Laplace put the previous dragon scale in the palm of his hand: "You can use the dream conch to pull it into the Crystal Plain of Dreams."
Pull Ea's dragon scales into the Crystal Plain of Dreams?
So, does this dragon scale have a special effect?
Perhaps sensing Angel's doubts, Laplace handed the dragon scale to Angel: "You will know after you see it for yourself."
Angel took the dragon scale and directly used his mental power to explore it.
Soon, information came back.
"Is this a space prop?" Angel muttered in a low voice, but his tone was very firm.
Laplace nodded: "Yes, there is no defense in the space, and mental power can penetrate directly. You might as well take a look at the things inside."
Angel didn't hesitate, directly controlled the mental tentacles and penetrated into the space.
With the nearly blind angle of his mental power, as soon as he entered the dragon scale space, he could see everything inside.
The dragon scale space is not large, it can even be said to be extremely narrow.
Only the size of a storage box.
The capacity can at most accommodate one or two folded quilts.
And such a small space seems very spacious at this time, which is enough to show that there are not many things in it.
There is only an oil painting with an exquisite frame, a pure white quill, a bottle of lacquer ink, and two stacks of paper. One stack is ordinary paper, relatively thick; the other small stack of paper may
There are only a few dozen pictures, but they are shining with light.
When he saw clearly that it was an oil painting and a paper page, Angel immediately understood what Laplace meant: "Is this a text space? And the corresponding paper medium?"
Laplace nodded: "Yes."
They were very interested in this after experiencing the literal space before.
This is a special ability involving "underlying operating logic", even more magical than the Witching Garden. They want to know if the text space is incorporated into the Dream Crystal Plain, will some special operating rules be formed?
Woolen cloth?
Because of this, when they had a private chat at the Dragon Banquet, Laplace had said that she would go to Eya to borrow a text space. Then use the dream conch to pull the text space into the Dream Crystal Plains and see if there is any
No change.
Angel originally thought that this matter would start after the party was over, but he did not expect that Laplace's actions were so efficient. Not long after the dragon banquet ended, he directly communicated with Eya.
It even brings text space and paper media!
While Angel was feeling emotional, he did not forget to look at the oil painting carefully.
Considering the relationship between Laplace and Ea, the text space contained in the borrowed oil painting must be higher than the previous Dragon Feast space.
I just don’t know what the environment will be like?
Forest? Grassland? Or icefield, desert? Or is it an extraordinary vacuum?
Angel looked at the oil painting with curiosity.
However, when he saw the surface of the oil painting clearly, he was stunned.
In the oil painting...there is nothing.
It's just a piece of paper with a slight oil mist.
Such dark paper is presented in such an exquisite frame? What does this mean?
Could it be said that this oily and misty paper actually has something to say? For example, there is a quaint castle hidden in the mist? You just need to wait for the fog to disperse to see it.
"There is no explanation and no castle." Faced with Angel's inquiry, Laplace said calmly: "This is just a blank drawing paper coated with tung oil."
Angel: "..."
Laplace: "However, although there is no picture, there is indeed a text space hidden inside it. Moreover, it is the highest level text space."
Angel looked at the misty coating in the oil painting and was full of doubts. If it is the highest level text space, why is there no picture?
Laplace: "Because it is still in its initial state. If you want a picture, you need to write it on paper and then add it."
To put it simply, the "oil painting" presented to the outside world in the text space is not drawn with paint or paper and pen, but described with words.
Take the oil painting of Long Banquet, for example. From an outsider's perspective, the oil painting depicts a luxurious and luxurious family, enjoying the banquet.
But these banquets, including tables, chairs, tableware, curtains, etc., are actually described sentence by sentence in words. When the text description is formed, the corresponding picture will be presented in the oil painting from the outside world.
Now, the oil painting in front of me is blank, which means that there is no text space inside.
If you want to make your blank oil painting wonderful and gorgeous, you have to enter the text space and describe these things yourself.
