Laplace checked the mural again to see if there were hidden grids.
——She has seen many hidden compartments or secret rooms hidden behind the murals in many ruins.
However, this mural does not have any hidden grids.
The most abnormal thing about this palace is undoubtedly this mural; but what is abnormal is only the mural itself, not other things such as hidden grids.
After coming to this conclusion, Laplace returned his attention to the content of the mural.
Door, black matter, retrograde man.
What connection exists?
Laplace kept comparing the memories in his mind, trying to find out if there were similar or related clues in his memory bank.
However, these three images are so common that there are at least hundreds of thousands of images in her memory that are similar to this one.
But only similar.
At least based on Laplace's inspiration, there was no glimmer of inspiration related to this mural among these similar scenes in the memory bank.
There are too few clues to decipher.
Laplace quickly determined the answer.
She has no regrets about this either.
As an "old" person who has lived for thousands of years, she has too many scenes with unknown endings and endings in vain in her memory.
Some have experienced it themselves, and some have observed it through the sea of empty mirrors.
You may feel a little regretful at first, but as you have more and more similar experiences, you can even observe one or two scenes with unknown endings every day.
The regret of not having the end is gradually disappearing.
Of course, it's not that she has lost her interest in exploring secrets, but that she knows the trade-offs. There is no need to delve into some secrets that she knows are unobtainable.
As for what secrets need to be explored in depth?
The soul will tell her the answer.
The mural in front of him should have some secrets; but Laplace didn't feel any telepathy in his mind, so there was no need to care.
Laplace withdrew his gaze.
This mural may just become one of those memory fragments with an unknown ending in her memory.
…
Angel withdrew his gaze from exploring the silver disc.
His eyes looked slightly regretful.
The silver disk is a teleportation array disk, and there is still some silent space power left in it.
Angel studied it mainly because he wanted to compare this formation disk with the one in Crowley's secret room.
After careful comparison, he found that the two formation disks were actually linked formation disks.
The so-called linked array disk means that after using this kind of array disk, it can only be fixedly teleported to the vicinity of the linked transmission array disk.
It's just that Angel could understand the mechanism of the teleportation array in the secret room of the ruins; but for this array, he was completely confused.
The only thing confirmed is that the linkage array of this array is above their heads.
That is where the main tomb chamber is located.
This is consistent with what Lunot said.
For the sake of convenience, Lu Nuo almost never took the path of the chimera space. He always teleported here directly from the main tomb. Therefore, it is reasonable for the linkage array disk to be on the main tomb.
However, although they are both linked arrays, the operating principle of this array is completely different from the array deployed by Crowley.
Perhaps this was created by the Ordovicians whose brain entries were "formation disk" or "space".
If possible, Angel would like to activate it.
Unfortunately, this array plate has been solidified here and cannot be disassembled or moved. Although it can be activated, the consequences after activation are too great, so Angel can only give up.
No longer paying attention to the silver disk, Angel's eyes looked at Laplace not far away.
"Well, is there anything wrong with this mural?"
Angel walked over.
He had noticed this mural before. There must be something fishy about such a complete mural. Laplace came here to observe it before he did. Maybe he had discovered something unusual?
Laplace shook his head: "Except for the special pigments used to preserve the murals for a long time...there is nothing wrong with it."
Angel knew the details of Laplace, and even she didn't notice anything was wrong, so he probably wouldn't gain anything.
Therefore, he did not choose to use his mental power to examine the murals in detail, but just scanned the contents of the murals with his naked eyes.
"The content of the mural is quite simple..." Angel said while looking at it: "Generally speaking, the simpler something is, the more straightforward its meaning is; but because there are no details to support it, there will be ambiguity in the interpretation.
"
For example, the mural in front of me seems to have a very simple meaning: a person walks towards the door.
But why did he go to the door? Is this door not real, but a metaphor for a certain purpose or an end? And are the black substances also a metaphor, a metaphor for disaster?
None of this is known.
Therefore, the meaning of this mural is very straightforward, but it is not easy to interpret.
Laplace looked at the mural: "What I'm curious about is why the painter kept this mural."
Angel shrugged: "Thousands of people have various interpretations. Perhaps this mural is the owner of the ruins describing his life. As a summary of his life, it makes sense to choose to preserve it with special pigments."
"The life of the owner of the ruins?" Laplace looked at Angel curiously: "Thousands of people have various interpretations, so this is your interpretation?"
Angel nodded and expressed his interpretation: "The people in it represent the owners of the ruins, and the black matter represents the process of life. In other words, the darkest moments in the process of life."
Angel had just finished speaking when Laplace guessed what he was thinking: "So, in your eyes, this door represents the end of life?"
Angel nodded: "It's almost the same. It can also be said to be the goal of life. When you go through the undercurrent of life, you can reach the door of the goal."
Laplace stretched out his finger and pointed at the door: "But all dark matter is released from this door. So, according to your interpretation, the end of life, or the goal of life,
Is it the reason that led to the darkest life of the owner of this ruins?"
Angel was also stunned for a moment: indeed, the black substance poured out from the door.
Therefore, his interpretation of "the life of the owner of the ruins" is obviously wrong.
Angel fell into a brief silence.
His eyes subconsciously looked at the "door" on the mural. Because the existence of the "door" overturned his previous so-called "life theory".
As he stared at the door, he thought about how else to interpret the mural.
But thinking about it...
Angel suddenly felt that the door on the mural seemed to have grown larger, as if it was closer to him...
Angel:?!
Angel suddenly came back to his senses and looked at the door on the mural.
The door is still in the same position, and has not changed in any way. It has not become larger, and it has not jumped out of the mural.
But before, he clearly felt that the door seemed to be approaching him?
