Compared to 99% of the great Taoist disciples in this world, Tianjiao monks, or to put it more bluntly, can at least be counted as more than half of the great monks in the Golden Core Realm who have opened the heaven method in this world.
Compared with these people, Chu Weiyang has observed and comprehended the various high and wonderful methods of the Hunyuan Path, and has unparalleled advantages that others cannot possess.
Because the true path and the Hunyuan path can actually be regarded as originating from the same source, and even have a high degree of overlap in the two cultivation paths in a certain process.
Perhaps at the level of the Tao's principles and the end that the Tao leads to, the true Tao is more consistent with the Taoism itself and is at a higher and more ethereal level.
But at least Chu Weiyang can stand in the same field, or at least a similar field, to observe and understand the wonderful method of "unity of man and instrument".
In fact, this is also the case. The whole process of enlightenment was extremely smooth for Chu Weiyang.
At this moment, the young scholar truly displayed qualities that Chu Weiyang could face and recognize far more than his endless chatter during the fight.
Chu Weiyang could feel the profound knowledge hidden under his thin figure. He was not a young man who was too stupid to read and couldn't communicate like he had been when he was chattering away.
He may just be a purely unsociable person, but other than that, he is a person who has truly read all the scriptures thoroughly.
Chu Weiyang could see that he stopped to quote scriptures in areas that the Taoist himself felt were a little unfamiliar, but the pearls and sentences of each unfamiliar classic explained to Chu Weiyang the unbreakable truth in an unfamiliar way, and then taught Chu Weiyang
Weiyang was able to better understand the way of "unity of man and instrument" itself, and became more familiar with the path of "dharma body" that he had walked.
From an unfamiliar realm, you can gain insight into once-familiar scenery and unfamiliar details.
Of course, after successfully comprehending the wonderful method of "unity of man and machine", Chu Weiyang did not fully listen to it, but it was completely different from the direction that the leading monks were thinking about. Chu Weiyang began to take the initiative
Get rid of some useless details.
For example, the part that blindly infuses and refines the treasure with its own Taoism.
The ring-headed sword is already a magic weapon. It really combines the origin and Taoism in one place. Who knows who refines it and who doesn’t know for sure!
Like this, any part that involves the transformation of a magical weapon into a magical weapon can be regarded as useless by Chu Weiyang.
Maybe there will be time to look back on these things in the future due to different circumstances, but for now, there is no need to care.
What Chu Weiyang cares more about is the interaction between the human body and the origin of the magic weapon, the interweaving and resonance between the human body and the magic weapon, and the long-term gentle cultivation itself.
This wonderful method itself may represent some kind of extremely beneficial supplement to the great monks in the Golden Core Realm, and it may represent a further surge in personal attack and self-protection power. But for Chu Weiyang,
This is just an auxiliary means to teach yourself to better cultivate and master magic weapons.
After omitting such a dazzling pass that can teach the treasure to turn decay into magic and transform into a magic weapon, the magic method itself is nothing more than that to Chu Weiyang.
Of course, this is Chu Weiyang stopping in the original field of "dharma body" to look at this original version of the wonderful method of "unity of man and machine".
After pruning away those branches, what Chu Weiyang wants to do is to use the talisman and seal patterns to jump from the "Dharmakaya" path to the "True Form" path.
Chu Weiyang needs further transformation and sublimation of this wonderful method.
From the auxiliary field of "Dharmakaya", jump to the path field of "true form".
The statement that the origins of human nature and treasure weapons are one and the same still seems excessively vague and ambiguous.
For Chu Weiyang, his Taoism has become very concrete after being condensed into the True Form Illustration.
Then the evolution of the unity between the origin of the treasure and the true form catalog should also be specific and subtle.
No one stipulates that after the true form of the talisman and seal pattern has been transformed into a human form and a god, it can no longer be fake and implicated in the origin of the magic weapon, especially the magic weapon of the Taiyin Thunder Method that comes from the same source!
As for the interpretation of the magic method, once it moved from the young scholar's preaching to Chu Weiyang's self-examination and interpretation, things moved from a field that was unfamiliar to Chu Weiyang to a familiar field that Chu Weiyang was familiar with and felt like home.
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If the earlier observation and understanding were smooth, then almost the moment he entered the familiar territory, Chu Weiyang's majestic thoughts and thoughts were already wandering in it unscrupulously.
As Chu Weiyang's spiritual thoughts wandered around, almost every moment, there was a burst of inspiration, which seemed to be a divine way. However, Chu Weiyang's main thought was just to roughly describe the framework and context of this wonderful method.
After deducing into the realm of "true form", we only got some kind of hazy and mysterious scene.
Unexpectedly, when I look back and take a closer look, I will see that there are still some outlines and contexts, and all the mysterious scenery itself is no longer hazy and blurry.
This wonderful method of "integration of man and machine", which belongs to the field of "true form", assists in cultivating magic weapons. In this way, in the process of Chu Weiyang controlling the framework, thoughts and inspiration to fill in the details, he was able to achieve perfect interpretation and
Present.
It seems that this wonderful method is completely natural, but it is God's will with the help of Chu Weiyang's hand to put it into words and reveal it to the human world.
