The conversation between the alchemy puppet and Adanis was also heard by others present, including Angel.
These questions, as well as the so-called conjectures of the Alchemy Puppet, actually point to one core point: you have never grown at all.
Adanis had such a high self-esteem that she never thought that she had not grown up at all compared to ten thousand years ago.
To put it nicely, it can be said that the original intention has not changed. But if this ‘original intention’ has problems from the beginning, is blocked, and is a frog in the well, then no matter how nice the wording is, it cannot cover up the immaturity underneath.
Even though Adanis's power has become stronger, in Orao's eyes, she is still the same person she was before and has not changed at all.
Of course, there must be some other reasons why Orao's perception of Adanis has not changed, and Angel does not know these specific factors and the ins and outs of the matter.
But Angel could probably guess the intentions behind the questions raised by the alchemy puppet.
As Jon said: Those in authority are confused, but onlookers know clearly.
To sum up, the answers to these questions actually have only one core: Adanis held Orao so tightly that Orao could only see one aspect of Adanis. And this aspect was those
The problem - you're not growing.
To put it bluntly, questions and answers are an endless loop.
In Angel's opinion, it is not difficult to break this cycle, as long as Adanis lets go appropriately.
But this choice is very difficult for Adanis.
Angel doesn't know what decision Adanis will make in the end. But well... he doesn't care either.
What he cares more about now is Orao, who is collecting a collection of poems on the other side.
Ingres didn't care about those collections of poems. What he cared about was whether Augustin had any ulterior motive in asking Oraio to clean up the collection of poems.
And are these intentions related to him?
Originally, Angel hoped that Adanis could get the answer from Augustine, but Adanis herself was involved. Angel couldn't ask questions, so he could only wait silently for Orao.
's return.
By then, Augustine should have given an answer, right?
On the other side, Orao's movements were very slow at first, as if he was waiting for his master Augustin to stop, but later he found that Augustin had no intention of stopping at all, and Orao could only speed up silently.
, integrating each bookshelf into the strange bronze mirror.
But even if Orao speeds up, it still takes him almost a quarter of an hour to collect the entire collection of poems in the secret meeting room. This shows how terrifying the total volume of poems here is.
Without the bookshelves and piles of books, the pure white walls of the secret meeting room were exposed. The room, which originally had the feel of a religious church, became even more sacred and solemn under the reflection of the white walls.
Orao walked back silently, stood in front of the alchemy puppet, lowered his head: "Master, the collection of poems has been packed away."
The alchemy puppet nodded: "Then sit down."
Orao looked hesitant in his eyes: "Master, I..."
"Sit down." The alchemy puppet interrupted Orao: "I know you have many questions, and I will answer them for you."
Orao was silent for a moment, then sat down, quietly waiting for the alchemy puppet to make a sound.
Angel also looked over curiously at this time. Although he wanted to exclude himself and be a real spectator who had nothing to do with him, he understood that it was not possible yet. Augustine gave him the collection of poems.
, but Orao showed obvious resistance, and what he resisted was not the gift of a collection of poems, but the request to collect books.
This made Angel very curious, what is so tricky about storing books? What makes Orao resist this?
While Angel was thinking, he inadvertently looked at the bronze mirror suspended in front of Orao.
Although he did not open the alchemical eye, according to his alchemist's intuition, this bronze mirror is not simple. It can hold so many poetry collections, which shows that its internal space is huge. And it has not changed at all, so it is most likely not ordinary.
The space inside the mirror.
Maybe it's a special mirror that is similar to Lady Kagami's body?
In other words, is this a "witchcraft garden"? A garden in the mirror?
Thinking of this, Angel had a guess in his mind: This bronze mirror was obviously Orao's treasure, and Augustine asked him to use this treasure to store his collection of poems. Was he planning to give this treasure to himself?
If this is the case, it is understandable that Orao resists. After all, no one is willing to let go of such a treasure.
