In the huge stone chamber of the underground palace, the wide bed of yellow jade clouds, and the staggered figures of two people, on one side is the majestic image of thunder and fireworks intertwined, and on the other side is the misty lightning of five colors.
Ever since they first met at a banquet overseas, and since they were on the road to physical training, Yun Han had no chance of winning in front of Chu Weiyang.
From the very beginning, Chu Weiyang faced Yun Han with an extremely crushing attitude.
What's more, now the difference between the two is not only in the pure knowledge of body training, but also in the actual level of cultivation.
This really became what Yunhan called "teaching you".
Although Yun Han showed his thoughts beyond words, from the very beginning of the close fight, Chu Weiyang was truly grounded in the way of physical training. After gaining insight into Yun Han's path,
The subtle inconsistencies in the text, and then the "teaching" of the hand, sorted out the details and straightened out the context of Yunhan.
So that it can point directly to the pass, reach higher levels, and achieve perfection.
Of course, perhaps the final result is the same result.
This is not a purely verbal argument, all verification must ultimately be implemented in close combat, returning to the original purpose, returning to the appearance, returning to pure victory and defeat.
Therefore, after Chu Weiyang's successive victories, Yun Han suffered successive defeats in different ways.
Therefore, it is inevitable that this kind of determination between victory and defeat brings Yunhan pain in different ways from different positions of the physical body.
During this process, the weak parts of Yunhan's method of forging the body, those qi and blood were torn apart, those muscles were pressed, and those bones were hammered.
Those severe pains themselves sometimes made Han Yun's thoughts and thoughts become drowsy, and sometimes made her suddenly wake up. And in this process, her original "implications" seemed to be constantly discussed in this way.
It was reduced in the process of grinding.
Then, because the pain was never more likely to reoccur, Jiao Yunhan resurfaced those "implicit" thoughts while immersed in the way of physical training.
And it was completely unable to be erased after that, like a weed, it was deeply planted in one's Taoist heart, and then grew up wildly along with the increasingly severe pain itself.
Therefore, in such a state of mind, amid the repeated entanglement of chaotic thoughts, it finally truly affected Yun Han from the inside out.
After once again setting the cauldron, Chu Weiyang relaxed his knuckles that lifted her body from Yunhan's slender neck, and a certain pain and fainting feeling disappeared together.
Facing Chu Weiyang's gaze, Yunhan, who was distracted, finally took a step back and hid her shoes and socks in her skirt with a hard and painful short breath.
Everything seemed like a familiar scene, as if the first meeting between the two people only happened yesterday.
In just a blink of an eye, due to the mutual interpenetration of Qi between the four eyes facing each other, the soundless thunder and bright light, the relationship between the two people can no longer be purely based on Tao and Dharma itself.
But this time, Chu Weiyang did not pretend not to see anything. Instead, he still lowered his head and stared at the edge of the skirt, as if he could see through the water-stained shoes and socks, and see through Yun Han.
There is still a serious side to him that he tries his best to conceal.
He no longer restrained himself from saying anything hard to get.
The originally gloomy gaze seemed to contain some ferocious evil thoughts, or the gaze itself was no different from thunder and fireworks.
It was a gaze that wanted to pierce the letter with thunder and melt it with fireworks.
"continue?"
On the spot, Yun Han twisted his slender neck and twitched his slightly red nose, but still responded crisply.
"Um."
Maybe his mind was no longer here, and maybe the shoes and socks affected Yunhan's performance.
Those mistakes that had just been made suddenly appeared for the second time in Yun Han. The moment the middle door opened wide, Chu Weiyang subconsciously raised his knees and raised his elbows. His energy and blood were wrapped with thunder and fireworks, and he struck Jiang Gong with one blow. After being shot down in the air sea, the flexed arm would straighten out and the knuckles like chicken claws would hit the slender neck like mutton-fat white jade.
Just for a brief moment when the strong wind blew up, Chu Weiyang seemed to have thought of something. He always felt that if he repeated the experience just now, he would probably teach Yunhan to be embarrassed in front of others.
Therefore, in a flash of thought, the wind in Chu Weiyang's palm changed, and then he came closer again. With his own struggle, he locked Yun Han's limbs one after another. The joints and muscles were tense or twisted, locking Yun Han in In the meantime.
As a result, a very clear and different change took place. Yunhan only raised his head for a moment, and the short sniffing sound seemed to be changing towards a whimper because of the pain itself.
But at this moment, Chu Weiyang saw the intersection between Yun Han's figure and his own, and suddenly his expression seemed to be in a trance, with some unprovoked inspiration penetrating between thoughts and ideas, and then, It turned out that the memories of past and present lives emerged in his mind one after another, turning into torrents and passing through each other, stirring up waves in his mind one after another.
At this time, Chu Weiyang became slightly distracted.
On the contrary, Yunhan's voice, which was obviously trying its best to maintain a calm tone, woke Chu Weiyang out of his unreasonable daze.
"continue?"