Laplace: "The textual space contained in this oil painting is actually cut from the secret library and belongs to the same source."
The Secret Library is also a text space, and it is the strongest text space created by Ea so far. Therefore, even though this oil painting has nothing, its level is very high.
Also because this oil painting is of extremely high grade, it can carry at least wizard-level extraordinary items.
"The glowing papers that Aya left in the space are the pages specially made by Aya, which can be used to describe extraordinary items."
Don't look at the pile of glowing paper Aya left for them, but it's really not much.
Because, if you want to create an extraordinary object in the text space, you cannot succeed by describing it in one or two sentences. You must describe it in detail starting from each material.
In other words, you must have an understanding of extraordinary materials and sufficient alchemy knowledge, and then describe different extraordinary materials on different extraordinary pages. Finally, through the combination of these materials, it is possible to create extraordinary items.
Therefore, even though there is a stack of glowing paper, if you really want to create something extraordinary in the text space, one piece of paper can probably consume all the pages.
However, Aya only kept this small stack of special paper pages, which was not because he was stingy.
But this kind of special paper page is very difficult to produce, and it consumes the potential of the "Book of Time" to make. Occasionally making one or two will not have much impact on the talent of the "Book of Time", but
If produced frequently and in large quantities, it will cause permanent damage to the "Book of Time".
Therefore, Aya was very sincere in leaving such a stack of special paper pages to them for Laplace's sake.
But then again, although the number of special paper pages is small, it is not a big problem for them...
They will not consume these special pages in reality, use the dream conch to pull them into the Dream Crystal Plains, and then pull new ones after they are consumed. This cycle is almost equivalent to white prostitution.
Anyway, there is nothing to do for a while now. Angel looked at Laplace: "Then should we drag him into the Crystal Plain of Dreams now, or should we create something in the oil painting first and then drag him in?"
…
In the end, they decided to drag the oil painting into the Crystal Plain of Dreams first.
Because this blank oil painting was just "borrowed" by Laplace from Ea under the pretext of "research", and he would have to return it when the time comes.
Since the ownership right is no longer in their hands, there is no need to "get involved" in it.
Of course, even if the blank oil painting is actually used in reality, Eya will not care. After all, he is willing to lend it out and has prepared the paper and pen, which is for them to use.
But for Ingres and Laplace, it is not important to not use the text space. Pulling the text space into the crystal plain of dreams is their purpose.
After deciding on the plan, Angel began to take action.
Although Laplace has determined that the current crystal cluster space can hide the mysterious atmosphere to the greatest extent, but just in case, and to prevent the giant city spirit from leaving "monitoring", Angel still decided to build multiple layers of protection.
He took out the Geometry Lock and entered the Yinsen space inside the Geometry Lock.
Used Dream Conch in Yinsen Space.
In this case, although some of the mysterious aura still escaped from the Yinsen space, it was suppressed by the geometric lock of the outside world and did not float further to the outer crystal cluster space.
Under this multi-layered protection, even if the giant city spirit has "monitoring" means, it will be difficult to detect any abnormalities.
Let’s get back to the point.
At this time, Angel had already pulled Eya's dragon scales into the Crystal Plain of Dreams.
Because text space involves underlying rules, Angel is worried that it may have some impact on the current power logic after entering the Dream Crystal.
At that time, there may be some abnormal celestial phenomena and changes.
In order to avoid affecting the creatures in the Crystal Plain of Dreams, Angel placed the dragon scale's registration site in a polar area far away from human habitation.
"What's changed?" Laplace asked.
Angel withdrew from the vision of power: "I haven't seen any changes yet. Maybe it's because the oil painting is in the dragon scale space. How about we go in and take a look?"
Laplace thought for a while and nodded. With Angel here, if anything goes wrong, it won't have much impact.
Angel and Laplace landed on the Crystal Plain of Dreams at the same time.
