Laplace checked the mural again to see if there were hidden grids.
——She has seen many hidden compartments or secret rooms hidden behind the murals in many ruins.
However, this mural does not have any hidden grids.
The most abnormal thing about this palace is undoubtedly this mural; but what is abnormal is only the mural itself, not other things such as hidden grids.
After coming to this conclusion, Laplace returned his attention to the content of the mural.
Door, black matter, retrograde man.
What connection exists?
Laplace kept comparing the memories in his mind, trying to find out if there were similar or related clues in his memory bank.
However, these three images are so common that there are at least hundreds of thousands of images in her memory that are similar to this one.
But only similar.
At least based on Laplace's inspiration, there was no glimmer of inspiration related to this mural among these similar scenes in the memory bank.
There are too few clues to decipher.
Laplace quickly determined the answer.
She has no regrets about this either.
As an "old" person who has lived for thousands of years, she has too many scenes with unknown endings and endings in vain in her memory.
Some have experienced it themselves, and some have observed it through the sea of ​​empty mirrors.
You may feel a little regretful at first, but as you have more and more similar experiences, you can even observe one or two scenes with unknown endings every day.
The regret of not having the end is gradually disappearing.
Of course, it's not that she has lost her interest in exploring secrets, but that she knows the trade-offs. There is no need to delve into some secrets that she knows are unobtainable.
As for what secrets need to be explored in depth?
The soul will tell her the answer.
The mural in front of him should have some secrets; but Laplace didn't feel any telepathy in his mind, so there was no need to care.
Laplace withdrew his gaze.
This mural may just become one of those memory fragments with an unknown ending in her memory.
…
Angel withdrew his gaze from exploring the silver disc.
His eyes looked slightly regretful.
The silver disk is a teleportation array disk, and there is still some silent space power left in it.
Angel studied it mainly because he wanted to compare this formation disk with the one in Crowley's secret room.
After careful comparison, he found that the two formation disks were actually linked formation disks.
The so-called linked array disk means that after using this kind of array disk, it can only be fixedly teleported to the vicinity of the linked transmission array disk.
It's just that Angel could understand the mechanism of the teleportation array in the secret room of the ruins; but for this array, he was completely confused.
The only thing confirmed is that the linkage array of this array is above their heads.
That is where the main tomb chamber is located.
This is consistent with what Lunot said.
For the sake of convenience, Lu Nuo almost never took the path of the chimera space. He always teleported here directly from the main tomb. Therefore, it is reasonable for the linkage array disk to be on the main tomb.
However, although they are both linked arrays, the operating principle of this array is completely different from the array deployed by Crowley.
Perhaps this was created by the Ordovicians whose brain entries were "formation disk" or "space".
If possible, Angel would like to activate it.
Unfortunately, this array plate has been solidified here and cannot be disassembled or moved. Although it can be activated, the consequences after activation are too great, so Angel can only give up.
No longer paying attention to the silver disk, Angel's eyes looked at Laplace not far away.
"Well, is there anything wrong with this mural?"
Angel walked over.
He had noticed this mural before. There must be something fishy about such a complete mural. Laplace came here to observe it before he did. Maybe he had discovered something unusual?
Laplace shook his head: "Except for the special pigments used to preserve the murals for a long time...there is nothing wrong with it."
Angel knew the details of Laplace, and even she didn't notice anything was wrong, so he probably wouldn't gain anything.
Therefore, he did not choose to use his mental power to examine the murals in detail, but just scanned the contents of the murals with his naked eyes.
"The content of the mural is quite simple..." Angel said while looking at it: "Generally speaking, the simpler something is, the more straightforward its meaning is; but because there are no details to support it, there will be ambiguity in the interpretation.
"
For example, the mural in front of me seems to have a very simple meaning: a person walks towards the door.
But why did he go to the door? Is this door not real, but a metaphor for a certain purpose or an end? And are the black substances also a metaphor, a metaphor for disaster?
None of this is known.
Therefore, the meaning of this mural is very straightforward, but it is not easy to interpret.
Laplace looked at the mural: "What I'm curious about is why the painter kept this mural."
Angel shrugged: "Thousands of people have various interpretations. Perhaps this mural is the owner of the ruins describing his life. As a summary of his life, it makes sense to choose to preserve it with special pigments."
"The life of the owner of the ruins?" Laplace looked at Angel curiously: "Thousands of people have various interpretations, so this is your interpretation?"
Angel nodded and expressed his interpretation: "The people in it represent the owners of the ruins, and the black matter represents the process of life. In other words, the darkest moments in the process of life."
Angel had just finished speaking when Laplace guessed what he was thinking: "So, in your eyes, this door represents the end of life?"
Angel nodded: "It's almost the same. It can also be said to be the goal of life. When you go through the undercurrent of life, you can reach the door of the goal."
Laplace stretched out his finger and pointed at the door: "But all dark matter is released from this door. So, according to your interpretation, the end of life, or the goal of life,
Is it the reason that led to the darkest life of the owner of this ruins?"
Angel was also stunned for a moment: indeed, the black substance poured out from the door.
Therefore, his interpretation of "the life of the owner of the ruins" is obviously wrong.
Angel fell into a brief silence.
His eyes subconsciously looked at the "door" on the mural. Because the existence of the "door" overturned his previous so-called "life theory".
As he stared at the door, he thought about how else to interpret the mural.
But thinking about it...
Angel suddenly felt that the door on the mural seemed to have grown larger, as if it was closer to him...
Angel:?!
Angel suddenly came back to his senses and looked at the door on the mural.
The door is still in the same position, and has not changed in any way. It has not become larger, and it has not jumped out of the mural.
But before, he clearly felt that the door seemed to be approaching him?
Angel thought for a while, then stretched out his spiritual tentacles, and kept exploring around the "door", but there was nothing abnormal.
Could it be that it was his illusion?
While Angel was doubting himself, Laplace looked at him suspiciously.
"What's wrong with you? Is there something wrong with the 'door' on the mural?"
Although Laplace focused more on the murals, part of it was also on Angel. She clearly saw Angel, who was still deep in thought, suddenly shrinking his pupils, as if It was as if he had seen a ghost, and then he started frantically scanning the "door" on the mural with his spiritual tentacles.
This behavior is obviously a bit strange.
Faced with Laplace's inquiry, Angel did not hide anything and directly told what he had just perceived.
"Do you feel like the door in the mural is getting bigger and approaching you?"
To be continued...