When he heard this, Chu Weiyang nodded again.
"That's fine."
But when the words fell, Chu Weiyang did not let go of the fighting body, let alone Yun Han, who was locked in it.
From the pure Tao and Dharma to the ultimate beauty itself, perhaps it is just a change of thought.
From the beginning of the discussion of the static method of physical exercise, to the annotation of the scriptures with one's own way, and finally to the teaching of dynamic exercises, and then to the level of integrating the three elements.
Sure enough, between movement and stillness, the three elements run through each other, and the Tao and the Dharma are all connected with each other.
This is not a journey to the same destination.
After a long while.
When Yun Han slowly woke up from his truly drowsy sleep, he saw that Chu Weiyang was already standing in the sky with one white paper after another.
At this time, the Taoist was using his talisman pen to draw clear body lines on the pieces of white paper.
At first glance, it seems to be a catalog of some kind of Tao and Dharma practice.
Even if you don't need to understand the inner meaning in detail, you can just look at the hazy Tao and Dharma itself, and you can feel the meaning of it, which was born out of the Tao of physical exercise.
It's just that now, when Chu Weiyang's talisman pen falls on the paper, what he traces is not a picture of the different inner meridians that move Kanli during the exercise.
All the qi, blood, muscles and bones, as well as the inner meaning of the method of body training, were completely covered up by Chu Weiyang, and what was reflected outside was only the pure change of body shape.
It seems to be a movement in the way of physical exercise, but when you look closely, you don't think it is the same. The movements of changing body shapes are not coherent, as if one posture is maintained with another for a long time.
It seems to be a dynamic exercise, but it is also mixed with the principles of static exercise.
But just looking at the figures and postures carefully, as time passed, Yun Han, who had become aloof and desolate, suddenly turned crimson again.
Because at this moment, she actually saw about half of the postures she had practiced before when she participated in the Three Yuans from the picture albums that were obviously for spiritual practice.
As for the other half of the body, if it breaks away from the meaning of Tao and Dharma itself, and brings it into the profound realm of practice that integrates the three elements, even if Chu Weiyang's knuckles are not needed to squeeze her neck, lift it.
Looking at her figure, she felt dizzy and fainting.
That was actually beyond Yunhan's imagination, a figure and posture that truly penetrated the Taoist heart.
It seems that the "teaching" from earlier has not ended yet, and Chu Weiyang has even refined the Taoism and principles in this way. Even if what is left on the white paper is only a very simple outline of lines, but one glance after another
Looking at the past carefully, Yunhan seemed to see real pictures, and in those pictures, every gesture and gesture was all about himself.
So, when Yunhan spoke, perhaps she had never even noticed that there was a little uncontrollable vibrato in her voice. When she listened carefully, the bird-like voice changed.
You have to be tactful.
"This is senior brother's understanding of the way of body training?"
Yun Han's confusion was fully revealed in this question.
Because Yun Han really understood Chu Weiyang's talent, and therefore, he felt that if he could teach Chu Weiyang to make a Taoist power that fit his own Taoist power based on a complete static power such as "Xuanlong Lying Sleeping Dream Skill"
Chang Yi is actually a relatively simple matter, and it is precisely because of this belief in Chu Weiyang that the teaching letter first proposed the "teaching" proposal.
I just never thought that after some instruction, when I looked at it again, the various principles presented in the catalog had nothing to do with the "Xuanlong Lying Sleeping Dream Technique".
Only in some of the movements can you see the stretching of the spine, but more of it extends to the bones of the body, to the qi, blood and muscles.
"Well, it's a moment of inspiration."
This is the product of the initial inspiration before Sanyuan was involved, and then the process of continuous renewal.
The inspiration itself comes from that distant and bizarre mental memory, from something called "Yoga".
This is the origin, and under the appearance, it carries Chu Weiyang's principles about the key points of dynamic and static exercises in the way of body training.
It is the harmony of movement and stillness, using stillness to control and using movement to control stillness.
Of course, Chu Weiyang also admitted that such a burst of inspiration had an influence on Yun Han.
After all, looking back at the appearance itself, in the previous life, there was a part that participated in the three elements.
Chu Weiyang's thoughts were no longer just focused on the "Xuanlong Lying Sleeping Dream Technique".
In a hazy and vague manner, Chu Weiyang's feelings told Chu Weiyang that if he continued to cultivate deeply on this road, which was suitable for both movement and stillness, he might at least be able to teach Chu Weiyang how to mix within the scope of thunder method.
Each method merges all Qi into one thunder!
Of course, everything is still immature now, and even the body shapes and postures I put on the paper are just the beginning of this path.
As he looked more closely, Yun Han seemed to have glimpsed the majestic meaning that contained Chu Weiyang's "ambition".
For a moment, whether it was because of Tao and Dharma or because of the figure itself, Yun Han seemed to be slightly frightened.
"Senior brother, how about... let's test it out?"
"That's fine."
This is probably really a case of Taoism practice with different paths leading to the same goal.