However, assuming this is the case, it is not difficult to solve. Angel does not like to take away people's love by force, not to mention, it is not that he cannot refine large space props himself, but he does not have them now, purely because he does not have the materials and bracelets.
There is still enough space, so I won’t use it for the time being.
Since Angel can refine large-scale space props by himself, there is no need to rob Orao's bronze mirror. After leaving, it is enough to buy some disposable space soft bags at the nearby wizard market or directly from the gray merchant.
The collection of poems was taken away, but the bronze mirror will still belong to Orao.
This is also a matter of killing two birds with one stone.
When Angel was thinking this, the alchemy puppet finally spoke, and he said to Orao: "You should already understand what I mean."
Orao: "I understand, but I don't understand why the master would... do this."
Alchemy Puppet: "Why do you do this? I said this at the beginning."
The alchemy puppet suddenly turned to look at Angel: "Because, he is what I recognize as the poet bathing in the moonlight!"
Angel was suddenly called out, and was given this rather embarrassing title, which made him not know how to react for a moment.
Fortunately, the alchemy puppet had no intention of talking to Angel. Instead, he turned his head and continued to say to Orao: "Isn't this reason enough?"
Orao opened his mouth, wanting to say 'not enough', but this would be a direct objection to his master's opinion, and he didn't want to do it.
But Orao was unwilling to admit this reason.
From Orao's point of view, the owner just found a random reason to excuse himself.
Orao's silence made the atmosphere on the table slightly depressed.
Angel thought for a while and felt that it was time for him to speak. After all, this was all about him, so he should have some say, right?
"Although I don't know why sir suddenly mentioned the title of this poet, it is just a verbal praise, and I don't think it has any qualifications for Orao to make any contribution."
Angel's words made everyone look at him.
Orao looked at Angel with a complicated look, while the alchemy puppet's look was full of meaning.
"Does the poet know what kind of sacrifice Orao has made?" The alchemy puppet looked at Angel.
Angel: "I don't know, but I guess it has something to do with that bronze mirror?"
The alchemy puppet did not give a yes or no answer, but continued to look at Angel with a smile, as if he wanted to see what other opinions Angel had to express.
Angel thought for a while and said: "There are many ways to deal with poetry collections. If we are arguing about the bronze mirror, there is actually no need."
The alchemy puppet smiled and said: "It has something to do with this mirror, but it is not only related to this mirror."
Angel frowned, what does it mean to put down this and that?
Alchemy Puppet: "Do you know what this mirror is called?"
Angel originally wanted to shake his head, but at this moment, an idea suddenly flashed in his mind, and he blurted out a name: "...Twin Mirror?"
In fact, Angel was thinking of "Augustin's twin mirror", but Augustine was right in front of him, so it was not good to call him by his first name. Even if it was the prefix of a mysterious prop, he did not dare to call him by his first name. So he simply
, I only talked about the 'twin mirror' at the end.
The others had no expression on Angel's answer, but Orao looked at Angel in shock.
It seems that Angel really got the name of this mirror right.
But the alchemy puppet's eyes did not change much, and he still said with a smile: "The two mirrors I refined can be heard by the poets. I really didn't expect it."
Angel:...Did he really guess it right? It was a twin mirror?!
Twin mirror? That means two mirrors?
In other words, the mysterious thing that is as famous as the Book of Kells - Augustine's twin mirror, actually has two sides, one is in the source world, and the other is this humble bronze mirror in front of you?!
If that was the case, Angel suddenly regretted his impulsive speech just now.
If it really is the other side of the twin mirror, even if its effect is not as powerful as that mysterious thing, it should still have some special abilities.
Even Angel couldn't help but have a trace of greed in his heart.
However, Angel quickly suppressed the extremely rapid desire. Because, his greed was not actually possessiveness, but desire.
——I long for this mysterious object, also known as the "Mirror of Truth," to be able to give me an answer.
Could it connect to another universe?
To be continued...