"No, why did this contestant advance? He didn't sing at all."
"No, I am an electronic music producer! What should I sing?"
"But this program is not about The Voice of the World. It should select people who sing well."
"What the hell is this DJ? Why did this show suddenly become a bit nondescript."
After this episode of the program ends.
At this time, there were a lot of comments about the DJ player on the Internet.
In fact, the electronic music song created by that DJ player is indeed very good.
Moreover, this song also appeared on the new song list immediately after the show ended.
It can be said that everyone has great recognition for this song produced by this contestant.
But, at the same time.
There are also quite a few viewers who say they can't understand it.
Because the program I watched was called The Voice of the World.
Moreover, the contestants who have always appeared on this show make them feel amazing, or what makes them feel awesome is also because of their singing skills and singing voices.
This is the first time that a contestant performs this kind of electronic music performance on the stage.
If such a performance is opened by several guests, or performed in the middle of the stage, there will be no problem at all.
After all, this is a warm-up activity for the guests.
However, if the players perform such a performance on the stage.
It is true that some viewers cannot accept it.
For this part of the audience, they watch this program simply to appreciate the most beautiful voice of mankind, or the most powerful voice.
It’s not that I want to watch the contestants create electronic music on this stage.
So for them, this DJ is simply a strange existence, which directly destroys the feeling this program brings to them.
Therefore, many viewers went to many official accounts of Lin Xia's show to complain.
But more importantly, it also raises questions about this player and whether this player's performance is really suitable for this stage.
Regarding this matter, the program team has actually reported it to Lin Xia and several other guest teachers many times.
After all, this matter is really causing quite a big fuss.
There are also too many people who have left messages on the official website.
However, after discussion, several guests decided to proceed according to the original promotion situation.
After all, this player can indeed advance. Whether it is his singing on the stage, his performance on the stage, or his production ability, these are enough to support his advancement.
You must know that this contestant, although he is said to create electronic music, actually has a singing part on the stage, and this singing part is also very good.
It can be said that if it were not electronic music, this contestant could also be a relatively good original singer.
It's just that the style he's good at is electronic music.
If just because of this, his qualification for promotion is eliminated, it would be a bit unfair to this player.
However, because of this topic, there is really too much discussion.
And for this player, there are really too many people who have doubts. For the entire program team, although it is out of the stance of protecting the players, they will not deprive this player of his qualifications to advance.
.
However, this player also needs to be allowed to show his singing skills in the next competition.
After the staff found this player and asked him to pay more attention to his singing skills in the next competition, the player nodded and agreed directly.
After all, for this player, it is already considered a great achievement if he is not eliminated because of the audience.
In fact, this contestant has already guessed that Lin Xia and the program team may deprive him of his qualification due to the audience's reaction.
But what I didn't expect was that the program team actually retained themselves.
In fact, from the perspective of Lin Xia and the program team, it is completely impossible to deprive this player of his qualification.
After all, for this player, the audience's reaction this time can be regarded as a large-scale online violence.
This player can actually be considered a victim.
Lin Xia and everyone on the program team still cannot do this to deprive the victim of his qualifications.
At this time, the program is about to proceed to the individual battles of the promoted contestants.
For these advanced players, in fact, they do not need to compete for which team or mentor.
The next contestants, every performance on stage is for themselves.
And the next elimination will also become extremely cruel.
In the subsequent elimination, the top dozens in each round will be retained as candidates to advance to the next round, while those ranked behind will be automatically eliminated.
Of course, this ranking is also the score ranking chosen by the global audience and several instructors together.
Those with higher scores will naturally be promoted, while those with lower scores will be eliminated.
If at this time, this DJ player can't get everyone to recognize him and get high scores, then he can only be eliminated.
And because this kind of music PK type program requires a mentor after all.
Even though the singing skills of these contestants are actually very good, these mentors and guests must also be in front of the audience and play a role in this program.
So naturally, these mentors also need to give certain guidance to these players who have advanced.
The dean of the Berklee College of Music, who had just held a public class in this venue, was the first instructor among the four guests to teach the students.
This chapter is not over yet, please click on the next page to continue reading! And because this dean is, after all, majoring in music and is also a professional tutor in music.
Therefore, what the dean taught was also quite useful hard knowledge, and there was no drawing or spiritual teaching.
The dean’s guidance is also solid and practical.
"Learning to sing correctly, breathing is the most important and necessary foundation for the art of singing. Singing controlled by breathing is vocal music, and breathing is the driving force of singing.
There is a saying in the vocal music circle that "whoever knows how to breathe can sing", which illustrates the importance of breathing in singing. It is indeed a basic skill that singers should learn first.
Breathing when singing is different from breathing when speaking in daily life. In daily life, people communicate their thoughts and feelings through speaking, because generally when the distance is closer, the volume required is smaller and the breath is shallower, so no loud pressure is needed.
The strength does not need to be transmitted very far, and if we use our voice continuously for a long time to speak, our voice will easily become tired and hoarse. If this kind of speaking breathing is used for singing, it will seem incompetent.
Singing is to express emotions and to be sung to others. When singing, you often face a large audience and the singing must be spread to every corner. Therefore, the sound is required to have a certain volume and a certain change in intensity.
