Chapter 267 Documentary of the National Drama Shura Field
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11-8, Friday, Beginning of Winter
No. 2 West Chang'an Street, Imperial Capital
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Starting from the Yongding Gate in the south to the Bell and Drum Tower in the north, the 7.8-kilometer-long central axis of the Forbidden City creates a unique and magnificent order in the Forbidden City. Only on the west side of the solemn Chang'an Street lies an "extraterrestrial visitor" - a building full of
The contrast between the futuristic silver ellipsoid building and the undulating glazed tile roofs of the surrounding palaces makes it particularly eye-catching.
This pearl with the reputation of (theatre in the city, the city in the theater) was indisputably selected into the Sixteen Scenes of the New Imperial Capital as soon as it was completed. Every year, countless top artists from around the world come and go here, including symphony concerts and plays.
Practitioners of classical arts such as opera and ballet are all proud to be on stage here.
This is the first stage that the Jinxiu Group and the Shanghai Symphony Orchestra have secured for the premiere of "Butterfly Lovers Violin Concerto". The National Center for the Performing Arts, the largest theater performance center in Asia, is an architectural style that perfectly blends tradition.
It is a temple of art that is modern, romantic and practical, and combines Eastern and Western aesthetic standards.
The landmark ellipsoidal facade is made of steel structure and covered with countless titanium decorative panels. The color is soft and shiny. The front and rear sides are inlaid with a large number of involute glass curtain walls. The entire building floats in a clear pool.
The bottomed artificial lake reflects the sparkling luster under the rippling blue waves, which is particularly bright and beautiful, especially at sunrise or sunset, when the National Center for the Performing Arts illuminated by the glow blends seamlessly with its beautiful reflection on the lake.
The radiant light and shadow effect is simply magnificent.
The way in and out of this beautiful pearl on the water is also unique. All entrances are built under the lake. The two transparent underwater corridors leading to the hall of the 202 functional area are very beautifully designed. When passing between them, the waves of the lake will follow the sunlight.
The refraction causes ripples to splash on the marble beneath your feet, giving you the illusion of being in a fairyland on earth.
After entering the functional area from the underwater covered bridge, the National Center for the Performing Arts reveals its true face in Mount Lu. It houses the largest and most complex opera stage in the world. It is known as the concert hall with the best acoustics in the world and the most ethnically distinctive concert hall.
The theaters maintain a discrete relationship and are only connected to each other by suspended walkways. The avant-garde spatial design also makes the Chinese drama a famous and popular landmark in the imperial capital.
It is worth mentioning that thousands of LED laser spotlights are cleverly placed on the dome of the National Center for the Performing Arts, which has a complex structure that looks like a vast universe. Unlike other buildings on Chang'an Street that are brightly lit at night, the Chinese opera radiates out
It's a little bit of light, as bright as the twinkling stars in the night sky.
"It took no effort to find it after all the hard work was done. Unfortunately, I didn't have enough time. If I could find a way to get a helicopter, fly up to the sky with a buzzing sound and hover over the Chinese drama, and remotely control the light array underneath to depict
Showing her graceful dancing posture, wouldn’t it be..."
After reading that New York love story, Yan Qing even had some thoughts about the sea of stars on the dome of the National Center for the Performing Arts. After all, such a favorable time and place provided a practical way to outline the outline of his lover with stars on the city skyline.
A feasible solution, he was full of regrets for Weng Huai, and before entering the theater, he still had the idea of looking for an opportunity to make friends with the management of the Chinese drama.
However, God's calculations are not as good as those of people. The recording of "Talent Co., Ltd." on the day of Beginning of Winter not only gave Yan Qing a surprise, but also severely embarrassed him.
Surprisingly, the famous scene of "Who doesn't know you from the end of the world" was staged again. Ding Sen, the deputy director of the National Center for the Performing Arts, who was responsible for the reception, seemed to have married Yan Qing four years ago because he took the lead in organizing the tour of the musical "If".
After a good relationship, someone was caught off guard and his response was quite appropriate, without making any jokes. But the embarrassing thing is that he did not just rely on his extraordinary acting skills and super on-the-spot reactions to get through. There was someone else behind the scenes.
people.
