Thanks to many readers for their continued support, and I have also received many opinions and opinions from readers. Lao Mo also knows that the writing has become much slower throughout the year. On the one hand, with the progress of the plot of this book, the background and characters have become more and more complicated, and it takes a lot of space to deal with it. Even so, there are still a large number of characters and plots that cannot be effectively unfolded. On the other hand, due to the diversification of the protagonist's identities, it actually entered a two-line plot mode in the middle. The parallel structure of the two narrative lines between humans and the spiritual race directly led to the progress of this book being halved. Lao Mo has also thought about these issues carefully, but as the saying goes, it is difficult to turn around. The problem of this book is that the length of the length makes all directions very difficult.
After all, this book is not infinite flow or some writing styles of the map can be switched at will. The main line itself is extremely complex. The protagonist's long experience is itself a process of peeling off the threads and decorating the progress, and the scale of the progress is difficult to grasp. After all, if the situation has been set up for so long or is presented in a very funny way in a form that readers cannot accept, the result of Lao Mo thinks it should be disastrous, because there are already examples ahead, and gw has made many such very low-level mistakes, such as the entire plot of the Death Army.
In addition, Lao Mo often watched puppet show, which was a heavyweight high-income area with a stunning and slashing script. Just like people get used to walking, they may suddenly change their pace and turn around or fall. Lao Mo thinks that writing books is nothing special. The only thing that may be good at is the layout of long-term plots. At least I won’t make myself dizzy, so I hope everyone can understand it, but Lao Mo will still try to speed up the steps. For example, the plot of Minak should actually be later, so I thought about it later.
As for the plot of Kiliman that readers are most concerned about, Lao Mo personally thinks this. The entire storm and cloud meet, a few gw writes clearly and very detailed plots. It actually only has two things, the Battle of Cadian and the Awakening of Kiliman. These two plots are basically written to the most detailed level of GW. In fact, it is bluntly said that there is no space for secondary creation, and it is nothing more than "going" the entire inherent process, or it is completely subverted and modified. Kadian is not exploded... But this is not in Lao Mo's outline, so it is not considered a spoiler. Just about the Awakening of Kiliman, this book may not be discussed in detail. When the plot of the protagonist interacting with Kiliman, there will definitely be a plot, but the focus is not that the Blue Man has gotten up, and I hope everyone can understand this.
Of course, there are many plots to be dealt with, including Ananda and the old man’s plan, Li and his rib friends, and the wonderful little tricks of the creator of Tyron… After all, Lao Mo is a small workshop that has made harsh materials, and has added a lot of private settings in it, so naturally they must be presented as perfect as possible.
In 2025, as long as readers are willing to continue to follow the update of this book, Lao Mo will do his best to tap the magnificent, bizarre but colorful story in his mind with his fingers. No matter how much burden he carries, he will have to finish the road even if he is lame.