"Xiao Shi still needs to understand here for a long time, so I will take you to other places to see. There are also many calligraphy treasures left by painters and Fu Sheng."
Yunlu is the place that preserves the most authentic calligraphy works of the sages of the Wen Dynasty. Although the Rufu Mansion has occupied Yunlu for three hundred years, it only covered these calligraphy works without damage.
People in the Confucian Mansion also know that these authentic works are extremely precious and it is no exaggeration to say that they are the only ones in the world. Once damaged, they cannot be repaired. Moreover, this move will anger the literati all over the world, and the people in the Wen Mansion will really go crazy.
"Since you have no interest in calligraphy, I won't force you. I heard that you are a painter and you also know how to shadow murals. There happens to be a divine shadow wall here. You can go and study it."
"Divine product?"
Jiang Qian was a little surprised. Even most of Lu Daoxuan's paintings were only top-quality paintings, and the production of screen walls was more complicated. The creation of top-grade screen walls was more difficult and rarer than the top-grade paintings.
The reason why Yunlu is very important to the Wenfu is because these masterpieces of sages can inspire future generations. Jiang Yan is a scribe, so Meng Kuyin will naturally spare no effort to make him go further.
"I heard that Wen Zhenggong was also good at calligraphy, painting and poetry. His calligraphy just now is unparalleled in the world. The poems in the preface to Lanxi are also handed down from generation to generation. Could it be that this mural was also made by Wen Zhenggong?" Jiang Yan asked curiously.
"Wen Zhenggong was the founder of Wenfu and the first scribe in troubled times. However, this mural was not painted by Wen Zhenggong, but by the second person in the history of Wenfu who was also good at the three scribes!"
"who"
Jiang Yan was a little surprised that he could have such profound attainments in the three realms at the same time. This was something that even a time traveler like him couldn't do!
"Xiaoyao Gong is the first painter and the first famous teacher in history. The three disciples he taught have all gone their own way in Danqing.
Zhuji Buyu Qi Cifeng is good at painting landscapes, Mr. Daoxuan, who is able to create all things with the help of gods, is good at painting birds and beasts, and Duke Changli is good at shadow walls.
However, Duke Changli is a little different. Although Duke Changli studied under the second generation master of the palace, Xiaoyao Gong, his path is more like that of Wen Zhenggong. He studied calligraphy and fu at the same time. He also practiced the three paths to the extreme at the same time and was proficient in all the existing Wen Palace.
"law"
Wei Changli is a bit out of character, an old man who doesn't cultivate, but he doesn't look scary at all from his appearance.
Meng Kuyin brought Jiang Gu to the screen wall. This screen wall was built in a courtyard and was ten feet long and two feet high. Before approaching, one could feel the violent aura coming from above.
What is painted on the screen wall is an angry dragon with fangs and claws, rubbing the sun and moon and playing with the sky, looking down at the world like a king coming from the throne.
"very scary…"
The painting spirit relied on the screen wall to guard the place. After Jiang Yan's hand touched the screen wall, he felt the painting spirit inside the screen wall that had the power to destroy heaven and earth!
Similarly, Hua Ling seemed to have noticed a very similar aura on Jiang Yan's body, as a dragon's head poked out from the shadow wall.
This made Meng Kuyin sweat. This divine screen wall was created by Wei Changli. If it was really going to be detrimental to Jiang Yan, even he might not be able to stop it.
Fortunately, the shadow mural spirit returned to the shadow wall after sniffing Jiang Yan's body for a few times.
Jiang Yan himself is also good at shadow murals, and he is more aware of the extraordinary features of the divine shadow wall in front of him. In addition to the incomparable power of the painting spirit, there are many other things that puzzle him for a moment.
Jiang Yan looked at the screen wall from the side. The material of the screen wall seemed to be a complete boulder, and a kind of putty as thin as an eggshell was smeared on the surface of the boulder.
Secondly, because the shadow mural is not protected in a book like a scroll, it is exposed to wind and sun for a long time, and the paint falls off seriously. Generally, it is considered rare to be preserved for two to three hundred years. But if the shadow mural in front of you follows what Meng Kuyin said,
, it is still bright and beautiful after nearly 800 years.
Jiang Yan touched the screen wall with his hand. If it were anyone else, Meng Kuyin would never let them do such a thing, but at this moment, he did not stop Jiang Yan.
There was some paint on his hands, and Jiang Gu rubbed it with his fingers. The texture of the paint was extremely delicate, and it still retained spiritual power. It was undoubtedly a top-grade paint.
However, after sniffing it gently with his nose, he found a faint aroma inside. Jiang Gu guessed that the paint must have been mixed with a substance he didn't understand, so it had not corroded or changed color for eight hundred years.
It has never fallen off or weathered.
"It seems that I will have to ask Mr. Wei for advice when I have time in the future."
Lu Daoxuan is good at birds and animals, and may not know much about the screen wall, but according to Wei Changli's character, you can get the answer you want by asking him directly.
In the next few days, Jiang Ran did not rush to Daxuan City, but stopped at Yunlu, which was indeed a holy land for scribes.
In addition to the Cloud Shadow Raging Dragon Wall, Jiang Yan also saw many poems and paintings that were considered rare, especially the vast majority of which were left by ancient sages nearly two thousand years ago, allowing Jiang Yan to clearly see
The writing and ink writing of the first generation of powerful men in the Wen Dynasty.
But what struck Jiang Gu most strangely was a poem engraved at Yunxi, which was engraved next to a tombstone.
Jiang Yan boasted that he didn't know a word of what was written above. He thought that Meng Kuyin, as a scholar in the Wenfu, should know something about it, but he didn't expect that he didn't know Meng Kuyin after he found him, which surprised Jiang Yan.
"You are a master of calligraphy and know all the calligraphy in the world. Are there any words you don't know?"
"Not just me, I'm afraid no one in the world can recognize this kind of writing, including Lord Wei Changli and Wei."
"Why is this"
"This kind of writing is called Huangwenfengshu." Meng Kuyin said, picked up a fallen leaf from the tree, pointed to the lines on it and said
"Although the Great Dao is hidden, it is visible in all things. You see, the leaves are the writing of the Great Dao. You see, they are the patterns on the stones, which are also the lines of the Great Dao.
There is a legend recorded in the ancient books of Wenfu: Huang Wenfeng Shu is the first writing that was born in the savage era, and the person who created it is the ancestor of our scribes.
One day, my ancestors encountered a phoenix in the sky holding something in its mouth, and it happened to fall in front of him. There was a hoof print on it.
The ancestors could not identify the hoof prints of some wild beast, so they asked an old hunter about them.
The hunter looked at it and said, "This Pixiu hoofprint is different from that of all wild beasts. You can tell what it belongs to by looking at the lines."
The ancestors were inspired that everything has its own characteristics. If you can grasp the characteristics of things, draw images, and make them understandable, isn't this called writing?
From then on, the ancestors paid close attention to carefully observing the patterns of the Great Dao that appear on all things, such as the sun, moon, stars, clouds, mountains, rivers, lakes, seas, and various birds and animals. According to their characteristics, they drew shapes and created
text.
Because it was inspired by Phoenix, it is called Huang Wenfeng Shu."