Chapter 364: This is the top ten famous songs in China!
"Xu~~~"
Following Lin Xia's performance.
The melodious and crisp sound of the flute resounded throughout the venue.
As Lin Xia's flute sounded, all the Chinese people present had a look of shock in their eyes.
Perhaps many people don’t know what the names of the classical music from China are.
But it is undeniable that as Lin Xia's flute sounded and the melody appeared, the vast majority of Chinese people noticed it instantly.
They have heard the song Lin Xia is playing now.
But, I don’t know when I heard it or where I heard it.
But as soon as the melody sounded, they seemed to be able to guess what the next melody would be.
This melody seems to be engraved in their minds.
Ancient Chinese rhyme, one of the ten famous songs of the Huaxia Kingdom.
They are "Mountains and Flowing Waters", "Guangling San", "Goose Falling on the Flat Sand", "Three Plum Blossom Alleys", "Ambush from Flying Daggers", "Sunset Flute and Drums", "Qiao Qiao Qiao", "Eighteen Beats of Hujia", "Autumn Moon in the Han Palace" and "White Snow in Spring".
According to expert research, most of the original scores of these famous ancient Chinese songs have been lost, and many of the scores circulating today were commissioned by later generations.
These pieces of music have been given the title of the top ten ancient pieces by musicians of all ages, with historical allusions as background, thus borrowing from the past events of the ancients to enhance their momentum.
In modern society, these top ten famous songs are actually very widely circulated.
There are many local soundtracks and various kinds of music that almost all draw on elements from these top ten famous songs.
And the pure music of these top ten famous songs is actually very, very famous.
Almost everyone has heard it, but they just don’t know that the song they are listening to has this name.
There are "Spring White Snow" by Shi Kuang of the Jin Dynasty during the Spring and Autumn Period; "High Mountains and Flowing Waters" by Boya, a harpist in the pre-Qin Dynasty; "Ambush from Flying Daggers" during the Chu-Han War; "Autumn Moon in the Han Palace" from the Han Dynasty; and "Eighteen Beats of Hujia" by Cai Wenji at the end of the Han Dynasty
"; "Guangling Sanqin Music" by Ji Kang during the Wei and Jin Dynasties; "Goose Falling on the Pingsha" from the Ming Dynasty; ancient music "Three Plum Blossom Alleys"; ancient music "Sunset Drums", later compiled into the silk and bamboo music "Spring River Flower Moonlight Night";
"The Questions and Answers of Fishermen and Woodcutter" passed down through the ages.
The most famous among them is the mountains and flowing water.
It is said that the two guqin pieces "Shuixian Cao" and "High Mountains and Flowing Waters" were composed by Boya at that time.
The song "High Mountains and Flowing Waters" was recorded on the gold record and launched into space on August 22, 1977, to spread the wisdom and civilization information of the Chinese nation to advanced creatures in the universe and planets.
Even when Lin Xia was studying at school, she had recited the article "High Mountains and Flowing Waters" in her textbook.
Guangling San. One of the Xianghe Chu tune suites during the Han and Wei dynasties.
You may feel like you haven’t listened to this piece of music.
But this name will definitely sound very, very familiar to anyone from China.
Ji Kang was killed for opposing the Sima dictatorship. Before his execution, he calmly played this song for sustenance.
It was played with qin, zither, sheng, zhu and other musical instruments, but now only the ancient qin music remains, the earliest recorded in "Magical Secret Music".
According to "Qin Cao", Nie Zheng was a Korean during the Warring States Period. His father was late in making swords for the King of Han and was killed. In order to avenge his father, he went to Mount Tai to study piano assiduously for ten years. After that, he swallowed charcoal, changed his voice and appearance, and returned.
In South Korea, he was playing the piano not far from the palace. His superb piano skills made passers-by stop and cows and horses stop in their tracks.