But Chu Weiyang knew that there was never any providence, and that all of this was just the accumulation of his profound foundation of his "True Form" that ordinary people could not estimate.
So, with almost a flash of thought, this new and unfamiliar Tao method, after being created by Chu Weiyang, seemed to have been mastered by Chu Weiyang thousands of times.
On the other hand, the powerful mana itself surged towards the Huanshou Dao in his hand.
On one side, extremely numerous talismans and seal patterns emerged from Chu Weiyang's palm from scratch.
With the influx of mana, the Huanshou Sword, which has risen to the level of a magic weapon, has a silver-gray laminated scale pattern that is constantly flowing with aura. Suddenly, the treasure light condenses in an instant, and along with the blade,
The cold light of the blade glows in and out, if there is something there or not, it is a hole that has both reality and reality.
In that realm that is both virtual and real, what you can see is an endless mist and mist. However, in the Tianyuan area in the middle, among the rolling mist and mist, there is no floating thunder pool made of the same material as the ring-headed sword.
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At first glance, the surface of the thunder pool is undulating and full of ruggedness with a unique rhythm. When you look closely, some details of the huge thunder pool are even comparable to the various ancient treasures that Chu Weiyang harvested earlier.
The fragments can corroborate each other.
Even though all the fragments of the ancient treasure were later melted by Chu Weiyang and re-refined into the Huanshou Sword, looking at it now, the ancient treasure still leaves traces, reflected in some details of the treasure's origin.
However, when looking at it roughly, looking at the thunder pool from a more macro perspective, without confirming the details, its framework and main body are more like the "Taiyin Thunder Pool Dragon Marrow Refining Classic" practiced by Chu Weiyang.
The mysterious scene is reflected.
That is the real image of the Taiyin Thunder Pool, and in that thunder pool, mysterious thunder and blood flames are intertwined.
Similarly, the appearance of the treasure sword was also reflected in it. Inside the thunder pool, along with the faint trembling and buzzing of the treasure weapon, the roar of the dragon continued to be heard.
When I looked back, I could accidentally see the aura flowing from the blade, and I could see the dragon shape smelted from the same supreme treasure material emerging from the thunder pool, bathed in mysterious thunder and blood flames, looming and disappearing again and again.
, disappeared into the vast ocean of thunder and fire.
This is reflected in the mysterious scene of the "Taiyin Thunder Pond Dragon Marrow Refining Classic", and the principles of the "Thunder Sea Body Washing Sutra" are completely integrated into it.
On the other side, it was like the lunar thunder pupils that had been reflected in Chu Weiyang's eyes earlier. At this time, those extremely numerous talisman and seal patterns were reflected in the palm of Chu Weiyang's palm, and immediately the lunar thunder pupils were reflected.
The mysterious light, gilded light, and dark golden talisman and seal patterns themselves turned into loops.
That is not the entire representation of the True Form Catalog, nor is it a representation of a certain part of the True Form Catalog.
In fact, after thoroughly going through the first training, Chu Weiyang's form, spirit, and spirit are all wonderful dharma bodies, and what the physical body and the dharma body reveal is where the true form is located.
Therefore, there will never be any further division between the talisman seal pattern and the physical body.
Taoism and body shape have become an inseparable whole.
And precisely because of this, the circle formed by the talisman and seal pattern pocket that was illuminated in Chu Weiyang's hand at this time was more like the original mysterious scene opened by the cold light of the blade.
The loop itself is more like a door that is both virtual and real at the level of Taoism.
Beyond this door is the true form of Chu Weiyang's Taiyin Thunder Technique, which is the result of Chu Weiyang's first practice.
Therefore, in this dark world, two different spiritual lights came from the same source. In the small space in front of Chu Weiyang, in their mutual reflection, the silvery gray gradually began to merge with the dark golden light.
, gradually closing the distance.
The Tao and Dharma that originated from the same source have already intertwined and resonated at this moment.
Immediately afterwards, the looping talisman seal pattern seemed to be reflected from Chu Weiyang's palm.
None of the expected changes occurred during this cautious and steady process of exploration.
The real connection between lightning and stone, everything is so natural.
The door formed by the looped seal pattern of the talisman opens the other end into the original world of the treasure.
The lunar thunder pool and the dragon shape bathed in thunder and fire all became part of Chu Weiyang's true form. Immediately afterwards, the ring-headed sword suddenly dispersed its shape, and a treasure light suddenly condensed on the spot.
, melted into one with the talisman and seal pattern in Chu Weiyang's palm, and thus became a part of Chu Weiyang's true form, and was refined into the suspended and metaphysical realm.
"Wonderful! Wonderful!"
Just like this, in the deep seabed, Chu Weiyang softly touched his palms and admired. Suddenly, as if he thought of something, he turned his head and looked in the direction of the West End.
"It's time to write down the cause and effect of the teaching..."
Just as he was reciting this softly, Chu Weiyang's expression suddenly paused.
As for today, he had unknowingly reached the level where he should be thinking about these things.
When I look back, I am full of vicissitudes of life and emotion.