Angel thought for a while, then stretched out his spiritual tentacles, and kept exploring around the "door", but there was nothing abnormal.
Could it be that it was his illusion?
While Angel was doubting himself, Laplace looked at him suspiciously.
"What's wrong with you? Is there something wrong with the 'door' on the mural?"
Although Laplace focused more on the murals, part of it was also on Angel. She clearly saw Angel, who was still deep in thought, suddenly shrinking his pupils, as if It was as if he had seen a ghost, and then he started frantically scanning the "door" on the mural with his spiritual tentacles.
This behavior is obviously a bit strange.
Faced with Laplace's inquiry, Angel did not hide anything and directly told what he had just perceived.
"Do you feel like the door in the mural is getting bigger and approaching you?"
Angel nodded: "Yes, but I can't tell now whether it was an illusion."
Laplace looked at Angel in confusion, and then at the door on the mural: "I can be sure that when you were meditating just now, this door did not change at all... At least, in my sight, this door The door hasn’t changed in any way.”
Angel naturally believed Laplace's words, but just now he did vaguely feel that the door in the mural was slightly enlarged... Angel shook his head: "Maybe it is really an illusion."
Laplace could naturally see the hesitation in Angel's words. She thought about it and said, "Whether it is an illusion or not, you will know if you try it again."
"Don't worry, I will always pay attention to you."
Angel thought about it and thought he could give it a try. He also wanted to know whether it was an illusion or if there was really a "problem".
Angel nodded: "I'll try."
But, having said that, how to try it?
Do you keep staring at the door in the mural? Or do you completely compare it to the previous situation, meditate first and then look at the door casually?
Although Angel was thinking about the test method, his eyes were actually staring at the door in the mural.
Just when he was thinking about whether to compare with the previous situation and fall into deep thought, the door in the mural suddenly grew larger again...
This time, before Angel even had time to recover, he felt a heat in his chest, followed by the door and came to Angel, like a huge mouth of the abyss, swallowing Angel directly... …
The next second.
Angel felt his eyes darken, and his whole body began to "rise".
However, this rise is not a rise in a spatial sense, but a rise in a certain concept.
It's as if the body, soul, and consciousness have transcended, and the whole person is constantly sublimating.
At the same time, in the process of "rising", Angel clearly felt that his emotions disappeared, or that his "emotional module" did not rise with his consciousness.
From a sentient being to a heartless and qualityless existence.
Also because he lost the emotional restraint, Angel felt himself becoming calmer and calmer.
He even immediately judged that he was undergoing some kind of "extra-dimensionality", transcending the current dimension and reaching a higher dimension.
The reason why he can make a quick judgment is that he has experienced this situation more than once.
At the beginning, the Eye from the Outer World absorbed a large amount of mysterious energy by blocking two plane fusions in a row, and finally took Angel to a strange world beyond dimensions, where Angel learned the Gate of Illusion.
Another time, because he had to survive the void disaster, he was taken by Wang Wang into a super-dimensional state and roamed in a high-dimensional space.
The two extra-dimensional journeys each time were characterized by the familiar "ascent" and the loss of familiar emotional modules. Therefore, comparing the current situation, Angel was very sure that he was on some kind of extra-dimensional journey.
But why is it superdimensional?
Is it because of the door? Or...because of the Eye from the Sky?
At this time, Angel may have put aside unnecessary emotions. His ability to sort out memories and capture clues has obviously improved to a new level.
He still remembered that when he was about to be swallowed by the door, he felt an obvious warm feeling in his chest.
And he always kept the Eyes of Heaven close to his chest.
Therefore, the feeling of fever should come from the eyes from outside the sky.
And that door...maybe it was activated by the Eye of Heaven? Or maybe the Eye of Heaven made that door different?
Angel couldn't tell whether it was the door or the Eye from the Sky now, but these were not important to him.
The important thing is, where is he now?
Angel already felt that the "rising" had stopped at this time.
Although Angel had lost his perception of the time scale in the process of traveling to the extra dimension, he still felt that this "ascent" did not last long, and was even faster than when Wang Wang took him roaming. Some.
To use a more intuitive expression, it is probably——
If there is a height in the dimension, the place Wang Wang took him to originally was 1 meter high, the place the Eye of the Sky took him to may be 10 meters high, and this "ascent" may not even be 5 meters high.
Is it because the author of the mural didn't have a strong grasp of super dimensions?
But having said that, it is already amazing that the original author of the mural has access to the concept of extra-dimensionality. At least as far as Angel is concerned, only Wang Wang can currently access the dimension.
Angel looked around.
No, "see" is not actually accurate at this time. He just thought about it and all the details around him were imprinted in his mind. He even saw the trajectory of his own dimensionality.
But these are still not important. In a high-dimensional space, this kind of observation is actually as simple as breathing.
This is a world of pure darkness, just like the dark matter in the murals, the surroundings are very bleak.
But high in the deep sky, there is a luminous door, standing there, guiding the direction like a beacon.
"So, where do I go to that door?"
With a thought in Angel's mind, he continued to "ascent" and began to approach the door.
As he made his way to the door, he suddenly remembered the mural.
His situation at this time seemed somewhat similar to the scene in the mural.
In the mural, a man in a gold-red uniform steps on a black substance and walks towards the door.
And he is now also traveling retrogradely through the unknown black matter, heading towards the gate of deep space.
Is this a historical loop? Or is it inevitable that dimensions will reappear?
Angel didn't understand.
He didn't think too much about it, as he was bound to not get the answer in a short time.
Soon, he came to the gate.
The style of the door is exactly the same as in the mural. The only difference is that the door in the mural is constantly releasing dark matter, while the door here is completely bright.
Angel didn't know what was behind this glowing door.