Faced with Yuan Yuyue's unscrupulous provocations regardless of the occasion, Weng Huaijing, who let go of harsh words, used his own actions to prove that the words "I will never tolerate Zhu Yingtai again in the future" were true, and the confrontation between the two came to light.
Face, and it lasted fiercely throughout the day, such a rare and big scene shocked everyone. How could the dumbfounded Ding Sen have the leisure to pay attention to Yan Qing, who was huddled behind him and behaved relatively normally.
The situation at that time was like this. After Yuan Yuyue, who had been waiting on the stage early, confirmed that both targets had entered the stage, he immediately changed the violin etude in his hand to Shostakovich's "Gadfly-Romantic" solo.
Selected excerpts, a melody of passionate expressions of love, and her hot gaze were directed towards Yan Qing, who was still standing at the chorus seat on the first floor.
After the splendid conclusion of this moral (Between me and God, you have to make a choice), Yuan Yuyue, who picked up the oak bow, glanced proudly at the piano placed on the west side of the stage, which completely angered all the people before.
Weng Huaijing, who has a forbearing and restrained attitude, immediately responded to Russian composer Nikolai Korsakov's "Flight of the Bumblebee" in the Bösendorfer Imperial Triangle of the Chinese drama, insinuating that Yuan
The lady is nothing more than a wild bee and a butterfly.
In fact, the first round of competition was a bit secretive. Members of the program team, such as Yi Li, Zhao Mu, and Tan Sen, who had only a vague understanding of classical music, did not notice anything unusual. However, Weng Huaijing's attitude changed sharply.
The Shanghai Symposium musicians who entered the venue one after another had expressions of astonishment on their faces. Ding Sen, who has profound artistic attainments, was naturally keenly aware of the subtle confrontation between the two people on the stage. After a few words, he still wanted to hide for a while.
After Yan Qing came on stage, he immediately started to stir up people in the internal WeChat group of Chinese drama employees.
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[Is anyone interested in Shakespeare's "Twelfth Night"? It looks like the classic showdown between Viola and Olivia will be staged, with the dancing ice beauty Professor Weng, the passionate Miss Yuan San as the lead, the Duke is unknown, and the big
As soon as the curtain opens, it's "the gadfly, op. 97-3. Youth - romance" vs. "Полетшмеля"! Come to the concert hall to see it!] Note 1
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While Ding Sen was busy editing the news, the infighting on the stage was also in full swing. A small loss in the first round did not affect Yuan Yuyue's high morale. By exchanging the reasons for Liang Zhu, she waved to stop Yan Qing who was passing by the podium.
With her exposed beautiful back to block the death gaze cast by Weng Huaijin, she openly asked for advice on bow bending and vibrato, and the time was shortened to the official start of the program. Professor Weng, who was behind the piano, raised his hand and played the opera "Seve" in anger.
The famous aria partner in "The Barber of Leah" - "Make way for the busy man".
Although there are some surprises, Weng Huaijing's current life is different from the past, but Yuan Yuyue is by no means easy to deal with. She rested her cannon again and prepared to fight back. Fortunately, Zhang Yameng's crazy hint from the pool seat pulled her down in time, and finally, under the cover of Liu Mingren, she
With a sigh of relief, under the attention of all the members of the Shanghai Symphony Orchestra who were present in their attire, the recording of the last episode of "Talent Co., Ltd." was officially started.
However, all these are just appetizers for today's Shura Festival. When the Chinese drama fans rushed from their respective posts to the concert hall to watch, Yan Qing, who was in charge, was sharing a touching speech to the camera with a fluent British accent.
The Butterfly Lovers love story, they witnessed more exciting content:
Because the stage is very spacious, the positions of the two main creators were arranged relatively widely during the sharing period. However, Professor Weng seemed unable to face the admiration that Yuan Yuyue continued to project from the seat, so he found a gap in the recording, and she directly
He stood up and moved the piano stool to block his thin figure between Yan Qing and Miss Yuan San. What was shocking was that before returning to the elegant sitting posture of the Duchess, Weng Huaijing actually showed a small eyebrow raised.
A stern attitude.
