The climax of "Ode to the Sea Spirits" includes a passionate bonfire party on the back of a turtle, a passionate battle with dolphins and the king of the deep sea squid, the joy of meeting various sea spirits, and the sadness of saying goodbye to a school of fish.
It can be said that the climax is the most classic aria in the entire "Hai Ling Hua Zan".
Angel has never heard how the Light Feather Wizard performs, but Luigi's performance can still move him, and even vaguely evoke the ups and downs of the spiritual sea.
Angel was very surprised by this. The reason why the Three Psalms are so popular is precisely because of their unique effects that are not like medicines, but are better than medicines. They can soothe people's spirits and make their souls peaceful.
Unfortunately, apart from the Guangyu wizards, only some of the wizards from Xiju Academy can perform "Ode to the Sea Spirit" to such a wonderful level.
But now, Angel listened to Luigi's performance and felt the changes in the spiritual sea. Does this mean that Luigi also mastered the essence of this hymn?
You must know that this is the Crystal Plain of Dreams, and Luigi's current physique is no different from that of a mortal, and there is no harp accompaniment, which can make the spirit sea surge. If it were replaced in reality, the effect would definitely be even more amazing.
Previously, Luigi's original work sounded like pop to Angel, so Angel didn't pay much attention to Luigi.
But now, he was somewhat impressed by Luigi.
His usual original works may not be very good, but these are just minor flaws and do not affect his achievements in the art world.
It's right to think about it. The three tenses arranged by Laplace cannot be chosen casually. They must have their own uniqueness. As an astrologer, Gleipnir's abilities are similar to those of Laplace.
The reflections of the heart complement each other; the bunny girl carries the memories of Laplace, and the bunny girl's fighting power is also extremely powerful. If the astrologer uses his identity to refer to the time and body, then the bunny girl can be called
God of War, Loli God of War!
Luigi's identity is easy to determine, he is a bard. But apart from this identity, his only characteristic is that he has strong intuition.
Putting aside such mysterious things as intuition, is Luigi really useless?
Angel didn't quite believe it.
As the only male temporal body of Laplace, his body may be mixed with some external memories, but it must also carry certain characteristics of Laplace, otherwise it would be impossible to become one of the three temporal bodies. As for the specific bearing
What it is, Angel doesn’t know yet.
But now that he heard his performance, Angel was convinced that Luigi was definitely not simple. Perhaps he carried the artistic spirit of Laplace?
At least, the current performance is enough to shock Angel.
Angel now particularly wants to hear what Luigi's performance will bring about in reality... Of course, it must be a serious performance, not his blurted-out limericks.
The climax performance of "Hai Ling Hua Zan" has gradually come to an end.
Soon, we will enter the final chapter of "Hai Ling Hua Zan".
According to Luigi, he got the final chapter of "Ode to the Sea" as a fragment, and the subsequent chapters were all supplements by himself. Angel was also a little curious at this time, because Luigi had already compiled the final chapter of "Ode to the Sea".
The performance has reached its peak. At this point in time, without a formal epilogue, how will he perform the follow-up?
Will it end on a dull note, continue the story, or become a blockbuster?
Angel personally feels that a plain ending is better.
"Hai Ling Hua Zan" itself does not need a "blockbuster" plot, it is more like a long-lasting beauty, an adventure and a journey, an adventure with the creatures of the sea, and a small journey in the sea of ​​life.
It starts with a beautiful but hopeful melody, and ends with a beautiful but slightly disappointing melody.
This is what Angel expected, and at the same time, it is also what the original version of "Hai Ling Hua Zan" wanted to express.
The original version has always mentioned that this journey with the creatures in the sea will eventually end, and the place where it ends is called the Strait of Silence.
This is the singer's final destination.
A singer who pursues a perfect singing voice must not only know how to let the colorful brilliance shine out of the singing voice, but also know how to listen and find the true melody deep in the heart in the silent place.
The Straits of Silence is such a place, where you can hear the true sounds of nature, but cannot convey any melody. It seems to be a forbidden place for all singers. But for the protagonist of "Ode to the Sea Spirit", his
The real sublimation lies in this last strait of silence.
