"The real finished product of the Nebula Chain Ball is in this person's hands." Napoli used words to signal Angel to look up at the statue behind the display case.
Angel had noticed it before.
There is a statue behind every showcase.
The statue behind the Nebula Chain Ball is a man whose face is covered by a curtain, about three meters tall, and full of muscles... from the Ersi tribe.
This Ersi tribe member looks tall, but in fact he is a dwarf in the tribe, and his flesh grows completely horizontally. But because of this, his muscles are bigger and stronger than those of other tribesmen.
The Nebula Chain Ball, which looked huge from a human perspective, was carried on his shoulders so easily, without any heaviness at all.
"I don't know what his real name is, but his codename is Prisoner." Napoli's voice sounded at the right time.
The Ersi people are only called by their real names within their own families, and they use nicknames externally. The nicknames are also printed on the curtains on their faces in the form of patterns.
So when Napoli said his code name, Angel subconsciously looked at the curtain of the statue, and sure enough he saw the silhouette of a human being locked in a cage, which means prisoner.
"Although the Nebula Chain Ball looks ordinary on him, once he swings it, it is as if the stars in the sky turned into meteorites and fell to the ground. The ground that can be easily hit cracks, and smoke billows like steaming clouds."
As if telling a story, Napoli described the effects of the Nebula Chain Ball to Angel in detail.
Obviously, it is also the duty of Napoli, the appointed commentator, to tell the effect of the Nebula Hammer.
After a while of explanation, Angel immediately said: "It's so annoying!"
Far away at the foot of the mountain, Naples had a look of relief on his face.
"It's a pity that my explanation can only describe one or two of them. If sir could see the effect of the Nebula Hammer with his own eyes, it would probably be even more shocking!"
Angel also praised it at the right time: "The more I talk about it, the more I yearn for it."
After a pause, Angel seemed to have thought of something, stretched out his hand and lightly snapped his fingers.
In an instant, from Napoli's perspective, the prisoner statue behind the showcase suddenly moved. He stepped forward and stepped into the void.
In the void, scarlet eyes lit up.
There are countless mirror ghosts!
Their scarlet eyes were like mountains, layer after layer, surrounding the prisoners.
But the prisoner stepped into the void without any fear, roared at the sky, and then swung the nebula chain ball. In an instant, the phantom of stars in the sky appeared behind him, like the constellations of the spiritual world, lighting up one after another.
, and with the swing of the Nebula Chain Ball, it turned into a fireball and fell into the void.
Every bolide that strikes down can smash the surrounding mirror ghosts into burning powder, which spreads and turns into the surrounding clouds and mist.
These clouds and mist gather in the void, as if they have really turned into a nebula.
The nebulae flowed around, as if they were giving a hymn of victory to the "prisoners"...
There is no doubt that this is an illusion created by Angel.
But the scene in the illusion made Naples stunned for a moment... He just told the story according to the script. How did it turn into a real scene and become so grand?
Isn't this almost the same as the epic scene that the bard talks about?
When Naples was stunned by the illusion before his eyes, outside, in the main temple of Alga on the top of the mountain, a faint sound of surprise suddenly came out.
After a while, in Naples at the foot of the mountain, I heard a familiar voice coming from my ears.
He quickly straightened his posture and bowed his head to listen.
After listening to the voice's narration, Napoli's expression suddenly became subtle, and his eyes showed a strange look, but after a cold snort, he returned to normal again.
After the sound in his ears disappeared, a trace of confusion flashed in Napoli's eyes.
Angel didn't know what was going on in Naples. After he casually created a "special effects movie" of a nebula and a hammer, he looked at the other display cabinets around him.
Angel originally thought that Naples would explain the situation of different exhibits in his ear again, and then he would join in with a compliment, and that would be it.
But unexpectedly, Naples suddenly fell silent.
This made Angel feel a little relieved.
From a humanistic perspective, Angel was very willing to cooperate with Napoli and say a few words of praise, but he was very worried that his words of praise were too few.
