Chapter 340 First Movement Poems of Awakening (17): Violence and Fields
garden poetry
...Good guy, no one knows the spirit of chivalry better than you.
Fan Ning's eyes blinked one after another when he heard Marseille's "life goal".
Compared to Tioline's group of rigid gentlemen and ladies, these people from the Southern Continent suddenly opened up the world.
An, who was sitting on the other side of Fan Ning, put her long legs together and leaned forward to look at Marseille: "If 'court love' is a pseudo-concept, then could this kind of possessiveness without love be the same?"
Woolen cloth?"
"No, I will definitely have strong love for the future aristocratic woman." Marseille changed his lazy demeanor and seriously corrected him, "In fact, when the external objective conditions tend to be idealized, something will happen.
The threshold for love is very, very low..."
The threshold for generating love is very low? An was slightly startled.
Ma Senegou gestured with his hands: "If this is a bit difficult to understand, you might as well imagine a handsome, outstanding, talented man, and then imagine that you are from a famous family, elegant and charming, evenly matched with him, and finally imagine that you have experienced a
A romantic encounter, and being alone in some intentionally or unintentionally created circumstances..."
"So, do you think that the arrival of love does not require any threshold or luck, and is almost inevitable?"
"It seems...a little bit..." An first closed her eyes and imagined, then nodded and spoke.
"So, when facing a noble and beautiful lady or a daughter, it is natural and common to fall in love. Whether the other party can favor you also depends on the conditions from her perspective. This is what I insist on saying, 'Marrying a woman is a good thing.
The reason why a woman of great aristocracy can definitely be realized in the end is that no two people are born to be incompatible. It's just that you don't have enough assets to buy a higher title, or you don't have enough money to fight."
At this point, the knight's expression took on a hint of sadness: "Unfortunately, if I had understood this truth earlier, I wouldn't have had to endure those unnecessary traumas. The goal of avenging the shame of my ancestors is not a smooth road.
He has firmly overcome the nihilistic tendency of 'court love' and firmly regards improving military force and earning money as the only way to achieve his goals."
...Mr. Masenegu seems to have many stories. Luna has been listening carefully and secretly.
"I have a slight objection." Fan Ning shook his head at this time, "The 'force' or 'financial resources' you mentioned may be a supporting factor in things like love, but they are not necessarily a decisive factor."
He threw a bunch of clean wooden sticks into the bonfire: "As long as it's a girl I want to attract, no matter how high or low she is, I can make her fall in love with me just through music."
... Mr. Scheele seems to have many stories. Luna is getting more and more energetic.
Ann was surprised by what Fanning said. Wasn't he a wanderer who played a troubadour with a plywood guitar?
"Mr. Scheler, this is exactly what I want to discuss next." Massenegu seemed to feel very at ease with Fan Ning's words, "Speaking of which, I was able to have the later realization because I learned valuable lessons from the troubadours.
Experience, in the course of hundreds of years of historical change, you have done smarter than the knights."
...What does this have to do with me? After hearing his words, Feili looked up blankly.
Marseille Negou continued to look at Fan Ning very meaningfully:
"The troubadours in history have always been covered with a mysterious veil, and people today are willing to understand their meaning in their own way. For example, in imagination, they always hold a musical instrument, wear ragged clothes, and wander around,
Living a casual and extremely romantic life, they always carry a trace of being close to 'wanderers' or 'travelers'. The reason why they are respected is their artistic personality, not their secular class status...
"
"However, the real history is not like this."
...Isn’t that true? Several girls opened their eyes wide.
Fan Ning, who is well versed in the history of music, did not change his expression and continued to listen to Marseille's story with a slight smile.
Of course, deep down in his heart, he was wondering what the meaning of the other party's meaningful look just now was.
"The ancient troubadours were actually senior members of society. Even the knights at their peak had a slightly lower status than them. After the troubadours wrote their works, they did not always sing them themselves, but
Let those younger generations of famous singers, traveling performers, jugglers or country musicians do their job more to spread their music..."
"Moreover, people in the social sense have multiple identities, and their functions often overlap. Many bards themselves are knights, nobles, priests, and even the monarch's envoys, liaisons or public relations spokespersons, and members of the entire royal family.
They are even responsible for the artistic education of the people in the principality. They are not only singers, but also composers, performers, musicologists, and music educators... In this sense, today's troubadours are similar to knights.
At this point, the definition has been expanded, the threshold has been lowered, and the gold content is not as high as it was then."
Fan Ning nodded slightly when he heard this.
As the moral code of the upper class in the Middle Ages, "courtly love" is directly related to two major groups: one is the "knight aristocrats" who practice them as "reality", and the other is the "material" who uses them to compose their stories.
Troubadour".
The three are things that people often talk about together. They have left a deep imprint on the humanistic soil of every continent. The gentleman culture of the steam age was inherited from the chivalry system.
Today's serious academic musicians are the descendants of the outstanding troubadours who held important positions in the court. However, they are no longer called that in various places. Only the southern continent retains a more original flavor.
cultural customs.
They still have real talents and knowledge, but they usually only specialize in one or two areas, and are not as "all-around" as they once were.
"I may know what you want to express." Fan Ning said, "In the turbulent social trends of the steam age, both the knight class and the bards had faced decline, but the latter did a smart thing, which allowed them to
The slippage is not so obvious: they have always stayed away from 'courtly love' itself, and developed it in an idealized and literary direction."
"Courtal Love" is an inspiration that can be seen everywhere in the serious musical works of the Romantic period today - especially in the "title music" - and is also one of the most popular story cores.
Not only has it not become old-fashioned, but it has become more fashionable.
"Yes, you see, this is interesting." Massenegu said with a smile, "The knight is an eyewitness of 'court love'. He is unforgettable and lives with regrets throughout his life, but he sings, composes and performs 'court love'.
The troubadour who is in love, but continues to reap flowers, honors and beauties' favor... Once the distance is widened and the beauty is simply refined, it fades away from the gloomy side of the person who has experienced it, and becomes a kind of beauty.
Touching, a kind of artistic enjoyment..."
...Why did it feel like he was targeting Mr. Scheele? Ann and Luna couldn't help but glance at Fan Ning at the same time.
Fan Ning nodded with deep understanding: "Is this why you think the bard is smarter?"
"That's right, so what you mentioned about your past emotional experiences is also reasonable. Indulging in "court love" itself is bound to be a dead end, but there is not only a way to break the situation with force and money. 'Fang Hui Poet' actually
He teaches those who desire two methods, depending on whether the talent He gives you is about the granting of desires or about the inspiration of art."
Marseille first touched himself with a wine glass, and then pointed at Fan Ning:
"The two ways to get love are called 'violence' in my case, and they are called 'idyllic' in your case."