It is not an easy task to have the ability to sing for a long time and to control the flow of breath according to the needs of the song, whether it is long or short, strong or weak, high or low.
Therefore, breathing during singing, as an artistic method, has its own unique set of rules and methods. It is a technical issue that is acquired through training.
Breathing movement consists of two processes: inhalation and exhalation.
Inhale vertically downward through your mouth and nose, and inhale to the bottom of the lungs. Be careful not to raise your shoulders. When inhaling the breath, expand the area near the lower ribs. In the abdomen, the diaphragm gradually expands, making the abdomen forward and to the left and right sides.
If the abdomen expands, the lower abdomen should be contracted hard and not expand.
The back should be straight, the spine is almost immobile, but its sides can move, and must also expand downward and to the left and right. At this time, the air is pushed to the sides and behind and stored there. Keep it there and then
Then exhale slowly.
When singing, you must still keep inhaling. This is very important. It is like inflating a bicycle and you cannot relax all at once. There is also a problem of keeping breathing. To keep your breath, you must be singing.
During the process, always keep inhaling, control the breath to be exhaled slowly, save energy, and exhale evenly. This is the so-called confrontation of breath.
During the process of exhaling and inhaling, pay attention to the feeling of stiff breathing. The entire body expression should be actively relaxed. The tense parts are the diaphragm and the two ribs. The two ribs are like a full balloon. Let the
The sound sits on it and pulls it down, so that the balloon cannot float upward. In other words, the breath must be pulled and cannot be lifted up. This involves a problem of the breath fulcrum.
The support point is where the sound has a foothold. This foothold is the diaphragm and both sides of the lower ribs as support points. When we cough or laugh, we can directly feel its supporting effect.
People who have not received breathing training often have red faces and thick necks, bulging veins, stiff singing voices, difficulty in going up to high notes, difficulty in going down to low notes, etc. when singing. This is all related to the failure to maintain the breath support point.
On the contrary, if you master the breathing method and have the feeling of support point, then when you sing and sound, you will feel that the sound seems to fall on the controlled breath, which means that the sound is supported by the breath. This kind of sound is not only pleasant to the ear.
It is loud and can make various changes in strength and weakness freely.
When performing chest and abdominal breathing, the strength of the breathing momentum and the method of exhalation should be different according to the different requirements of the song (or phrase) being sung.
Breathe in slowly and exhale slowly. This is a method we often use when training and singing.
It means that the chest is naturally raised, and the breath is slowly inhaled to the lower part of the lung lobes through the mouth and nose, the diaphragm is lowered, the muscles of the two ribs are expanded outward (that is, the waistline is expanded), and the lower abdomen is slightly drawn inward. This kind of inhalation requires natural relaxation and smoothness.
Do it gently, just like the feeling when we smell the fragrance of flowers. The feeling of smelling flowers makes us inhale deeply, just like doing deep breathing exercises, but don’t use too much force when inhaling, just gently
Keep your chest and upper abdomen straight, and then exhale slowly."
...
"When exhaling, pay attention to maintaining the state of inhalation, controlling both ribs and diaphragm, that is, controlling the breath, making it smooth, even, continuous, and coherent and slowly exhaled. There is a feeling that can help us experience exhalation.
The current state of maintaining the ribs and diaphragm is to slowly blow off the dust on the table after taking a slow breath. Here you need to blow the air for a long time, which is to do a long-pitched exhalation exercise. We often say: "
The long sound is like blowing ashes, the short sound is like blowing wax." It is a feeling of exhaling.
Urgent inhalation, rapid exhalation, and rapid inhalation are to quickly and deeply inhale the breath through the mouth and nose into the lower part of the lung lobes in a very short period of time, hold the breath, and then exhale according to the requirements of slow exhalation.
It is often used in singing practice, because between the sentences of the song and the inhalation between words, you have a long pause time, so you often use the method of "stealing air" to inhale and have to
Inhale without being noticed. This is the function of inhaling quickly and exhaling slowly. In order to cultivate the control of breathing.
Singing can't just use your voice, you also need to have a proper method. The airflow should go up the head and into the head cavity. When singing, the body should stand up straight, so that the air can flow freely and the high notes can be sung.
Breath is the support for singing songs, and it is also the support for changes. The strength and weakness depend on the sound, and the change between virtual and real depends on the breath.
If the sound performance is divided into two ends, one end is the bright and full tone with full resonance, and the other end is the volume of breath flow. The transition zone between these two ends is the ever-changing tone performance, either clear or fuzzy, bright or dark,
Either hard or soft, thick or thin, these are actually the changes produced by the control of breath."
Of course, this time, the dean’s advice to these players will not be announced through live broadcast.
After all, for these contestants, this is probably the most precious thing they have gained from participating in this show.
The advice given this time is also relatively in-depth and cannot be made public.
After the guests give their guidance, these players can also get closer to these guests.
So for these contestants, the advice from the guests is the most important thing for them to come on the show.
As for how many fans it can attract and how much attention it can gain on this show, they are actually secondary.
On this show, the most important thing is to grow.
And when these contestants who have advanced are like sponges, absorbing knowledge about music and singing.
Time has also passed quietly, and now it is gradually coming to the ranking competition for the global good candidates.
And this time the ranking competition is also for the global good voice.