Just like this, he put it down and looked back, Dongfang Invincible's pressure burst out, but who would have thought that one mountain would be higher than the other, Yuan Yuyue was really willing to go all out, in front of everyone who was angry at Mei Ciyi's advance.
In front of her colleague, she moved slowly and lightly, leaning slightly to the right side of the stage with a bright smile. She regarded Weng Huai's admiration as nothing and continued to discharge towards Yan Qing.
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"Wow! My tutor is awesome. My dream of getting close to nature has become a reality! What's going on with this girl?"
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"Hiss! I feel like Miss Yuan San has a bit of a Don Quixote flavor. Isn't it nice?"
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"The point is that the man behind the secret war is Yan Qing, but he is indifferent. What a scumbag, bah! I want to expose him..."
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This scene immediately aroused a sense of astonishment. Following the exclamations, the souls of gossip gathered themselves like chain lightning and jumped among the Chinese drama employees in the stands. Only later did they realize that they had misplaced Yan Qing's hand.
Ding Sen secretly regretted it and his thighs turned blue. There were also many people who wanted to get closer to the water and get the better. They secretly raised their mobile phones and planned to take secret photos of the follow-up. Fortunately, Luo Bing arrived quickly and stopped this evil trend in time.
"...That's the thing. Time is too hasty, and there are still some flaws in Xiaoyue's Liang Zhu practice. In fact, Professor Weng and the others are using special methods to stimulate the state of our violinists. Please keep it quiet as much as possible and don't spread this issue.
Program content…”
Luo Bing's identity as the program director is quite convincing with some pre-prepared remarks. Of course, if he can turn back and pay attention to the stage less frequently, the effect will definitely be better, but there is no way. No one could have expected what happened today.
The play was so exciting.
The Shura scene is still going on below. When it was the turn to share the "New York Love Story" segment, Weng Huaijing, who had no idea that the "traitor" had leaked his secrets, narrated the entire story in the first person. After several cuts, the love story was still a little red-faced.
, but during this period, she faced the camera boldly and looked at Yan Qing many times. After reading the English script once and simply translating it directly, Professor Weng added at the end: "I love this story very much, and I hope it can be repeated in the next season."
Received submissions from her in new cities.”
"So the next article is called "Love Story in the Imperial City", tsk! The essay about my sister is really well written, but you two are not together yet, right? I should still have a chance!"
The program team had previously accumulated a lot of rehearsal footage, so as soon as the sharing and submission session ended, Liu Mingren directly signaled Kapok and the Lovers band to come on stage, and prepared step by step to record the first performance song - Yan Qing's country rock version of "you'
re still the one", this extremely lethal whisper happened at the moment when Yuan Yuyue took the initiative to hand over the electric guitar to Weng Huaijing, and she controlled the volume just right.
"You! You..."
Being caught off guard by the provocation of his rival in love, Weng Huaijing, who had a red face, first reacted with shock and observation. After a moment, he became furious and resentful. He was probably afraid of the wireless microphone on his body before he stopped talking.
, she tightened her fingers on the electric guitar in her hand, and by chance, Yan Qing, who was rushing behind her to show off her enthusiasm, just happened to help adjust the pickup. The sound system of the concert hall immediately captured a short and harsh noise, and finally it was heard in full view of everyone.
Under the pressure, the stern Professor Weng just glared back at Yuan Yuyue: "Don't even think about it!"
"To be honest, Lao Zhang, I was extremely scared at the time. I was afraid that after Yuan Yuan said those words, I would be slapped by Sister Jing'er..."
Affected by the chilling and chilling atmosphere, Kapok and Lovers made rare mistakes in connection. They recorded three tracks of the song "you're still the one" in succession. During this period, Miao Miao, who frequently missed shots, was not able to talk about it until lunch break.
This scene still left her with lingering fear. Zhou Peipei beside her also glanced at Yan Qing and Weng Huaijing who were hiding in the far corner and exchanging something: "It's so scary. The swords and axes are shining and the swords are wandering. It's like a decisive battle with Heimuya."
Yes, I feel like Brother Qing can hardly hold Sister Jier back."