This was the Twelve Palaces of Treasures. If there were so many exhibits in each palace, he really couldn't think of words to praise them in the end.
Although Napoli stopped talking, Angel did not forget to "perform". When he saw some good designs, he would nod or show a hint of surprise.
It can be regarded as using "action" to express praise.
This kind of praise comes easily without having to think of words.
Angel quickly finished visiting the Mithril Palace. I have to say that the design of the exhibits here is actually quite good. Some of them look very simple in appearance, but based on the posture of the statues, Angel can also guess that Al When refining Gallon, we not only consider the appearance design, but also care about the user's feelings.
It is worth mentioning that many of the statues here are celebrities who have left a mark on the history of the Sun Mirror Territory.
But this is normal. If Algaron can refine it himself, he will definitely not be a small person.
Just when Angel was about to step out of Mithril Palace, Naples, who had been silent for a long time, finally spoke again: "Sir, I have a heartfelt request..."
Angel: "Huh?"
"That's it. I personally think the illusion just now was so great and shocked me so much. If possible, can I keep the illusion here?"
"In this way, future visitors can also appreciate the shocking power of the Nebula Hammer Ball!"
Angel: "...?"
Although Angel doesn't mind leaving behind illusions, the illusion just now was purely fictitious!
He had never seen the effect of the Nebula Chain Ball at all. The illusion was made up by him at will, and it contained a lot of exaggeration.
Is this kind of purely fictitious illusion really suitable to be left here to show to future generations?
Are you sure you won't be accused of cheating?
"No, the effect of the Nebula and Hammer will only be more shocking! Moreover, the Nebula and Hammer refined by Master De is extremely malleable, and there is no problem in producing the effect that Sir just imagined."
To use a slightly inappropriate metaphor, it would be——
Although it may be a "photo scam", it doesn't matter, I can have "plastic surgery" to look like a photo scam.
In this regard, Angel only had one question left in his heart: As for what?
Angel also knew very well that Napoli seemed to be talking about "personal", but in fact this matter must have been directed from behind. In other words, this was not Napoli's request, but most likely Algaron's.
Require.
Having just accepted the "top secret" gift, facing Algaron's request, Angel naturally found it difficult to refuse.
However, he still had a thought in mind: You can leave an illusion, but don’t say that I created the illusion!
He is not worried about "the goods are not right", but is worried about being "counterfeited" by later generations or original holders. For example, the prisoners will be confused when they see this illusion.
Napoli immediately patted his chest and assured: "Of course there is no problem! It will be kept secret for sure!"
"However, sir, if you don't mind the trouble, could you give a section to the other exhibits?"
Angel: "..."
Angel finally agreed. These are just the most basic ordinary illusions. With his control ability, he can create them with just a thought.
The only trouble is that you need to listen to Napoli to explain the general situation before constructing the illusion.
Angel couldn't skip this step. Even in order to avoid being caught by others, he had to listen more carefully and determine the true effect of each prop.
Then create illusions based on this effect...
Half an hour later.
Angel left Mithril Palace.
During these thirty minutes, half of the time was spent by Napoli describing the effects of the different exhibits inside. Every time Napoli finished speaking, Angel's illusion had been constructed. The remaining half of the time was spent by Napoli.
Let’s confirm whether the exhibits are overly effective.
The feedback Naples gives every time is not more than enough, but not enough.
"Maybe it would be better if it was cooler."
Angel felt that these words did not sound like what Napoli said, and it should have been the person behind him who gave him a hint.
Angel would feel speechless at first, but then he no longer cared. Anyway, as long as his name is not used, what if the product is wrong?
The coolness that directly blows up the scene!
Angel sparkled with lightning along the way, and wherever he passed, illusions sprung up, constantly emerging, and blooming with brilliance that did not belong to them.
In the blink of an eye, the Mithril Palace, the Platinum Palace, the Star Diamond Palace, the Amethyst Palace, the Agate Palace, the Opal Palace...the twelve treasure palaces are already halfway through.
After each palace, Angel's time was getting shorter and shorter.
