Sword energy and sword light intertwined in front of Chu Weiyang.
Skin, flesh and blood, muscles and bones, roots and marrow...
Chu Weiyang used extremely ruthless and brutal methods, and in the most primitive way, to transform the figure in front of him into a basic component of the most basic body-building method.
Not only that, but the blood itself that was filled with vitality and spurted out during this process was also wrapped in Chu Weiyang's powerful magic power.
A ball of red blood light reflected in it, and every strand of qi and blood itself was drawn out by Chu Weiyang.
Furthermore, from this extremely fine appearance, all the blood and blood were stripped away by Chu Weiyang. He began to start from it and deduce from the outer appearance towards the inner Tao and Dharma.
Even during this process, Chu Weiyang truly demonstrated all the wonderful techniques he had mastered. Regardless of time, he was either using the pure wood-phase magic power from the same source to stimulate the vitality inherent in his qi and blood, or
Use acupuncture to stimulate the meridians and chakras of the internal organs, or use poisonous and elixir-like methods to rejuvenate its dormant vitality.
Among those dripping blood-colored images, the dark green aura contained in the qi and blood, the skin, flesh, bones, and roots gradually began to shine through.
And it was at the moment when he saw this flash of dark green light that Chu Weiyang suddenly breathed a sigh of relief.
The person seems lifelike, and the existence of his body and life is confirmed from the perspective of the three elements of essence, energy and spirit. However, when all the external appearances are peeled off, what supports his life is not vitality and creation, but some kind of existence.
A human-imprinted Taoist aura with a single characteristic.
It was precisely because of this discovery that Chu Weiyang suddenly relaxed.
The various experiences of entering into a world of silence, no matter how bizarre, were more acceptable to Chu Weiyang than discovering the true existence of old monsters from ancient times.
And perhaps it was precisely because of Chu Weiyang's sudden sense of relaxation that he immediately taught Chu Weiyang that the ethereal artistic conception controlled by his mind could be more exquisite. Suddenly, Chu Weiyang felt that his thoughts were
and thoughts are far more vivid than usual.
It is precisely because of this kind of agility that Chu Weiyanghun seems to have accumulated a lot of knowledge, and is able to re-reflect into his mind the subtle details that he has overlooked in the previous observations.
After only thinking for a moment, Chu Weiyang easily noticed the excessive uniformity and traces of artificial carving and splicing in the skin, flesh and blood, muscles and bones, and root marrow.
It is not the looseness beyond precision that should exist in the natural vitality. The mechanical beauty of uniformity and tightness is more like the various monks' methods that follow the seal patterns of Tao and Dharma.
This is not a path in which one first has the vitality of life and then embarks on it; rather, it is one in which one first has the so-called harmonious Tao Dharma and the results, and then reverses the path of life and vitality.
It is precisely because of this thought that Chu Weiyang began to use his mysterious methods in a targeted manner in places that were obviously incompatible with nature.
Sure enough, in just a few breaths, Chu Weiyang used this method, and the dark green aura inspired from the disassembled physical bodies suddenly flourished.
When you look carefully, the condensed appearance of flesh and blood seems to be dissolving little by little with the birth and prosperity of the dark green aura.
And more than that, Chu Weiyang could clearly sense that with the prosperity of its dark green aura, the flesh, blood, muscles, bones, roots and marrow of those parts that Chu Weiyang had dismantled seemed to be of Tao and Dharma. Intertwined and resonant, they actually sense each other, buzzing and trembling with their spiritual light itself.
And it seems that it is precisely because of this process of buzzing and trembling due to induction that Chu Weiyang clearly felt that along with the trembling itself, there seemed to be something in the Tao and the spiritual light in those originally pure and single auras. The more fundamental things at the level of the Dharma must be revealed from the spiritual light.
What's more, in the bright light illuminated by some of the too-fine parts that Chu Weiyang had dismantled, Chu Weiyang could clearly see the hazy outlines of the seal patterns on the talisman inside.
For Chu Weiyang, there is probably no one in the world who can compare with him at this level of memory. The flash of memories of past and present lives intertwined reveals the mystery of truth and illusion. In such a situation, Chu Weiyang is really able to completely imprint and reproduce the essence and charm of Tao and Dharma in his mind and memory.
Therefore, at this moment, the majestic thoughts and thoughts are wandering in Chu Weiyang's mind and memory of the sudden glimpse he had earlier. Chu Weiyang anchored the parts of the physical body represented by these dark green auras, and then compared them with the The process of condensing flesh and blood with seal patterns in one breath.
Chu Weiyang easily confirmed the two different presentation methods with each other at this moment. The outline of the blurred seal pattern has not changed in the slightest, and its charm is no different from the earlier seal pattern on the talisman.
The realization at this moment told Chu Weiyang with facts that he had not gone astray, but was actually using this method to guide himself on the correct path of retracing Taoism.
Gradually, with Chu Weiyang's various magical techniques being performed one after another, and with the inevitable influx of his own vitality and mana in the process of performing the magical techniques, gradually, the flesh and blood body gradually appeared in front of Chu Weiyang. disappeared, and at the same time, the dark green aura that became more and more prosperous continued to become more and more intense in the process.