He bid farewell to all his friends and drifted alone in the Strait of Silence, listening to the true voice while searching for the melody deep in his heart.
The final result does not say whether he has found it, but the play ends with the singer returning to the shore. It is an open ending. A pessimistic person will think that the singer has not found it, which is a regret for an optimistic person.
You will feel that the singer has found it, which is a completion.
Everyone has their own interpretation, and this is probably what Wizard Guangyu wants to see.
Of course, in Angel's view, this is a deliberately suspenseful ending. It is a bit cliché to end with suspense, but it is not tacky by any means.
Luigi doesn't know the content of the epilogue right now. The only thing he knows is that the singer's destination is the Strait of Silence.
Luigi has no idea why the singer goes to the Silent Straits, and what kind of inner understanding the Silent Straits will bring to the singer. When he lets the singer come to the Silent Straits, how will he continue writing?
The intense drum beat and singing finally reached the end.
Luigi sang about the parting between the singer and the sea spirit, with sadness but also hope for the future.
Hearing this, Angel nodded slightly in his heart. Luigi was right about this. Because the Strait of Silence is indeed not a place of despair, there is still hope there.
Since Luigi pointed out his "expectations for the future," the follow-up shouldn't be too bad.
With this thought in mind, Angel continued to listen.
Time passes slowly.
In the final epilogue, Luigi ended slower than expected, but after listening to the entire epilogue, Angel was completely stunned.
The final chapter written by Luigi and the final chapter that the Light Feather Wizard wants to express are completely two different paths, or even two completely opposite concepts.
But after listening to it, Angel didn't know how to evaluate it.
To evaluate the final ending, one must compare it with the ending of "Ode to the Sea Spirit" written by Guangyu Wizard.
But Angel was completely confused now, he didn't know how to compare.
If the original ending of "Ode to the Sea" is a perfect ten, then Luigi's sequel can be said to be zero, or ten, or even beyond ten.
The reason why there is such a big fluctuation is because the ending is really unimaginable!
In Angel's view, this is definitely not a continuation of the past, but a new perspective that jumps out of the frame.
The singer bid farewell to the sea spirit, rode on an old raft, and drifted into the silent strait without waves.
As night fell, he looked up at the starry sky.
Looking at the sea reflected by the stars and the distant light under the darkness, at this moment, Luigi spoke again.
A normal ending does not require too many lyrics here. The melody and accompaniment can be used to interpret the singer's thoughts.
But Luigi didn't know what the real ending was, so he chose to speak.
There is no way to sing here, and there is no way to express any melody, so his opening is not singing or melody, but a monologue.
A spiritual narration without lyrics.
The language spoken by Nian Bai is not a language that humans understand, and even Angel has never heard of a similar language at all.
This language seems to have the ability to transcend time, it is a sound that can directly touch the soul, and seems to reach the depths of the universe... When listening to this language, you can even feel a solemn religious feeling in the language.
This wonderful feeling seemed to bring Angel back to his childhood. Under the night sky, he sat next to Jon and watched Jon whisper to the stars in an unknown language.
The same unknown language, the same solemn and religious feeling, the same feeling for the depths of the universe.
However, Jon used these words to long for the "god" deep in the universe, hoping that the unknown great god would allow him to return to the earth and see his wife and daughter.
At that time, the language Jon spoke was Tuscan, and the words he spoke were "The Divine Comedy".
Nowadays, the language Luigi speaks is different, but the feeling of talking to the "god" is similar.
However, Jon humblely begged the gods for mercy; while Luigi was neither humble nor arrogant, talking to the unknown gods that existed deep in the universe from ancient times.
Nian Bai's tone was sometimes calm and sometimes agitated, making people feel as if he was asking the gods some questions.
These questions may be about philosophy, where do I come from and where will I go?
Or it is about truth. Where is the truth? Can the truth exist?
Or other profound and mysterious questions.
In the end, whether the gods answered the singer or not, there was also no answer.
Under the starry sky, these inquiries with the unknown gods, or the questioning of the true knowledge of the self, have become the last scene of "Ode to the Sea Spirit".
The closing paragraph is distant and long, seeming to be regretful and enlightening.
It's also an open ending.
But the original version and Luigi's version are completely different.
To be continued...