At first he would listen in detail, but later he discovered that the "people behind" Naples preferred the cool sky-exploding effect, so he stopped copying the gourd and directly drew the planet!
Because he listened less and created more freely, his progress was faster.
Later, the exhibits in the temple were twice as many as those in the Mithril Palace, and Angel could handle them all within ten minutes.
Four hours later.
Angel walked out of the last palace of the twelve treasure houses, which is the Titanium Crystal Palace.
At this point, the illusion of all the treasures has been constructed, and ahead is the main temple of Alga located on the top of the mountain.
According to Naples, there are no treasures on display in the main temple of Alga, so there is no need to continue to construct the illusion.
But the Orha Steel that Angel wanted was placed in the main temple.
"I'm really sorry to trouble you." Napoli's slightly apologetic voice came to my ears.
Angel thought it was nothing.
Moreover, because the illusory relationship was to be built, there was no need to praise along the way. This made Angel, who was worried about the lack of words of praise, let go of his worries.
Rather than performing praises, he actually finds it easier to create illusions.
If he didn't have to understand the general situation of each exhibit first, he could create hundreds or even thousands of illusions in a single thought.
For Angel, nightmare is as simple as eating and drinking, let alone this time it is not a nightmare. You only need to use basic illusions to solve it, and the difficulty is no different from breathing.
In short, it's definitely not a troublesome thing, but it's a bit regretful that I didn't really see the so-called treasure.
Yes, although Angel was advancing rapidly along the way, he also carefully watched the design of each exhibit.
After all, they are all refined by Algaron, and the master's work must have its own uniqueness.
This is indeed the case. He learned a lot of design ideas along the way. Precisely because he saw the uniqueness of the design ideas, Angel even regretted not seeing the authentic product with his own eyes.
But there is nothing we can do about it. These are all tools forged by Algaron for other people. The genuine ones must have been in the hands of others and cannot be left here.
On the way to the final main temple of Alga, Angel was also recalling all the utensils he had seen along the way.
What impressed Angel the most was not the strength of the equipment itself, but the diversity of the equipment.
From the special weapon Nebula and Chain Ball at the beginning, to the platinum staff, super-speed magic carpet, golden wings, and flame motorcycle...everything opened Angel's eyes.
The most special thing is that Olha steel shows completely different states in these appliances.
In Nebula Chain Ball, Orha Steel has the properties of iron.
In the platinum staff, Orha Steel becomes the cloudy nature of the top of the staff.
In the speeding magic carpet, Orha Steel takes on the properties of cloth.
In Golden Wings, Orha Steel once again takes on the nature of feathers...
They are obviously Orha steel, but their properties, properties, and effects are completely different. If Naples hadn't clearly stated that Orha steel is part of it, Angel probably wouldn't have been able to tell the difference between Orha steel and
where.
It was precisely after seeing this "universal" change in Orha Steel that Angel became even more looking forward to the Orha Steel left to him by Algaron.
When he met Algaron before, he made it clear that he would customize a suitable Olha steel according to Angel's needs.
At that time, Algaron did not say what shape it would customize, but now it may be clear.
After a while, Angel climbed to the top of the mountain.
I saw the last temple in front of me, the main temple of Alga.
Its overall style is not much different from the Temple of the Treasure Zodiac, but it is bigger! Moreover, on the top of the main temple, there is a giant dragon statue that is nearly 20 meters high.
Twenty meters is not the height of the dragon statue, because it is crawling on the top. If the dragon stood up, its height would be comparable to the top giant.
Although it is just a statue, this giant dragon's entire body is made of rare metals, magic gems, and even its wings are directly carved from crystals.
Through the feedback of written information, these rare materials are real and not created by words.
Just like the mithril mine at your feet, the mountain was created by words, but the mithril veins inside were moved from the outside world.
Similarly, the rare materials on this giant dragon statue also come from the outside world.
Angel just made a rough estimate and felt that what he saw in front of him was no longer a statue, but mountains of gold and silver rising from the ground.