After the shower, Soshiyan picked up Veronica and walked to the soft bed like a huge open shell next to the hot spring, enjoying the feeling of the warm wind blowing through her body, and shared with her wife many interesting things and trivial things she encountered a few days ago. Veronica lay on his broad body, treating him as a hot mat, blinking and listening to those things with a curious expression, occasionally talking about some interesting things she encountered, but what she said most was her dreams.
As her pregnancy grew, she slept more and more times. In her dreams, she would occasionally be chased by some weird and distorted creatures, but almost immediately, there would be a burst of chanting that she could not understand to calm her dream.
Whenever that happens, a vast and boundless flower field will appear in her dream. It is a flower field on the water, with some kind of pink petal flowers growing. They are surrounded by round green leaves. When Veronica wanders in this sea of flowers in the water, she will always meet two people.
Two people, far and very close, sat cross-legged with each other, wearing vermilion shawls and robes. She wanted to see their faces clearly, but she couldn't see them clearly. She just heard them talking and chanting, but no matter how they ended, this dream could make her sleep calm and stable, and she was full of energy when she woke up.
But she also noticed that the flower buds on the unique bracelet that Soshiyang gave her had become a form that was about to bloom and not open, and Sushiyang could also see this.
With her wit, she naturally thought that dreams were related to that Ananda.
"Husband, you said...why is that Ananda for?"
Hearing the question from his wife who was lying on her chest, Soshiyang slowly exhaled with his hands on his back, and then whispered:
"I don't know, nor can I guess. I just feel that Master Ananda must have a secret that I can't even imagine. Do you remember what I said? The establishment of the Wotan Alliance should be the work of Master Ananda. His wisdom and strength must not be under the emperor. What the two did is actually very close, but the difference between Master Ananda is that he knows to let go in time. The current Wotan Alliance may not be what he once hoped, but at least it is not the worst. If he forcibly shape the Luncan into his ideal appearance in his heart, what will happen in the end? It's hard to say... Of course, this is just my guess, and he may have another goal."
"Then... do you think we should still trust him?"
"Madam, are you worried that Master Ananda will be unfavorable to our children?"
"I...I can't say it, I'm just a little worried, or anxious...I can feel the malicious gazes from the Supreme God, who hate us and hate us, and will definitely rack their brains to destroy us."
Soshiyan gently hugged his wife with his strong arms.
"If they want to hurt you, then I will destroy them first. Anxiety and fear are meaningless. When we are stronger than them, they are afraid of them... As for Master Ananda, I think it is still trustworthy. I dare not say others, but I still believe Rozim's feeling, and my intuition also tells me that he will not harm us, but I may not understand the thoughts of people at his level."
"Um."
After the two of them were warm for a while, at Veronica's suggestion, they went to see a very ancient dance that had even disappeared in the Aida tribe. It is called the Six Songs of the Mother God. This ancient dance is said to be traced back to an era when humans and gods were not isolated, and is completely different from the current dance of actors and the dances of clown drama troupes.
Veronica wanted to see it before, but in order to wait for Soshiyan, she kept dragging it, and this time she wanted him to go with him no matter what.
Since it was the arrival of the two saints of the royal court, this dance was also personally hosted by the top dancer of the Kingdom of Helo, Priest Isa, who possessed the title "Basvatidas". This title is very obscure even in Ida language. Veronica translated to Soshiyan as "the four-phase incarnation treasure holder".
The dance venue is in the Isa Temple, with bluestone slabs surrounded by green vines as the stage, and surrounded by many trees of different shapes. They are purely based on nature as the background. In addition to the important officials of the royal court, the hunting kings of various city-states are accompanied by the viewing.
When the dancer wearing a light green sleeveless tunic and fluffy trousers and barefoot walking onto the stage, Soshiyang's attention was immediately attracted. The other party's outfit was simple, except for his clothes, there were emerald rings and bells on his hands and feet, but this was not the point. The point was that she did not wear any masks. Most of Soshiyang's dancers liked to perform with masks in their memory.
Standing in the center of the stage, the dancer straightened his body, closed his eyes slightly, and then folded his hands together. This action made Soshi raise his eyebrows.
Suddenly, the dancer suddenly widened his eyes, raised his left leg, bent his right leg slightly outward, and pinched his left hand into a handprint in front of him, and raised his right hand above his head. Then all the lights went out, and all the lights gathered on her, and at the same time, the trees around him chanted in an ethereal voice.
All beings are loving mothers, the Father and God beloved
The new moon is the crown, no food
Glorious and quiet, Gods' Sect
The Wife of the Hunter God, Broadly Creative
There is a female moon god, the eternal dream
Gods are nurturing, loving mother
As beautiful as the sun is at its peak, the beauty is everlasting
Auspiciousness emerges, Embu World
Supreme, sage
Isa Mother Goddess, we worship...
This is the first time Soshiyan is watching Ada's dance so seriously. As Veronica said, this is really different. Although it is a solo dance, it interprets the sense of power and myth to the fullest. Especially for the dancer, he uses his expression to reflect many changes in the gods. Compared to the way of using a mask to "be lazy", it can only be said that the two are not of the same level at all. This is really using dance to interpret myths. The movements and lyrics are combined, and it reveals the worship and praise of God. The expression is rich and complex. Every handprint and every body movement can be seen with profound meaning. Moreover, many of the movements Soshiyan have a sense of familiarity, such as the unique handprints, and the postures similar to squatting and cross-sitting.
Suddenly, a rapid drum sounded in the chanting, and then the dancer who had been showing a loving and joyful expression suddenly flashed with anger.
Loving mother, graceful and graceful
Vida all directions, commanding all worlds
Be kind and protect life, always bless and joyful
The tongue is bright and the lotus is bright, the words are singing and the piano music
Extreme Zhenqi, face like the bright moon
Demons and monsters, disperse and destroy them
Supreme, sage
Isa Mother Goddess, we worship
The dancer who was sitting on the ground in a posture of holding a baby the previous second suddenly turned into an expression of rage, jumped up suddenly, and opened his arms as if roaring.
The fairy spirits and wonderful people, and the wise mother
With anger, the phoenix spits flames
The power of life and death, Zhucheng Transformation
The gods worshipped the dynasty, the brilliance of the brilliance of the brilliance of the brilliance of the brilliance of the brilliance of the brilliance of the brilliance of the brilliance of the brilliance of the brilliance of the brilliance of the brilliance of the brilliance of the brilliance of the brilliance of the br
Defeat and kill, protect Huiji
The priest loves his wife, the mistress listens sideways
Supreme, sage
Isa Mother Goddess, we worship
Soshiyang stared at the dancer who was dancing smartly on the stage, and his expression of joy and anger, gradually seemed to coincide with an image that he could not say...