When they opened their eyes, they were already on a vast crystal plain.
This is the "polar area" of Dream Crystal Plains.
The "ji" here does not mean the end, but means "pure".
The "crystal" in Yume no Kyouhara refers to "crystal". Almost the entire world is made of crystal.
It may seem that these crystals are all the same, but in fact...crystals in different regions exhibit different properties.
Just like the earth in the outside world, there are red soil and black soil, so the same is true for the crystals of Dream Crystal Plains.
The crystal structure in some places is thin and scattered, that is, the degree of relative stability is relatively low, which also leads to a very peculiar two-layer world view in these areas.
Because the crystal structure is weak, large areas of underground space appear.
There is a world on the surface and a world underground.
In some places, the crystal structure is extremely pure and solid, and there is almost no space underground in such places.
This kind of crystal plain is more solid and there is little underground space. Angel calls it "the polar region".
Angel chose to place the dragon scales in the polar regions, not only because of the sparse population, but also because the crystal plains here are very stable. If the arrival of the text space really causes some earthquakes and natural disasters, etc.
So, with the structure of the polar regions, its risk resistance is definitely stronger than that of other regions.
Angel looked around, and soon found Ea's dragon scales on a crystal that protruded like a table not far away.
Angel picked up the dragon scale and inspected it. Not long after, Laplace's voice came to his ears: "How is it? Is there any change?"
Looking back, Laplace had already walked to his side.
Perhaps because of the special landforms of the polar regions, the temperature here is much lower than in other places. When speaking, you can clearly see clouds of white cold mist coming out of your mouth.
Angel shook his head: "There is nothing abnormal so far. Maybe we need to take out the oil painting to see if it will have any impact."
Laplace: "Try now?"
Angel thought for a moment, nodded and said, "Okay."
After finishing speaking, Angel took a deep breath and took out the quill... from the dragon scale space.
The appearance of the quill did not cause any abnormalities, so Angel struck while the iron was hot and continued to take out the ink.
Angel originally thought that the ink should be similar to a quill pen, but what he didn't expect was that as soon as the ink mixed by Ayat was taken out, the sky, which was originally normal, began to darken.
Pieces of dark clouds kept gathering.
Waves of biting cold wind also blew in Jingyuan...
Naturally, Angel and Laplace would not ignore such changes.
Laplace pushed the silver hair that was blowing in front of his eyes behind his ears: "Is this the reaction of the Dream Crystal?"
Angel muttered: "Maybe."
It was difficult for Angel to tell whether it was a coincidence or whether Eya's ink really caused the Dream Crystal to react.
However, it is not difficult to know the answer. Just take out the remaining pages and oil paintings to confirm whether they are related to changes in celestial phenomena.
In order to confirm accurately, Angel still did not choose oil painting, but took out a stack of ordinary paper pages from the dragon scale space.
The moment the paper page appeared, the dark clouds in the sky gathered faster, and they were superimposed layer by layer, forming deeper black clouds.
It is not yet evening in the Crystal Plain of Dreams, but this side of the polar region is already shrouded in black clouds, like night.
Moreover, the black clouds cover a huge area. At least to the naked eye, there is no white space in the sky. It has completely entered day and night.
The surrounding wind also became stronger and stronger.
It's like cold knives coming towards you, making your face hurt.
Feeling such sudden changes in the world, Angel has basically confirmed that these changes should come from the stack of papers in his hand.
Because Angel has seen the scope of the black cloud's influence through God's perspective, almost encompassing the entire polar region.
And the center of the entire black cloud is exactly where they are!
The ink attracted dark clouds and cold wind.
Folding paper attracted dark clouds to press down on me.
If this pace continues, once the extraordinary pages and the final oil painting are taken out, it is estimated that they will have further influence, and the scope will continue to expand.
Thinking about it, at least most of the Dream Crystal Plains will be included.
Angel is also a little lucky now. Fortunately, he chose the pole far away from human habitation...