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Chapter 1661 Looking for a ghost ship

Asked: "I heard that the prince went in?"

Li Luo's brows moved slightly. There were many people in the alliance city who knew about going out to sea to search for traces of ghost ships, but not many people knew that he had been inside a ghost ship. Although those who were interested in inquiring about the information could also ask.

, but a Mengjue Pohan who was far away in Mobei also knew about this, which made Li Luo secretly suspicious. Maybe there was someone in the cabin who had secretly contacted Xiang Liuer at this moment, or maybe Caohai knew about Dagan.

It far exceeded Li Luo's expectations.

When Xiang Liuer saw that Li Luo was silent, he said leisurely: "If we don't work together when we go out to sea this time, not only will our work be in vain, but we may even end up leaving our lives in the East China Sea. Do you think I am being alarmist?"

"We will never target someone without a clear goal, so we shouldn't be alarmist."

"Then what did the prince see in the ghost ship?"

All the eyes in the cabin were focused on Li Luo. While Li Luo was pondering, a voice as thin as a gossamer suddenly came to his ears: "Your Majesty, you can say whatever you want, but please keep it a secret for me for a moment, Wanyi."

Thank you, Your Majesty, I will definitely repay you in the future."

Li Luo was startled, and the woman in white was able to secretly transmit the strange and unparalleled sound. There was no weak person in the field, and the top experts were no less than five fingers. The woman in white could actually whisper in front of everyone's eyes openly, so strong and confident, so good

So brave. Li Luo's face remained as usual, but he felt a little nervous for some reason, fearing that others would hear him.

It turns out that her name is Wanyi. The "white" on one side of the character Wan refers to the color of the sky between sunrise and sunset. "Wan" means "perfect". "Bai" and "Wan" combined mean "perfect white" and "perfect white".

The meaning of "flawless white" perfectly complements her white clothes.

Li Luo paused for a while. Liuyunzhan felt a little strange. He seemed to have guessed something. His sharp eyes were like a torch, and he looked at the people not far away from Li Luo without revealing anything.

If Li Luo doesn't want to say it, no one here can force Li Luo. Xiang Liu'er sighed quietly, and just as he was about to speak, Li Luo replied bluntly: "Since you know that I've been in the ghost ship, doesn't it mean that you don't know that I'm there?"

What did you see in the ghost ship?"

Xiang Liuer smiled faintly and said: "I understand what the prince wants to say. I do know that the ghost ship has two floors, one with books and the other with institutions. But what I want to ask is that the prince has not told anyone else

The things mentioned. In addition to these, what else did you see in the ghost ship?"

"I also saw a few murals."

"Mural? What kind of mural?"

"Two mountains, a palace, and a star map."

"Star map!?" Someone shouted in a low voice. Star maps are navigation marks. There are no more detailed and accurate maps than those on mountains, rivers and land. When it comes to the sea, there are very few references to rely on. Even veterans who have been traveling on the sea for many years will inevitably stumble.

when.

There is a big difference between operating a sea boat and operating a river boat. When traveling on the water, you don’t have to worry about going in the wrong direction. What you worry about are shoal undercurrents and reef whirlpools. Once you reach the sea, you must also be careful of shoal undercurrents and reef whirlpools. But the most important thing is

You still need to know the direction. The sea is boundless. If you go in the wrong direction, you will become a lonely ghost floating on the sea. You can't find where you want to go or the way back, and you will be trapped alive in the sea.

Since ancient times, there have been many types of navigation techniques, each with its own differences. Among them, the trade wind technique, the star-finding technique and the geography technique are well-known. The trade wind technique uses the power of wind to sail and is good at long-distance navigation. It is said that some families who are good at navigation can create

The wind comes from all directions, but a sea-going ship that cannot move forward can use the power of the wind to swim across the sea. Wherever the wind reaches, the ship will come.

Geographical skills require the use of ground objects to indicate the course, through track calculation, landmark direction identification and navigation methods. Boatmen must keep in mind the islands they pass, the position and topography of the mainland coast objects, and must be able to navigate from all directions.

and identify it under various climates. In addition, some people use methods to identify seabed landforms, such as water surveying, applying wax oil to the bottom of a plumb bob to stick sediment to check the soil quality of the seabed, and observing the seawater color to determine the ship.

Orientation. In order to identify the direction, the boat operator must keep in mind the landforms at sea and on the edge of the land. Some helmsmen also draw pictures of the island conditions along the route, and record the landmarks, water depth, and seabed soil quality in words and pass them down from generation to generation. Therefore, the location

Literary art is the most well-known and widely spread, and compared to the trade wind art, geoglyphic art is more convenient and easier to understand. However, geoglyphic art also has limitations. It is acceptable in the near sea. Once the ship sails into the deep sea, geoglyphic art becomes a problem.

A piece of waste paper, of no use.

Star-pulling is the most subtle and profound technique. It is slightly different from the trade wind technique which is good at long-distance navigation. Star-pulling is more focused on positioning and finding traces. Whether it is above or below the sea surface, star-pulling can be used to lock the position, hide something, or find something. Outsiders can

It seems like you are trying to find a needle in a vast sea, but in the eyes of an expert who is good at this art, all the horizontal and vertical veins are clearly visible. The earliest star-pulling technique was relatively simple. The sea was diffuse and boundless, and you didn't know what was going on. You could only watch.

The sun, moon and stars move forward, somewhat like the trade wind technique, which is intended to point out the direction. As time passes, the star-drawing technique has also undergone many changes. Later generations used the positions of the stars in the sky and their angles with the sea level to determine the direction of navigation.

This method is not as good as the geography method in offshore waters, but it is the best choice in the deep sea. It is difficult to provide effective identification of the location and navigation direction of the ship. There is no way to rely on it. The only way to determine the navigation position is by celestial phenomena.

.A voyager who does not know how to guide stars is a blind man, unable to move even an inch.

There are simple star maps and complex star maps. A simple star map only has a few stars and can only indicate a general direction, but a complex star map has hundreds of celestial stars. Legend has it that there is an ancient star map in Dunhuang, in which there is a navigation star.

Tu Ke can limit the radius to within three feet, which can only be regarded as a miracle in the vast sea, and there is nothing else.

The trajectories of stars, their gatherings and separations, and horoscopes are not static, and the profound changes are also ever-changing. If you know one but not the other, you will only be caught in the dark and lose your life in the vast sea. Therefore, many people who dare to sail out to sea must

Cong Fu is also a good expert in the art of star-catching. Unlike the trade wind art, which relies on the monsoon to adapt to changes, the secret of star-catching art lies in finding the constant among the ever-changing stars, so as not to lose the direction at sea. However, star-catching art is not

There is no weakness. In the daytime, there are no stars, so you can only rely on adaptability and experience to sail. If there is no undercurrent and wind direction to assist, it is common to be thousands of miles away, not to mention the various changes on the sea, violent winds and rains, and the dark night.

No stars etc.


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