After the King of Han learned about it, he summoned him to the palace to perform. Nie Zheng took advantage of his unpreparedness and pulled out a dagger from the belly of the piano and stabbed the King of Han to death. In order not to harm his mother, he disfigured himself and committed suicide.
Later generations added section titles to the Guangling San (Guangling San), some of which were named after plots corresponding to the story. The emotions expressed in the music do have many similarities with this tragic legend.
According to "Qinyi" records: Ji Kang loved "Guangling San" very much and often played it, which attracted many people to ask for advice, but Ji Kang never taught it.
Before his death, he played this piece on his qin and sighed with emotion: "Guangling San" is now extinct."
At this time, Lin Xia took out the flute and wanted to play one of the top ten famous Chinese songs, Mountain Flowing Water and Guangling San.
The sound of the flute echoed throughout the venue.
In fact, all the guests and audiences at the scene were shocked by Lin Xia's superb playing skills.
Because these two pieces of music are not actually played on the flute.
But Lin Xia's use of the flute gave these two pieces of music a unique flavor.
This makes Lin Xia's performance very novel and attractive to Chinese people.
Not to mention those foreigners.
They themselves have never heard of this ancient Chinese music.
Now that I heard it, I feel very surprised.
And Lin Xia was completely immersed in famous Chinese songs on the stage.
It can be said that these two pieces of music can indeed make people calm down during the performance.
And completely immersed in the artistic conception brought to people by ancient music.
This kind of artistic conception cannot be compared with simple DJ music or electronic music.
This artistic conception carries with it a profound sense of Chinese history.
It can be said that the Chinese people present were immediately involved in it, and their listening became more and more interesting.
Those foreigners were also impressed by the melodious sound of the flute and were completely conquered by the sound of the flute.
But this time, Lin Xia played only fragments.
In fact, Lin Xia has been designing this stage for a long time.
This time, I want to make these ancient musical instruments of China fully available to people around the world.
So Lin Xia naturally prepared more than just the flute, an ancient musical instrument.
Soon, the scene on the stage changed, and Lin Xia also came to sit down in front of a guqin, putting the flute in his hand aside.
The wild geese fall on the flat sand, this song was called "The wild geese fall on the flat sand" in the Ming Dynasty.
It describes the scene of a flock of wild geese circling in the sky before landing, also known as "Wild Geese Landing on Pingsha" or "Pingsha".
The music score of this piece was first published in "Guyin Zhengzong" (1634) in the late Ming Dynasty.
This chapter is not finished yet, please click on the next page to continue reading the exciting content! After it came out, it was deeply loved by piano players. It was not only widely circulated, but also processed and developed to form different segments, tunings, modes, artistic conceptions, etc.
There are many different versions with different characteristics, and it is one of the most popular qin music.
The melody is melodious and smooth, and through the disappearing and appearing calls of wild geese, it describes the scene of a flock of wild geese circling in the sky before landing.
Regarding the understanding of the music, some people describe the autumn sceneries by "taking the meaning of the clear autumn and the flying geese"; some use "the clear air in autumn, the wind is calm and the sand is flat, the clouds travel thousands of miles, the sky is flying, and the distant aspirations of the swans are used to write about the heroes"
There is also the swan goose's "feeling of flying back and looking at it, the attitude of joking up and down, the image of flying and then gathering, the spirit of being startled and then rising again".
"When it falls, the sand is flat and the water is far away, the mood is comfortable and the mind is at ease, friends have no guesses, and men and women have conversations." It expresses the emotion that the world is dangerous and not as good as the wild goose.
Most of the songs circulating now are seven sections, and the main tones and musical images are roughly the same. The melody rises and falls, continues, and is beautiful and beautiful. The tone is quiet and beautiful, but there is movement in the silence.
Lin Xia played the guqin, and the unique sound reverberated throughout the venue.
After playing the Pingsha Luoyan excerpt, Lin Xia changed the music again and began to play Plum Blossom Three.
The overtone melody in the song is repeated three times in different positions, so it is called "Three Nongs".
