Although Ye Chen saved the lives of Mrs. Jiang and her son, he was still grateful to Mrs. Jiang.
This is because Mrs. Jiang gave the ancestral phoenix bone rattan bracelet to herself without hesitation.
Originally, Ye Chen thought that the old lady didn't know that the phoenix bone rattan bracelet was passed down from ancestors and that the material was rare. However, she probably didn't know how rare this thing was and how valuable it was.
But after this meeting, Ye Chen discovered that Mrs. Jiang actually had a relatively clear understanding of the value of the Phoenix Bone Rattan Bracelet.
Back then, Patriarch Meng Changsheng only asked for a phoenix bone vine bracelet from the ancestors of the Jiang family, so he kept him by his side for decades and even gave him two rejuvenation pills.
Not only that, in order to find a breakthrough, Meng Changsheng even promised to give him a chance before the Jiang family ancestors parted ways if he sought immortality in the future.
Although Meng Changsheng did this not only to repay the Phoenix Bone Vine's love, but Ye Chen guessed that the Phoenix Bone Vine definitely played a very important role.
These past events have been passed down from generation to generation in the Jiang family, and Mrs. Jiang knows them very well.
But when she was in Mexico, she was still willing to use this bracelet to thank herself, which made Ye Chen feel a little grateful.
Moreover, the use of Phoenix Bone Vine is not only for refining the twenty Reshaping Pills. If you want to refine high-level pills in the future, Phoenix Bone Vine is almost an indispensable important material. It will be very helpful to you in the future.
Very helpful.
It was precisely because of this that he took care of everything and decided to use his own strength to make Mrs. Jiang, mother and son have a worry-free life.
Seeing that the villa and shop were settled, Ye Chen felt much more relieved. Chen Zekai also ordered the Ye family's subordinates in Shudu to do their best to take care of the mother and son. Once the mother and son start business, they should also try to be as gentle as possible.
Take care of yourself in a low-key way.
After everything was settled, Ye Chen said goodbye to Mrs. Jiang. After Mrs. Jiang thanked her profusely and sent their car out of the community, Ye Chen and Chen Zekai rushed to Shudu Airport overnight to take a flight back to Jinling.
On the plane, Chen Zekai was a little tired after driving for a day. After the plane took off, he fell asleep on the comfortable flat seat. Ye Chen, who was not tired, gave Mrs. Jiang to him.
He took out the scroll again, placed it on his legs and slowly unfolded it.
In the picture, the immortal Meng Changsheng once again appears on the scroll. When I saw this painting in the old house of the Jiang family in southern Shunan, the painting was hung high on the wall and the lights were dim. In addition, Mr. Jiang
When his wife told Ye Chen those past events, Ye Chen was distracted a lot, so he didn't appreciate the painting too carefully.
But now, after spreading it out in front of him and looking at it carefully through the reading light on the plane, Ye Chen was even more impressed with the skill and charm of this painting.
Because the ancient Chinese valued charm rather than reality, in fact most of the famous ancient painters were not good at realism.
Landscapes, fish, insects, and figures actually all pay more attention to a vivid and lively style.
Although the paintings of this ancestor of the Jiang family are also in the traditional Chinese painting style, the details are very detailed and attentive, so that Meng Changsheng in the painting feels very real and vivid, even the figure swaying in the wind
The long beards look particularly lifelike.
Perhaps people in the Tang Dynasty did not have the habit of inscriptions when painting. Ye Chen did not find any signature on the painting, but he firmly believed that if this painting was made public, with the miraculous style of painting, I am afraid that the entire painting would be famous.
It will cause a stir in the art field.
Maybe the ranking of famous painters in the Tang Dynasty will be rewritten because of the appearance of this painting.
But Ye Chen naturally had no such intention. He decided to treasure this painting well and not let others see the contents of this painting after returning to Jinling.
After admiring it intently for a long time, just when Ye Chen was about to roll up the scroll again, he suddenly felt that there were some subtle fluctuations of spiritual energy in the scroll.
This made his whole body tremble instantly!
According to Mrs. Jiang, this painting was painted by her ancestor in his old age.
Since he is old, he must have parted ways with Meng Changsheng long ago.
The ancestor of the Jiang family did not have the talent to master spiritual energy, so apart from taking two rejuvenation pills and living longer than ordinary people, there was no way he could possess spiritual energy.
This also means that the painting he painted in his old age should not have any aura.
However, there are indeed very subtle traces of spiritual energy in this painting. Ye Chen couldn't help but ask himself: "Could it be that this spiritual energy was left by Meng Changsheng?! Perhaps, the Jiang family didn't know that Meng Changsheng had been there in a certain period of time.
Be back!"
Thinking of this, he immediately calmed down, separated out a few auras, and carefully covered the entire painting, looking for the source of the aura.
Soon, he found traces of spiritual energy on the head of Meng Changsheng's portrait.
Ye Chen was overjoyed and immediately used his aura to sense the other person. At the moment when the two auras merged, a first-person perspective scene suddenly flooded into Ye Chen's mind!
In the picture, a grand funeral is being held in a mountain village. The people at the funeral are not dressed in modern clothes, and they look more like the clothes of the Tang Dynasty.
Ye Chen could recognize from the topography that this mountain village was exactly the one where Mrs. Jiang lived.
The mountain village in the picture does not look as dilapidated as it does today. In the mountain village in the picture, there is a rather grand wooden courtyard, with carved beams and painted buildings everywhere. At first glance, it looks like a wealthy family.
However, the funeral in the picture is not a coherent real-time picture, but more like a time-lapse photography that is fast forwarded many times.