Laplace walked closer and took a closer look.
"This fruit...is really a creation of words."
Laplace looked at the floating text with some surprise: "Yellow waterberry: The fruit of yellow water mulberry. It tastes sour and watery. It can be eaten with sugar. The specially improved fruit tree can harvest once a month, with a yield of fifty kilograms per plant.
.”
This orange-yellow fruit is called yellow waterberry.
The reason why Laplace is very concerned about it is because to some extent, it is...a living creature of words.
Moreover, it is also a masterpiece among living literary works.
As far as Laplace knows, Aea has long studied various written living creatures, including "animals" and "plants".
However, Ea's research on written creatures followed the theory of evolution from lower to higher levels.
For example, when studying invertebrate living creatures, he would start with the lowest sponges and amoeba, and slowly advance to hydra, schistosomiasis, and finally nematozoans and annular animals, step by step.
The same goes for plants.
Although the research on glyph plants has progressed much faster than the research on glyph animals, this kind of fruit-bearing tree is also the highest level of Ea's current research on glyph plants.
In other words, Ea, as the founder of the text space, has not researched a few text fruit trees in the outside world, but the power of the fairyland has described a perfect text fruit tree here.
In terms of efficiency, it is much better than Ea.
Moreover, look at the introduction of yellow waterberries...it ends with two simple sentences, one of which still describes the yield.
This is much shorter than when Ea described the literal fruit tree.
In the outside world, the description of each written fruit tree was no less than that of the written earthworm they saw at the beginning. And the descriptive language of that written earthworm was almost so dense that it could not be seen on the screen.
From this we can see how concise and generous the description of the yellow waterberry is.
The power of fairyland must have undergone some kind of processing or localization update on the description of the living creatures in the text.
If Aya were here, he would probably be shocked.
Although Laplace was also surprised by the technology behind the text fruit tree, she was not the owner of the "Secrets in the Book" talent after all. She was surprised, but not too much.
At most... I picked a yellow waterberry from the yellow water mulberry tree and planned to study it myself. Or leave it to Ea to study after he enters the Dream Crystal Plains in the future.
It can be regarded as a return gift from Ea for borrowing writing space.
The yellow water berries are not big. One is about the size of a prune. You can put it in your pocket and take it away easily.
Walking forward from the fruit trees, Laplace was feeling emotional as he walked.
The plants, flowers, and even the weeds on the ground here are all living creatures in words. Moreover, the text descriptions are extremely concise, with no exaggerated descriptive language or piles of gorgeous words, simple and unpretentious.
"If the description level of living creatures in Ea's text is level 1, the description level here is estimated to have reached level 10." Laplace murmured in a low voice. This is the difference.
The transformation of text space by the power of Wonderland far exceeds Ea's level in terms of efficiency and level.
It is indeed the embodiment of the underlying operating logic of the world...power.
However, Laplace did not encounter literal animals along the way. She did not see any bees, butterflies, or birds and fish.
Whether it's because he didn't "encounter" it, or because it "doesn't exist" here, Laplace doesn't know yet.
She didn't deliberately search for it. After all, what was more important to her now was to figure out how to get out.
Laplace could actually vaguely guess that this text space might be a reward from the power of the fairyland to the "first passer".
After all, the light screen clearly says: "Reward: Glutton's Feast."
But even if it is a reward, she should be told how to use it and how to get out?
Laplace paused for a moment. She still remembered that she clicked on the "reward" on the light screen to enter. Could she click on "reward" again to get out?
Laplace thought of it and immediately tried it.
However, the result was not what she expected.
No matter how she clicked "Rewards", nothing happened. She clicked on other text messages, but nothing happened.
Laplace exhaled and looked around the peaceful and peaceful manor.
"It seems that the way out is to be found in the manor."
Laplace was no stranger to this manor. After all, she had passed the customs before. She knew very well that there were about four or five doors leading to the outside world in this manor, including the main entrance, various side doors, and even dog holes.
But now the main entrance cannot be pushed open, and there is no option to "leave" the text space when you go to the main entrance. It seems that if you want to leave the text space, you probably don't have to leave the manor.
There should be other mechanisms.
However, even if Laplace guessed this result, she still walked towards the other side entrance of the manor.
I want to try again to see if I can leave the manor through the side door.
Facts have proved that it still doesn’t work.
Moreover, there is a dog hole near the side door. Laplace tried to stick his feet out of the dog hole, but was also isolated by an invisible light film.
The appearance of this light film also means that the entire manor is probably covered.
It seems that simply leaving the manor is not the right way.
Laplace could only focus on the manor.
There must be a way to leave here, but I don’t know where it will be?
Based on Laplace's understanding of "Glutton's Feast", there are two core places here, the glass flower room and the villa in the distance.
In the original copy, the glass flower room was filled with large Mary roses, and there were key clues, human-headed balloons.
In the villa is the big boss, the gluttonous Bila.
So there is no doubt that if the exit is really placed in a core location, it will most likely be in these two places.
Thinking of this, Laplace decided to visit these two places first. From nearest to far, she went to the glass flower room first.
Not long after, Laplace walked to the glass flower room. When she saw the familiar arch, she subconsciously looked up. However, she did not see the human head balloon.
In the dungeon, all the balloons with human heads were floating on the glass arches, but now the place is completely peaceful.
There was nothing unusual, just gorgeous blooming roses of all colors.
Laplace carefully observed the roses here, and even went around the flower room to explore for a while, but still did not find any information that might be related to the "exit".
The words floating around in my eyes are all related to rose species.
Laplace sighed, it seemed that the clue was not here.
As for why there is no human head balloon, this is normal. After all, this is a "reward". If it were a reward, it would be unlikely that there would be dangerous monsters.
Besides, when Lapras cleared the dungeon, he had already eliminated all the head balloons, so it's normal that there aren't any here.
Laplace left the glass greenhouse, where her target was the most important place in the manor: the main house.
If she couldn't find a way out of the main house, then she would have no choice but to wait for Angel to come find her.
But, having said that, she has been wandering around the manor for ten minutes, hasn't Angel noticed that she is missing?
With Angel's ability, he should be able to spy on the copy easily, right?
Or was Angel already spying on her, but he just didn't say anything? Was he deliberately watching her wandering around the manor?
Laplace thought about it carefully and found it impossible.
She knew Angel very well. Although Angel had a little bit of "fun person" inside him, he had never shown this "fun person" to his friends.
In other words, he does not get his happiness from his friends.
Moreover, seeing himself wandering around the manor could not satisfy Angel's bad taste.
Therefore, Angel has not appeared yet, perhaps because he does not know where he is?
Only this possibility can explain why Angel did not show up.
"In the past, when entering a dungeon, there was a corresponding crystal creation. Angel could use the crystal creation to locate the dungeon." Laplace thought to himself, "But this time, I entered the text space by clicking on the light screen.
And Angel can’t see my light screen, so there is no medium from the outside world.”
Since there is no media, it would be difficult for Angel to locate where he is.
To be continued...