but it cannot go beyond the boundaries of etiquette, law, and ethics. Once it goes beyond the scope of ethics, it must stop. You must not be immoral. Even if you like it to the death, you must hide it in your heart.
In short, it is the Confucian doctrine of moderation and restraint.
Regarding this, Zhao Rong had a lot of thoughts for a while.
He couldn't help but think of the "Ode to Deng Tuzi's Lust" which he was familiar with in his previous life. This poem mentioned three types of people, corresponding to three attitudes towards the relationship between men and women.
They are the disciple who is loved by all women; Song Yu, who is aloof and ethical; and Doctor Qin Zhanghua, who is lustful but observant of etiquette.
Although the disciple in this poem is suspected of being framed as a womanizer, and it is far-fetched to say that he likes a stinky wife because he is a womanizer, it is not difficult to see what the author of the poem really wants to express:
He regards himself as a noble and polite gentleman of the second type and criticizes the lecherous and sentimental people of the first type, but at the same time he secretly agrees and admires the third type of "passionate but polite".
This attitude is in line with human nature and is also in line with the sage’s etiquette idea of “being happy but not immoral.”
The current poetry test question is in perfect agreement with this famous poem in Zhao Rong's memory.
In the examination room where all the candidates were answering questions quietly, Zhao Rong thought for a while.
Obviously, this time he planned to write a poem, not a poem.
It was true that the poems that made the grade could be a solid final word, but... he was a little tired of it.
Zhao Rong found it quite boring.
Thanks to the current state of the evil dragon activating the inner lake, the memories and knowledge reserves of past lives can be recalled and accessed at will in his mind.
This time he decided to try the literary style popular among scholars. This is also the mainstream style of poetry and poetry. Its influence is even greater than poetry that emphasizes literary talent, because it also requires hard work and learning...
Looking back at the current question, Zhao Rong thought about it for a while and found that there are three ways to solve the question.
The first type is a lyrical poem about unrequited love that cannot be achieved because of love, so that "the love ends with the gift and is hidden in the heart".
The second type is a lyrical poem in which although the two parties love each other, they are trapped by the constraints of etiquette, law and ethics.
The third type is to cleverly write love poems to express the pain of lovesickness. After all, poems and poems are not written just for people to read, so you can write that he is "feeling passionate about so-and-so, but the gift is hidden in his heart", but in fact
It means to express it directly.
Zhao Rong felt that these were probably the three directions in which all the candidates could write poems.
So the topic this time is quite broad.
Of course, it also depends on the person.
Now Zhao Rong is very curious about how Yu Huaijin will write... She can also be in heat. Is it wrong? Is she in love?
He smiled and shook his head.
Although Zhao Rong deliberately ignored and avoided the big-breasted female gentleman in his mind, Zhao Rong felt that he didn't seem to have any experiences of "being in love with gifts and hiding them in his heart" to write about. His relationship with Qingjun, Xiaoxiao Qian'er and the others was quite good.
go well.
But he can make it up.
I barely made up some.
So, after thinking briefly, Zhao Rong dipped his pen in ink and wrote three words on the blank front page.
"Li Shen Fu".
"I wonder if she's still there..."
Zhao Rong faced the direction of Dali in the south, whispered something, and was lost in thought for a while. After breaking away from the memory of the mythical journey he experienced at the ruins of Wangque City, he took a long breath and started writing a poem.
The name "Li Shen Fu" was chosen because it was influenced by the famous poem "Luo Shen Fu" that Zhao Rong liked in his previous life.
Cao Zhi's experience of meeting Luo Shen Mi Fei on the bank of Luoshui River is very similar to his experience of meeting the figure of the goddess of the Li clan at the ruins of Wangque City.
However, there are some shortcomings. For example, the Luo Shen is extremely beautiful, but the "Li Shen" Zhao Rong met is transparent and invisible; for example, in "Luo Shen Fu", they yearn for each other, describing the misty and confusing love between humans and gods. In the end, humans and gods
Different ways, but Zhao Rong here is mostly curious and grateful for the 'Li Shen', and has no such thoughts. As for the 'Li Shen' towards him, Zhao Rong is also quite confused...
But it's okay, editor.
As the saying goes, there are a lot of articles in the world, and they will improve after editing.
Moreover, the Luo Shen Concubine Mi in Cao Zhi's works was also artistically processed. I heard that the prototype was still his sister-in-law Zhen Mi.
Good guy, you can tell he is an old dumpling lover at first glance.
It’s no wonder that he can write the kind of regretful and regretful feeling in "Fu of the Goddess of Luo", in which humans and gods have different paths, and love and justice are stopped...
He did it as soon as he thought of it. Soon, Zhao Rong referred to "Luo Shen Fu" and combined it with his own experience after accidentally entering the ancient Wangque City ruins. He wrote thousands of words in a eloquent manner, which was smooth and smooth.
Because he was afraid that handing in the paper would cause too much reaction, to be on the safe side, Zhao Rong only borrowed some famous phrases from "Luo Shen Fu" describing the appearance of Mi Fei, the Luo Shen, and did not borrow much from others.
In addition, it was also because Zhao Rong wanted to take the opportunity of this poetry and Fu exam to test and see how much repercussions the famous poems and poems from his previous life would have in the Confucian academies in this world...
Not long after, a complete "Li Shen Fu" was born from Zhao Rong's pen. He carefully added the name, put down the pen, and blew the ink, which was considered completed.
After the poem was completed, there was no spiritual vision as vast as the poetry on the table.
Zhao Rong was not surprised by this, because the way of Ci Fu is different from the way of poetry, and there is no such thing as a good one.
Done, stick to the old rules and call it a day.
Zhao Rong is preparing to hand in the paper...
…
PS: It’s late but it’s here, sorry guys TAT. In fact, it’s still not in good condition, but it must be coded. In addition, I have to rush to the car tomorrow morning, and the road has been bumpy for a day, so the update may be a bit late...
－－－－－－Digression－－－－－
Thanks to the good brother "Ning Changle" for the 5,000-coin reward! Thanks to the good brother "Minglianyu" for the 2,000-coin reward!