According to legend, Jin Huanyi composed "Three Plum Blossoms" for flute, and later generations transplanted it into qin music.
The music praises people with noble sentiments by praising the tenacious character of plum blossoms that are not afraid of the frost and fight against the wind and snow.
After playing the guqin, Lin Xia stood up again and sat down aside.
The ancient musical instrument in my hand also successfully turned into a pipa.
"Zheng~~~"
With just one sound, most people knew that what Lin Xia was playing this time was House of Flying Daggers.
Ambush from Daggers is one of the traditional Chinese pipa songs.
Compared to other songs, this song is more famous.
And almost everyone knows this song, which is House of Flying Daggers.
The music "Ambush from Flying Daggers" is based on the Chu-Han conflict in Chinese history in 202 BC, depicting the decisive battle between Liu Bang and Xiang Yu at Gaixia.
The music mainly praises Liu Bang, the victor of the Chu and Han Dynasties, and strives to portray the majestic and majestic appearance of the "victorious army". The whole song is magnificent and full of the chilling sounds of the warriors and horses.
Also known as "Huaiyang Pingchu": the score was first seen in "Huaqiu Pin Pipa Score" (1819). In the "Sizhaotang Collection. Tang Pipa Biography" written by Wang Bao of the Ming Dynasty (1598-1662), it is recorded that Pipa master Tang Ying once played "Chu-Han"
》.
As Lin Xia played, the audience seemed to have returned to the time when Chu and Han were fighting.
"A song from the Chu and Han Dynasties. When the two armies are dueling, the sound shakes the heaven and the earth, and roof tiles are flying down. When you look at it slowly, you can hear the sound of gold, drums, gold, and swords. The crowds of people and horses are shouting, but there is no sound.
For a long time, the resentment that is difficult to understand is the song of Chu; the sad and strong voice is the generous voice of King Xiang's lament and farewell to my concubine; the sound of chasing horses when falling into Daze; when reaching Wujiang River, there is the sound of King Xiang committing suicide and being trampled by his remaining riders.
King Xiang's voice makes those who hear it excited at first, sad at the end, and unable to shed tears at the end. This is what adults do."
After the end of House of Flying Daggers, "Sunset Flute Song", one of the top ten famous songs, followed immediately.
This is also a very famous pipa music.
The earliest version is "Sunset Flute Song" in 1842. The "Jinyue Textual Research" written before 1864 is called "Sunset Flute Song", a traditional Chinese pipa song.
When it was adapted into "Xunyang Pipa" in 1895, the previous six sections were compiled into ten sections. Each section borrowed the title of the Tang Dynasty Yuefu. In 1932, it was changed to a folk music ensemble and named "Spring River Flower Moonlight Night", and the taste was also changed from the original
"Autumn late in the river farewell" has developed into a relatively healthy and uplifting, full of spring, fresh and beautiful.
This is a lyrical song with a beautiful and smooth melody.
Through euphemistic and simple melody and smooth and changeable rhythm, the music vividly depicts the charming scenery of the spring river on a moonlit night and praises the graceful grace of the Jiangnan water town.
This time, Lin Xia stood up again and came to the side of the guzheng.
Q&A on fishermen and woodcutter.
The music expresses disdain for those who pursue fame and fortune through the fish and woodcutter enjoying themselves among the green mountains and green waters.
The music adopts the form of a dialogue between a fisherman and a woodcutter, with the ascending melody expressing questions and the descending melody expressing answers. The melody is elegant and unrestrained, showing the fisherman and woodcutter's leisurely and contented manner.
Just like the music of "Qin Xue Chu Jin" has a profound meaning, the majestic mountains, the ocean of water, the tinkle of axes, and the songs of oars are faintly visible under the fingers. When it comes to the question and answer section, it makes people think of mountains and forests.
Hujia eighteen beats.
The music composed based on the poem of the same name reflects the theme of "Wen Ji returns to the Han Dynasty".