Perhaps it was Yuan Yuyue who realized that he could not survive alone and had no bottom line. When he was recording the song "always with me" with ocarina and acoustic guitar in the afternoon, Weng Huaijing made a surprise move and retaliated. After Yan Qing's communication,
, the program team temporarily adjusted the stage layout that originally sat opposite each other to the Bösendorfer Imperial Triangle. The two people shared a single piano stool. Professor Weng, who was holding the Gesang flower, faced his love rival and his back was against his lover.
With a tender and affectionate face, she completed a high-quality high-sugar highlight performance.
Yan Qing, who had the most authentic feeling of warm and soft jade, actually moved forward several times, but the length of the piano bench on which he was helplessly sitting was only 55 centimeters, and he soon became unavoidable. Weng Huaijing on the other side was addicted to the eyeball wrestling with his love rival, and at the same time
She also had to take care of finger-playing the guitar, so whenever there was a gap behind her, she would bravely press back against her lover to keep suppressing Yuan Yuyue.
"Hiccup~ Sister Qing, please accept my knee. Your move to ask Yuan Yuyue to argue is the greatest maneuver I have ever seen in tax evasion for so long!"
After finishing the performance on the stage, he stared dumbly at the two people Qingjing and Qingjing, whose shoulders and waists were still close to each other. After a long time, Zhao Mu burped and expressed his sincere respect to Shao Qing who was in the state of his aunt's laughter. Yi behind her
Li held her glasses and said nothing, nodding her head like a chicken pecking at rice.
"No, it's an exaggeration. It's all thanks to the collective wisdom. Besides, as I said before, it's too low-level for you to force Yan Qing to use routines like that. The rhythm is obviously in Huaijing's hands. She is like a spring. Once
Find the critical point, and amazing power will burst out..."
Waving his hand casually without taking any credit, Shao Qing looked at Luo Bing and Zhang Yameng from a distance and confirmed that Liu Mingren had recorded half of the performance repertoire and then coordinated with Mei Ciyi to organize the instruments and seats according to the plan.
When she started to prepare for the rehearsal of "Butterfly Lovers", she covered her eyebrows and said with a smile: "So the pressure has to continue. Where are we now? You can just wait and see the good show tomorrow."
The transition on the stage is actually a big project, involving many heavy instruments and six to seventy musician chairs of different sizes that need to be adjusted. Fortunately, Shanghai Jiao Tong has rich experience in performing in the National Center for the Performing Arts Concert Hall.
In addition, a large group of Chinese drama staff gathered in the front row today. Under the coordination of Mei Ciyi and Ding Sen, everyone almost came out in full force. It didn’t take long for the Shanghai Symphony Orchestra to perform in an orderly manner.
After completing the task of sitting in rows, Yan Qing and Weng Huaijing also returned to the harp and piano at the back. With Yuan Yuyue Shiran sitting on the left side of the podium with his shoulder resting on the French Paganini cannon, Chinese classical music
The highest hall of music played the unique dazzling chapter of "Butterfly Lovers Violin Concerto" for the first time. (Note 2)
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dividing line
Note 1: The "Twelfth Night" mentioned by Ding Sen is one of the four famous comedies in Shakespeare's plays. The two heroines Viola and Olivia have many wonderful rivalry scenes, which are not limited to love rivals, but mainly love rivals.
As soon as he walked in, he found Jinger and Xiao Yue having a weird showdown with each other over their piano skills. The dramatic effect was so dramatic that Ding Sen used such excuses to ask his colleagues to come over and watch the hot show. At that time, Yan Qing was hiding behind him, so naturally he didn't expect these two to be there.
He was trying to steal a man. That was why he said Yuan Yuyue was passionate and hot, but in fact, Miss Yuan Yuan was not looking at him at all.
Note 2: Due to the word limit, I made a special post about this paragraph. Regarding the specific seating arrangements, I will also post a diagram on the trumpet to describe the specific positions of Yan Qing, Weng Huaijing, and Yuan Yuyue during the performance.
Relationship, considering that you may not be familiar with classical music, you can refer to this picture to figure out the scene in the next chapter where Yuan Yuan just makes a simple change of positions and the glare of the sword between the three people.