Although Ye Chen saved the lives of Mrs. Jiang and her son, he was still grateful to Mrs. Jiang.
This is because Old Mrs. Jiang gave the ancestral phoenix bone vine bracelet to herself without hesitation.
Originally, Ye Chen thought that the old lady actually didn't know that the phoenix bone vine bracelet was passed down from the ancestral age and the materials were rare, but she should not know how rare and valuable this thing is.
But after this meeting, Ye Chen discovered that Old Mrs. Jiang actually had a clearer understanding of the value of the phoenix bone bracelet.
The ancestor Meng Changsheng and Meng had just asked for a phoenix bone vine bracelet from the ancestor of the Jiang family, so he kept him by his side for decades, and even gave him two rejuvenation pills.
Not only that, in order to find a breakthrough, Meng Changsheng even agreed before the ancestors of the Jiang family separated, he would even agree that if he seeks immortality in the future, he would definitely give him an opportunity.
Although Meng Changsheng did these things not only to repay the love of the Phoenix Bone Vine, Ye Chen guessed that the Phoenix Bone Vine definitely accounted for a very important proportion.
These past events have been passed down from generation to generation by the Jiang family, and Old Mrs. Jiang knows them very well.
But when she was in Mexico, she was still willing to use this bracelet to thank herself, which made Ye Chen feel a little grateful.
Moreover, the use of phoenix bone vine is not just about refining the twenty remodeling pills. If you want to refine high-level pills in the future, phoenix bone vine is almost an indispensable and important material, and you will have it in the future.
Great help.
It is precisely because of this that he took over the responsibility and decided to use his strength to make Old Mrs. Jiang and his son worry-free for their lives.
Seeing that the villa and shop were settled, Ye Chen was much more relieved. Chen Zekai also instructed the Ye family to take care of the mother and son as much as possible. Once the mother and son’s business start, try to use gentleness as much as possible.
Take care of yourself in a low-key way.
Everything was settled, and Ye Chen said goodbye to Mrs. Jiang. After Mrs. Jiang thanked her all the way out of the community, Ye Chen and Chen Zekai rushed to Shudu Airport overnight and took the plane back to Jinling.
On the plane, Chen Zekai was already a little tired because he had been driving a car for a day. After the plane took off, he fell asleep in a comfortable flat seat. Ye Chen was tired and gave Mrs. Jiang to him.
The scroll was taken out again and placed on your legs and slowly unfolded.
In the picture, Meng Changsheng, who is in the fairy wind and crane bone, once again appeared on the scroll. When he saw this painting in the old house of Jiang family in Nanshu, the painting was hanging high on the wall, and the lights were dim, plus the Jiang old
When his wife told Ye Chen about the past, Ye Chen was distracted a lot, so he did not appreciate the painting too carefully.
Now that he has spread it in front of him and carefully viewed it with the reading light on the plane, Ye Chen is even more amazed at the foundation and charm of this painting.
Because the ancient Chinese people valued charm rather than reality, most famous ancient painters were actually not good at realistic paintings.
Mountains, rivers, fish, insects, and characters actually pay more attention to the vividness of the spirit.
Although the paintings of the ancestor of the Jiang family are also in traditional Chinese painting style, they are very detailed and attentive in the details, so that Meng Changsheng in the painting gives people a very real and vivid feeling, even the swaying in the wind.
The long beards all look particularly realistic.
Perhaps because the people of the Tang Dynasty did not have the habit of writing inscriptions, Ye Chen did not find any signatures on the painting, but he firmly believed that if this painting was made public, with the magical style of the painting, he might have been in the whole world.
The art field will cause a sensation.
Maybe the ranking of famous painters in the Tang Dynasty will also be rewritten because of the advent of this painting.
But Ye Chen naturally had no such plan. He decided to treasure this painting well. After returning to Jinling, he would not let others see the contents of the painting.
After watching for a long time, just as Ye Chen was about to roll up the scroll again, he suddenly felt a faint fluctuation of spiritual energy in the scroll.
This made him feel shocked in an instant!
According to Mrs. Jiang, this painting was written by her ancestors.
Since he is old, he must have been separated from Meng Changsheng.
The ancestors of the Jiang family did not have the talent for spiritual energy, so he could never have spiritual energy except for two rejuvenation pills and living longer than ordinary people.
This means that the painting he painted in his old age should not have any spiritual existence.
However, there are indeed very subtle traces of spiritual energy in this painting. Ye Chen couldn't help but ask in his heart: "Could this spiritual energy be left by Meng Changsheng? Perhaps, the Jiang family didn't know that Meng Changsheng had been at a certain period of time.
Come back!"
Thinking of this, he immediately calmed down, divided a few auras, carefully covered the entire painting, and looked for the source of that trace of aura.
Soon, he found the trace of the spiritual energy on the head of Meng Changsheng's portrait.
Ye Chen was overjoyed and immediately used his spiritual energy to sense the other party. At the moment when the two spiritual energy merged, a picture of the first perspective suddenly surged into Ye Chen's mind!
In the picture, a grand funeral is being held in a village in the mountains. The people at the funeral are not modern in dressing, but look more like the dress of the Tang Dynasty.
Ye Chen could recognize from the topography that this mountain village was the same mountain village where Old Lady Jiang lived.
The mountain village in the picture does not look as dilapidated as it is today. In the mountain village in the picture, there is a quite grand wooden courtyard with carved beams and painted buildings everywhere. It looks like a wealthy family.
However, the funeral in the picture is not a coherent real-time picture, but more like time-lapse photography that is fast-forward many times.