Chapter 26 References to Stones from Other Mountains
The "Capturing the Dragon and Subduing the Tiger Fist" created by the fourth generation leader of the Youhuan Sect. Although the name of the magical power is similar to that of ordinary martial arts, the names of the eighteen moves are not close to the style of "Sweep Thousands of Arms" or "Strike Mountains and Rivers"
The vulgar name has become elegant and quiet again. It is said that the origin can be traced back to the eighteen artistic conceptions of the four generations of masters who dabbled in the mountains and rivers and comprehended them one by one.
There is no blame, Mo Qinghe's movements were synchronized, like a mirror, there is no defect in speed or slowness.
I saw Gui Wujiu lifting and releasing his left foot, turning his right palm around and pushing forward, making a half circle and then sending it straight out. The Yuan Guang, which was as moist as rain, changed from invisible to tangible, the virtual phase condensed into real phase, and manifested into
The huge palm struck out diagonally.
Mo Qinghe on the other end also used the same move, with two palms facing each other, immediately triggering violent changes and tremors. However, unlike the previous three battles, the two big yellow hands collapsed only in the center of the "giant hand", which was infinitely subtle.
The Qi of Wutu is constantly being annihilated and replenished with new life, maintaining the pattern of fighting for every inch of land.
As for the five fingers of the two "giant hands" and the edges of the palms, all the outlines and shapes are not only intact, but also seem to have a round and round artistic conception permeating through. Not only that, there are two other auras that are condensed into substance, surrounding this hand.
The edges of the "giant hand" stretch and shrink indefinitely within a few feet.
In terms of the explosive spectacle of the scene, although this fight is said to be an absolute head-on fight, it is actually a little softer than the previous three. The tit-for-tat confrontation is only in one point, and the potential and materialization are everywhere. It is hard on the inside and soft on the outside, solid on the outside.
The emptiness and artistic conception are mixed together, which is indescribable.
The surging and heroic momentum subsided like a tide, and no one was blamed. Mo Qing and the two men also had a serious posture, and even their sleeves did not waver in the slightest.
have equal shares.
But Wu Jingchun's face changed slightly, and there was a hint of worry among the surprise.
Not good!
It turns out that this move is called "Half Wheel of Autumn Moon" and it is already the fourth move of Subduing the Dragon and Subduing the Tiger.
The first three movements, "Ten Zhangs of Red Dust", "Pine Nest and Crane Wilderness", and "Flowing Water Peach Blossom", in three breaths, three head-to-head contests, Mo Qinghe's artistic conception of "pushing the front and the sword" really took the lead and gained the upper hand.
The first form is to take no blame and exit in three steps;
The second form, taking no blame, means exiting six steps;
In the third form, Gui Wujiu exits nine steps in a row.
"Pushing the Front and Absolute Sword" is a Taoist technique that gains momentum over time. As long as we get the upper hand, our attacks will be endless. Even if my opponent raises his elixir power to a level comparable to mine, he will still be able to defeat me.
Not enough to reverse the disadvantage.
Based on the momentum of the first three moves, Wu Jingchun and others estimated with their will that by the time the twelfth move "Fragrant Elephant Crossing the River" was performed, Mo Qinghe's momentum would reach its peak, and he would inevitably be defeated.
But the fourth move, "Half Autumn Moon," unexpectedly resulted in a tie, and everything was back to square one.
Gui Wujiu's face was calm, and he didn't seem to be happy about the disadvantage of moving back.
Needless to say, after suffering a slight loss in the first three movements, Gui Wu borrowed a little more power from the Xu Dan Dan in "Yuan Yu Jing Hu".
In fact, after the first form of "Ten Zhangs of Red Dust" fell slightly behind, Gui Wujiu assessed the gap between the two sides, and in the second and third forms, his elixir power was slightly boosted. But the strange thing is that the superior and inferior forms are not only
It has not shrunk, but has further enlarged.
On the fourth move, Gui Wujiu doubled the increase in one breath, and finally returned to a draw.
However, at this time Gui Wujiu was excited: I have gained a lot!
In previous fights with Chu Danqing and Lu Jianyuan, he benefited a lot from the artistic conception and practical experience of swordsmanship; but the combined inspiration of those two men to Gui Wujiu was not even half as much as that of Mo Qinghe's swordsmanship method.
The reason for this is, of course, the technique of "Pushing the Front Absolute Sword", which is the ultimate purpose of pressing the bottom of the box in Chenyang Jianshan Eight Meridian Swordsmanship during the stationary stage of Qi training; there is another reason, because of the harmonious meaning of this kendo.
