In the early morning, in a remote small courtyard in Jingzhou City.
In the open space of the courtyard, a woman in black in her twenties was holding a long sword, performing sword skills one by one, and kept shouting: "Suddenly, I heard a gust of wind blowing, and people fled like mountains. I guessed it was heading east.
, please go home late..."
Directly in front of her, another girl in a blue shirt, about fifteen years old, was sitting on a wooden chair, holding a brand-new manuscript and reading it carefully. She also used her peripheral vision to look at the way the woman in front of her was using the sword from time to time, revealing her expression.
A thoughtful look.
These two people are Qi Fang and Zhao Qing.
Yesterday, after the Wan family left behind the martial arts competition and the talk about Liancheng's treasure, Zhao Qing took a few silver tableware from the banquet, used his skills, and quickly disappeared from the eyes of everyone present with Qi Fang.
Then he spent the silver cakes formed by kneading these tableware into balls, bought some new clothes for makeup, and rented a remote courtyard in the south of the city to live in temporarily.
Speaking of which, Zhao Qing actually wanted to buy the courtyard, but he underestimated the housing prices in the Qing Dynasty. This courtyard with ordinary decoration and small area actually cost nearly 300 taels to buy.
With only twenty or thirty taels on hand, she didn't want Qi Fang to use her jewelry, and she couldn't turn around and leave to rob the rich and help the poor, so she bought it instead of renting it.
This small courtyard is half the distance from Jingzhou City to Wanjia. Plus, since he has changed his clothes, he doesn't have to worry about people like Ling Tuisi finding out here soon.
According to the information she gathered, Ling Tuisi quickly sent troops to surround Wanjia after she left, and it was not until midnight that the siege was lifted and the troops were withdrawn.
The crippled Wan Gui still stayed in the Wan family, recuperating under the care of his servants and servants; Wan Zhenshan's other apprentices had been taken home by their families. As for Wan Zhenshan's body, it was taken away by the prefect's Yamen
I did an autopsy, maybe I thought I could find some clues.
Now, Qi Fang was practicing the "Lying Corpse Sword Technique" handed down from Qi Changfa to Zhao Qing, and reported the names of each move one by one, such as "Brother, if you call me up, you won't dare to cross" and so on.
What Zhao Qing was browsing was a "Selected Collection of Tang Poems" that he had just bought from a bookstore.
While memorizing the verses recorded in it, she observed the sword techniques used by Qi Fang. In fact, she wanted to learn the verses corresponding to each move in Liancheng's sword technique.
In order to deceive others, Qi Changfa deliberately pretended to be a peasant with little education. For this reason, when he taught his apprentice's daughter martial arts, he deliberately taught Liancheng swordsmanship into lying corpse swordsmanship, and changed beautiful poems into jingles with similar pronunciations.
By consulting "Selected Tang Poems" and comparing pronunciations, Zhao Qing gradually restored the true names of each sword move, and realized the artistic conception behind these moves.
Although Zhao Qing's own sword moves can already display the secrets of no moves, to the extent that there are no traces between moves, it does not mean that she has no room for improvement.
In fact, it was quite the opposite. Only when she got to this point did she realize how broad the future of martial arts was.
Victory without tricks is only a conceptual realm, which is equivalent to helping lay the foundation of a high-rise building. You still need to search for materials and build the floors on the ground yourself.
At this step, the "Heavenly Weapons Refining Form and Qi Entrainment Technique" and "Five Symbols Yin and Yang Transformation into Gods" that Zhu Jiwuci passed down to her were of little use.
These two articles talk about high-speed cultivation methods in the Qi training stage before the six Qi realm, as well as high-level attack methods involving the six Qi of heaven and earth in the later stage. There is almost no description of martial arts moves. .
Zhao Qing reasonably speculated that maybe the master wanted her to follow the example of her master, Shen Shendao, who created his own martial arts, and to understand the secrets of the martial arts realm on her own; of course, it was also possible that the Kuaiji Martial Arts Academy that the master was planning to let her go to actually had Teaching and imparting on this aspect.
In short, since he can travel into other worlds through dreams and has plenty of time, Zhao Qing has already made preparations to practice martial arts from all walks of life and master them to improve himself.
No matter what, she can gain new insights and turn them into her own heritage.
He also understood the state of no move. Unlike Zhao Qing, Linghu Chong was quite lucky. He only had to practice the Dugu Nine Swords martial arts and did not need to learn or practice anything else.
Because Dugu Nine Swords is an eclectic collection of martial arts essentials from all sects in the world, it is the best material for building the realm of no moves. It must be the result of Dugu Qiubai's travels and battles in the past.
The final result of such an extremely talented martial arts master who combines the strengths of hundreds of schools of thought cannot be compared to what Zhao Qing and Yuan Gong can compete with after two years of sparring. She also needs to learn a large number of superior martial arts and Only by summarizing and integrating them one by one can you create your own "Zhao Qing Nine Swords".
This is also Zhao Qing's purpose in spreading the news about Liancheng's treasure yesterday in order to attract experts to come and fight with him.
The first superior martial arts technique she learned was the "real" City-linking Sword Technique, which was used by Wan Zhenshan and learned through observation and restoration by herself.
Liancheng Sword Technique, also known as Tang Poetry Sword Technique, each move is inspired by a Tang poem and is consistent with the artistic conception of the original sentence. It is extremely exquisite and wonderful.
Even the weakened version deliberately passed down by Mei Niansheng can be regarded as a first-class swordsmanship, but after all, the adaptation has been affected, and its luck method is not so matched.
In Jin Yong's world, most of the time, advanced martial arts moves are accompanied by internal energy transfer methods, such as the Eighteen Dragon Subduing Palms, One Yang Finger, the Seventy-two Shaolin Skills of the Tianlong Period, etc.
If the inner strength of other schools is used to operate it, there will inevitably be some deficiencies in the subtleties of strength, and the power will be much worse. The small and medium-sized phaseless skills of Tianlong are used to use other schools' exercises. They have no form, no trace, and the power is not the same. It does not weaken, which is a very special situation.
Since Mei Niansheng had long noticed that the three disciples had evil intentions, in addition to weakening their swordsmanship, the internal strength passed down naturally did not match the swordsmanship.
Although Wan Zhenshan was defeated by Zhao Qing in one move, it was because his own strength was far inferior, and the moves were not combined with internal strength. Liancheng Sword Technique itself was quite superior, with a unique poetic conception.
For example, "When the lonely Honghai comes up, Chihuang dare not take care of it." The author uses these two lines of poetry to describe his high status and his dislike of competing with others for power and gain.
After transforming into swordsmanship, the artistic conception is filled with an air of elegance and pride while looking forward to it.
Closing his eyes, Zhao Qing put the poem and the sword move he saw yesterday into his mind. Zhao Qing seemed to see the figure of the poet when he was writing the poem, and a figure who was creating this sword move.
The two gradually merged together, becoming distinct but indistinguishable from each other.
She suddenly realized something new: How should swordsmanship contain multiple alternating emotions? How should changing emotions cultivate new swordsmanship?
Taking a deep breath, Zhao Qing opened his eyes, his pupils filled with light, exuding a different kind of look.
Sure enough, the artistic conception of other people's moves can indeed inspire you, which is something you can't do behind closed doors.
I am somewhat looking forward to the tournament in three months.
The process of learning a new martial arts is like opening a new game. The mood is joyful, full of curiosity and expectation. As long as there are some merits, you can feel the joy and satisfaction of the harvest.
So, during these six months in the world of Liancheng Jue, how many new martial arts can I gain that can bring inspiration?