Outside the Great Catholic Church in Florence, Father Anasaro held a grand exhibition for this new work, with the main exhibits of the work "Traveling in Hell" by painter Lawrence Anno Falgo, Verocchio's "The Mother and Son of Berlin" and other works by several students of Verocchio as the exhibition objects. The main politicians and powerful people living in Florence and several surrounding cities were invited, as well as some more famous connoisseurs to come and watch.
As the artist who painted the painting "Travel in Hell", Lawrence Anno naturally had to attend in full dress.
A weird black and white hat tent was on Anno's head, and his straight black hair was curled up, fluffy hanging to one side. The beige lining was worn inside, and the outside was wrapped in a wide and bulging coat, and a short cloak hung on it.
The coat was cut off from the elbow, and it was pure black gloves.
She wore a pair of blue tight trousers on her lower body, the kind that was completely close to her body, and she stared at a pointed-toe shoe with metal decoration that could kill people with toes.
In addition, Annuo also has some gold and jewelry decorations he usually makes. After all, he mainly learns goldsmiths, and recently he has started to come into contact with the jewelry industry.
In short, Anno in his dress looked noble and gentle, but extremely weird. However, in that era, this outfit was the greatest respect for those who came to appreciate his works.
It is winter now, and even Florence, which never snows, the temperature is only about ten degrees Celsius, but Anno is so hot that he sweats profusely.
Annuo, who is always calm, was a little annoyed by this outfit.
It is both cumbersome and ugly. If it weren't for the sake of respecting these powerful people, he wouldn't have worn this outfit even if he died.
But he also understood that Verocchio was helping him. Artists rely on fame to make money and no fame, so where can they get the energy to do art? Eating is a problem.
Anno's work is not an abstract work, it just alienates the real scenery and depicts a "hell" that does not exist. In essence, it is a world dominated by human troubles. Jesus was not walking in hell, and the place where he walked was still on earth.
A group of nobles and connoisseurs surrounded Annuo and his paintings. I don’t know if I understood what Annuo wanted to convey through this painting, but just kept marveling.
"This is so holy! God bless..."
"Ahhhh, is this the scene of hell?"
“Amazing new style!”
Everyone praised it, and Annuo endured the heat of winter and greeted him with a smile.
Verocchio chatted happily with a group of his artist friends.
The nobles and connoisseurs appreciated excellent works of art.
The church people attracted more believers, and Anno's paintings also conveyed a positive idea in the religious sense.
Only Annuo's uncomfortable world was born.
The chubby Perugino walked to Anno with an excited expression. He was the best relationship between Verocchio's apprentice and Anno: "You really have you, Lawrence!"
"Thank you, Perugino." Anno's sweat flowed down his cheeks, but he still smiled.
Verocchio said to the priest: "I have told Lawrence that he will donate this work to the church for free after the exhibition."
Father Anasaro found Anno thankfully and saluted deeply: "Thank you, Mr. Lawrence."
Chapter completed!