The foundation of magical power honed by Gui Wujiu - "Kongyun Nianjian" has great similarities with Taoism and can be used as a reference.
Although Gui Wujiu doesn't know the name of "Pushing the Front and Absolute Sword" by fighting the four moves head-on, he can already get a glimpse of the general idea of this method.
The so-called "pushing sword" is originally a point of sharpness that goes straight to the middle palace and can advance without retreating. It condenses the infinite and decisive killing intent into one point, which is like the force of breaking bamboo. If the opponent wants to resist, he must be very pure in his skills.
Cohesion can be said to be a big test. If there are few subtle deficiencies, even if the two parties have similar abilities, they will inevitably be like a cone of thorns, breaking through the screen window, and they will not escape the ending of complete defeat.
And fighting head-on and abandoning changes is the best way to maximize the power of this Taoist technique.
But if the skill stops here, even if this Taoist technique is superb, it cannot be called the supreme method in the realm of Chenyang Sword Mountain Formation.
There is another secret to this Taoist technique. Except for the sharp edge in the center of the sword, there is nothing all around. But further away from the edge, there is an invisible and formless "general trend" that is oppressing it, layer upon layer, seemingly inconspicuous, but also
It cannot cause any direct damage to the opponent, but it can be secretly related to the sharpness in the center, becoming the horns of each other.
If you encounter a well-matched opponent, you can catch the sharpness of the "push forward" head-on, but even if the fight is evenly matched, the aftermath of this head-on collision has another magical effect. Inadvertently, it can inexplicably change to up, down, left, and right.
At the edge, borrowing new energy, secretly superimpose the power of this "general trend".
However, directly defending against the invisible "power" is extremely difficult and there is no trace to be found.
The so-called "pushing forward" means more than just moving forward; the sharp edge in the center is called "front"; and the "general trend" that is buried all around and exerts invisible pressure is called "pushing".
The combination of the two is the ultimate purpose of "pushing the front".
If the opponent continues to fight like this one after another, the opponent will inevitably become frustrated. It is obvious that the two sides have equal combat power, but the initiative on the scene is controlled by the opponent, and the elixir power of his body is not flowing smoothly as if he is suffocated.
This method of invisible transformation, which does not go through any medium, is similar to the method of the "Empty Yun Nian Sword" that is bound by a curse. There are hidden similarities within it, but in the haste, it is not clear to the heart.
Four, five, six, seven, eight, five moves in a row, both sides are evenly matched.
Gui Wujiu calculated in his mind that in the use of troops, there will be victory and defeat. Although Mo Qinghe has tried his best to attack, he has also benefited a lot. But since the opponent's fighting skills are so good, there must be others.
Changes have not been seen.
Victory can be achieved, defeat without chaos is the method of a general. Once you have experienced the former, you cannot miss the latter.
Then the ninth pose was launched. On the basis of the lifting, lowering, starting and closing of the first eight poses, Gui Wujiu secretly circulated his essence, adding another two or three points of strength.
He knew clearly in his heart that this move was a turning point. Not only was he fighting Mo Qinghe, but he was also fighting Ming Xuanlie, Yin Jiuchou and others for five consecutive battles. For the first time, he had the upper hand.
Sure enough, under the attack of the ninth form "Suzaku Soaring", the situation suddenly changed.
But after the two giant yellow hands spun apart, Mo Qinghe suddenly turned green, his toes suddenly rose three feet out of thin air, his back curved like a bow three times, and then except for his toes, which remained motionless, his entire upper body was swaying slightly.
At this time, his left arm was hanging down, and his right hand was turned over like a manhole railing, protecting his chest. If a book were placed between his fingers, Mo Qinghe would look like a storyteller shaking his head.
However, from the perspective of Taoism, it is actually similar to Yin Jiuchou's "body combined with the Tao of the weapon and the voice of the owner of the weapon" when he finally entered the state.
Wu Jingchun, Chu Danqing, and Lu Jianyuan were shocked again. It turned out that Mo Qinghe's posture was indeed similar to Yin Jiuchou's state of Taoism. It was a mental method that was both offensive and defensive and increased the power of the whole body to the limit. It was known as "Zhongxin"
A sword hangs in the sky, and the universe floats day and night."
ps: This chapter originally included other content, but now the entire plot has been taken away and used to follow the main flow again.
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