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Chapter 2238 The fifth floor of the temple: solution

Ruola continued: "In addition, the eggs they lay are laid in the sand, and the Phoenicians believe that they were born from the sand god, so the white flying fish became the earliest ancestor of the ancient Phoenicians. But this

This custom gradually changed and became a symbol of authority that only kings, priests and other high-ranking officials understood and offered sacrifices to. Ordinary people were not allowed to participate in the sacrificial ceremony of the white flying fish. Moreover, the white flying fish was regarded as a god in Phoenicia and was banned in the country.

Killing and eating white flying fish”

Tyson pointed to the end of the stick and said, "Look, do the many wings on it look like the fins of the white flying fish that is common in the desert?"

Ruola made a careful distinction and nodded: "It is indeed similar, but not exactly the same."

Tyson said: "Of course it's not exactly the same. Shouldn't their ancestor Zoubai have ten wings?"

Everyone got excited when they heard this, but a few people still haven't figured out what the current predicament has to do with Bai Feiyu.

Jennifer asked: "Are you sure this is an object from the ancient Phoenician period? If we confirm the period when it appeared, we can use it as an entry point to solve the mystery at hand."

The four of them, Bate Feng, Shakhan, Guranduo, and Sha Zu, all of whom had been living in the desert for many years and had some knowledge of ancient Phoenicia, began to differentiate between them.

"The workmanship and the shape of the staff are indeed in line with the characteristics of the middle and late Phoenician dynasty." Shakhan said to the wind: "Look at the magic mark on the gemstone, is it a golden forbidden mark?"

Gale nodded and said: "It's the golden forbidden pattern, but it's not certain that the golden forbidden pattern only existed in the ancient Phoenician period. It can only be said that this branding method and pattern was popular in the ancient Phoecanian period."

Ruola took it and looked at it again, and said: "I can conclude that it is a staff from the ancient Phoenician period. Look at the carvings on the tail of the staff. Each of the symbols on it represents the image of the chess pieces in Kelu chess."

Chuck raised doubts and said: "Kulu chess can't prove anything. This way of playing chess existed long before ancient Phoenicians, and Phoecanians are not the only desert countries that like to play this kind of chess."

"No." Ruola said: "I have done some in-depth research during this period and read a lot of archaeological documents from around the ancient Phoenician period, as well as some rubbings of cultural relics. Although Kelu chess has been around for a long time, the symbols of various chess pieces

Symbolic objects only appear in the period after ancient Phoenicia, and there have never been any symbolic Kelu chess pieces in the antiquities excavated before the early period of ancient Phoenicia.”

Lucas said: "In this case, it can be determined that the most recent construction and renovation of the temple was during the ancient Phoenician period, and it was most likely even during the reign of Glonus. It was he who created the most glorious period of Phoenician, possibly

Only during his period could he have the abundant financial resources, material resources, and technology to rebuild the temple."

"It is very possible." Tyson said: "Glonus was the most fanatical worshiper of the sand god among all the Phoenician kings. He definitely had this motive for renovating the temple."

Zach asked: "So, do you think this Bai Feiyu's staff is the key?"

Tyson and the few people who had just spoken were silent again.

Venedin said: "When it comes to the worship of the Sand God and the worship of ancestors, many of these staffs have this element. White Flying Fish is said to be born from the power of the Sand God, but these other staffs have to be explained, or there are too many

At least it can have something to do with the Sand God or the Kingdom of Phoenicia. The key is to figure out the reason and motivation for the ancient Phoenician Kingdom to renovate the institution here? Once you find this reason, you can find out who is the key."

Solatum thought for a while, nodded and said: "I very much agree with Mr. Venedin's judgment."

Ruola pondered: "Generally speaking, when ancient people built some kind of building with special significance, they were promoting or expressing something to the outside world. For example, mausoleums were used to describe their achievements, temples were used to promote enlightenment, and obelisks were used to promote education.

Events can be recorded, and the palace is used to display majesty. If the ancient Phoenician kingdom had to rebuild this place, I think the main purpose may be for legal system and name rectification. Because in the early and middle period, especially in Glonas, it conquered the

Before our country, other local countries and tribes worshiped the sand god, and they all claimed that they were the representatives of gods in the world. If this place was rebuilt by Glonas, then with his achievements in unifying the countries, there would be the necessary motivation to pay tribute to him.

The world declares that it is the only spokesperson of God in the world, so as to confirm its legitimacy to rule the conquered countries, so it is necessary to establish its own unique characteristics in the temple."

Shakhan nodded repeatedly after hearing this: "Miss Ruola's interpretation is very profound. In fact, in the final analysis, no matter it is a country with belief in gods or an atheist country, all behaviors and rituals are tools to maintain the country's rule and worship the power of gods.

It is nothing more than to establish the legitimacy of his rule. If deduced from this, Bai Feiyu's staff should not be the key to the door, because the symbolic color of this staff is very serious and is limited to the royal family of the ancient Phoenician kingdom.

Ancestors cannot become a symbol of the ancient Phoenician kingdom’s dominance over the common people and other conquered people.”

"Then what do you think of this staff?" Gruando sent the white flying fish staff back into the air, and then pointed at a brown-gold curled staff. He said: "The attribute of this staff seems to be earth.

Yes, this is related to the attributes of the Sand God. In addition, this is a golden staff, with fine carvings on it, symbolizing the nobility and beauty of the Wang family. The dark gold ball on the head of the staff can be seen to have extraordinary magic power at a glance, and the ball looks a bit like

An eye means to examine all things. This is exactly what the ancient Phoenician kingdom wanted to express."

Everyone stared at the staff and thought about it. Tyson said: "The shape of this staff is very similar to the staff of Shijin. The staff of Shijin does mean the beginning of all things and nobility. Its curled shape symbolizes the birth of life, and all things are born."

They are all born from the earth, and this shape is regarded as a representative style of the scepter. Making such an association does meet the conditions of our guess, but..."

"But there are not too many staffs that meet these conditions." Gale pointed out: "Look at the seven-color gasification staff. This staff has no real body. It seems to be seven colors, but seven

The various colors blend with each other and derive new colors. Can colorfulness be interpreted as all things? The billions of colors in the world represent billions of lives. Can having color but no substance be understood as the concept of life, the concept of God, or the omnipresent

Concept? This kind of thing with color but no substance is the most mysterious. Does it symbolize the mystery of the gods? "

Some people shook their heads and said: "Are you interpreting it too much?"

Thoratum agreed: "I think what Mr. Gale said is very reasonable. God is always everywhere, but it is difficult for mortals to see it."




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