At the end of the Han Dynasty, Cai Yan (Wen Ji), the daughter of Cai Yong, the famous writer and guqin player, was captured by the Xiongnu during the war. She stayed in the south of the Xiongnu and became the concubine of King Zuoxian, and gave birth to two children. Later, Cao Cao sent someone to
After taking her back, she wrote a long poem describing her tragic life experience and her feelings of homesickness for her son.
The poem has a total of eighteen sections and is composed into a set of eighteen songs.
According to Guo Moruo, the Turkic word for "Shou" is "Pai", and Shiba Pai means eighteen poems. And because she was inspired by Hu Jia's lamentation, the poem was written, so it was called "Hu Jia Eighteen Pai"
Or "Hu Jia Ming".
It was originally a Qin song, but after the Wei and Jin Dynasties it gradually evolved into two different instrumental music, called "Da Hu Jia Ming" and "Xiao Hu Jia Ming".
Huang Tinglan, a qin player in the Tang Dynasty, was famous for his skill in playing this piece.
Li Qi's poem "Listening to Dong Da Playing the Hujia": "Cai Nu used to make the sound of the Hujia, and every time she played the Hujia, there were eighteen beats. The Hu people shed tears and touched the grass, and the Han envoys returned heartbroken to the guests." This is a summary of the content of the song.
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The existing music score was first seen in the "Magic Secret Music Book" published in 1425, called "Da and Xiao Hu Jia", and they are all instrumental music without lyrics.
The music basically uses a word-for-note approach, with the characteristics of early songs.
From the first beat to the ninth beat, as well as the twelfth and thirteenth beats, they all have the same ending, showing traces of being influenced by Xianghe Daqu of the Han Dynasty.
The whole song is in a six-tone feather tune, with the rising Zhengyin (5-sharp) and the high pitch (1-sharp) formed in the molding commonly used as modal outtones.
The mood is sad and exciting, and deeply touching.
After the performance of these two songs was completed, several supporting guests invited by Lin Xia appeared on the stage.
He began to play the last two songs with Lin Xia using different ancient instruments.
Autumn Moon in Han Palace.
Pipa music was later adapted for Erhu, Jiangnan Sizhu, etc.
It expresses the resentful and weeping emotions of the oppressed palace ladies in ancient times. During the war in the late Han Dynasty, Cai Wenji lived in the southern Huns for twelve years. As the wife of King Zuoxian, she missed her hometown very much.
When Cao Cao sent someone to take her back to the mainland, she was not allowed to leave her two children. Her joy of returning home was overwhelmed by the pain of parting from her flesh and blood, and she felt very conflicted.
According to records, Erhu was passed down by Mr. Liu Tianhua.
"Autumn Moon in the Han Palace" is intended to express the resentment and sorrow of the oppressed palace ladies in ancient times and arouse people's sympathy for their unfortunate experiences.
Bright spring and white snow.
According to legend, it was composed by Shi Kuang of the Jin State or Liu Juanzi of the Qi State during the Spring and Autumn Period. "White Snow" was chosen to sound clean and full of snow and bamboo.
With its fresh and smooth melody and lively and brisk rhythm, it vividly expresses the scene of early spring when winter passes and spring comes, the earth revives, everything flourishes and full of vitality.
Therefore, this song also brought the atmosphere of the scene to its climax.
On the stage in the venue, there are all kinds of ancient Chinese musical instruments.
It was an eye-opener for all the audience present and the guests.
Even some of the ancient musical instruments above have not been seen by many Chinese people themselves.
It can be said that Lin Xia's performance made people aware of it in a real sense.
How prosperous are Chinese ancient musical instruments?
What are the top ten famous songs of China? How awesome are they! I like to mistakenly draw the queen into the family crowd, but she shows her cards. Please collect: (www.sodu777.net) I mistakenly draw the queen into the family crowd, but she shows her cards. Search and read Novels.com has the fastest update speed on the entire Internet.