Even in the end, in the trembling and humming that was stronger than every breath, the spiritual light itself was swayed in this way, shaking off the pure and transparent appearance, and the deeper, more complex and mysterious changes in the Tao and the Dharma. , began to emerge from the spiritual light.
It was extremely complicated, but after giving Chu Weiyang a clear insight at this moment, he could really see the talisman and seal patterns on it, which were in line with the Tao and the Dharma of the evil spirit path.
At first, Chu Weiyang was concerned about the actual similarities and differences.
Those talisman and seal patterns not only carry a lineage of Tao and Dharma, they can be transformed into flesh and blood, and can activate the three elements of essence, qi, and spirit. These talisman and seal patterns possess something far beyond pure Tao and Dharma. External principles and Taoist rhyme.
Until now, Chu Weiyang believed that the meaning and rhyme between Tao and Dharma were not written in words, but they actually existed in these talismans and seal patterns that were supposed to be exactly the same. among the differences in existence.
That is the change of Tao and Dharma, and many times, the change itself means deduction, evolution, vitality and creation itself.
Chu Weiyang really saw a manifestation similar to his own "Dharmakaya" technique.
But compared to the fact that one's own skills are practiced from scratch, what appears in front of oneself is more like a "retrograde" revelation of a similar path at a higher level.
Chu Weiyang watched all of this intently. The moment those talismans and seal patterns were illuminated, they, along with their charm themselves, were deeply imprinted in Chu Weiyang's mind and memory.
Along with the memory process, Chu Weiyang was also initially observing and comprehending these extremely numerous seal patterns.
He understood the "similarities" in the seal patterns on the talismans and thought about the "differences" in the seal patterns on the talismans.
In this short period of time, Chu Weiyang could not delve too deeply into it, but as he watched more and more, with the talismans and seal patterns imprinted in his mind one after another, Chu Weiyang suddenly, and from that "
In "different", we can see a certain strange rhythm in its different changes.
This was not the time to understand the meaning, but soon, Chu Weiyang recalled the appearance that these talismans and seal patterns were supposed to form. Therefore, almost in a flash, Chu Weiyang suddenly understood the differences between these.
The certain rhythm they follow is the origin of whether these talisman and seal patterns form "skin" or "bones".
And it was precisely because of this discovery that Chu Weiyang became more energetic.
Because of this discovery, he suddenly saw the way forward for his "Dharmakaya" technique by analogy. He used the Taiyin thunder seal to carry the "Tao Tong Diagram". If this step is the "same" of the seal pattern on the talisman, then the next step
The first step is to find the evolution path of the talisman and seal patterns.
Only by understanding the complicated evolution from "sameness" to "difference", what kind of talisman seal patterns should be refined into the blood, and what kind of seal patterns should be refined into the blood marrow due to what kind of changes...
The principles of Tao and Dharma are the key points that Chu Weiyang needs to understand on the road ahead!
Just thinking of this, in an instant, the curtain of mist that was originally lingering on this thoroughfare suddenly became thinner at this moment, as if another curtain had been removed, allowing Chu Weiyang to see.
Clear the scenery further along the road.
At this time, as more and more talisman and seal patterns were revealed, Chu Weiyang could easily feel the last ray of life in the flesh and blood body collapse.
Almost instantly, Chu Weiyang released his magic power to wrap up and separate the gaps between these already dismantled seal patterns.
As a result, the interweaving and resonance between the talismans and seal patterns completely turned into the power of mutual connection at this moment.
The next moment, the dark green aura flourished. Under the insight of Chu Weiyang's deep eyes, the vast sea of talismans and seal patterns in front of the Taoist at this moment, according to the appearance of its skin, flesh and blood, muscles and bones, and root marrow.
The rhythms are connected to each other in one place.
This is the human body.
But it has long since ceased to be a human body.
It is the interweaving of the extremely mysterious talisman and seal patterns, and then between the ending and continuity, it shows a harmonious and flawless appearance.
It was a strange way of presentation of some supreme Taoism that Chu Weiyang had never seen before. It was transformed into a form by condensing Taoism into a talisman.
In a daze, Chu Weiyang suddenly thought of the time when he practiced the "Five Phoenixes to Attract the Phoenix to Nanming Mantra". Because he wanted to grasp the true spirit of the five phoenixes, he observed it from Chun Yuzhi's mental memory.
"The True Shape of the Five Phoenixes".
There has been no phoenix in the world for a long time, but there is a "Picture of the True Shape of Five Phoenixes" to carry its charm and for future generations to practice this method.
When I looked at it again at this moment, I saw that the human shape formed by the talismans and seal patterns intertwined in front of Chu Weiyang actually had the same purpose but the same purpose.
"True shape diagram..."
ps: The title was written wrong, it should have been the second update, but it was wrongly written as the third update... The marking is wrong, it is not a wrong chapter, I hope everyone knows. By the way, please vote for me!!!