Chapter 1367 Arrival! What kind of historical stage play is this?
Two months later, the Bailang family of three completed their repairs and logged into [Passing Fire Paradise] @ Elf Girl and Tiny Tim, and directly started a new employment mission in 'Team Mode'.
Ophelia is a bound teammate, while Tim is a temporary worker, but the difference is that the final income distribution is different. For other benefits, Bailang is given to the great apprentice. There is no exploitation, and there is no middleman to make the difference, which is very unethical.
Cloud Society.
After a period of dizziness, the family of four took a "magic agricultural girl" with them, blew the familiar sea breeze, opened their eyes, and saw a blue sky with seabirds circling.
At this time in Lao Bai's house, Lang and Elf Girl were wearing the same couple's casual clothes, looking extremely casual. Bai Lang was holding a notebook and carrying a backpack behind him; Elf Girl was wearing a sun hat and sunglasses, looking like a vacationer.
Behind him, two daughters were wearing children's clothing similar to the two of them, looking around with hand-held cameras.
Only Tim was wearing a camouflage assault suit for survival in the wilderness, holding his exclusive equipment [(Wand) Magical Girl Engineer Shovel], looking like he was facing a formidable enemy. But after seeing the performance of Shijiang and Shiniang, he quickly fell into inexplicable grievances.
, feeling cheated.
At this time, everyone was on a cliff by the sea. The scenery was quite good, and the location was quite high, suitable for overlooking. Soon they found that they were standing on the peak of an isolated island.
The island is small and the environment is somewhat dangerous. The island is covered with green vegetation.
Before Lang could continue to speculate, little Jack was the first to answer: "I'm familiar with this. Feng Ying once taught me that this is the Mediterranean! I lived here in the 17th century."
Lang responded: "Oh? This is the Age of Gods now, which is roughly the era described in the famous folk historical rap "Hippo Eats Shit". According to the archaeological methods of Western ghost guys, it must be the 12th century BC anyway.
The era related to the Trojan War. The era when your father and I were the Boss was a full 29 centuries before you joined the pirate group. Jack, you are so weak!"
The famous Greek underworld chicken soup tycoon and the godfather of spicy strip smuggling said angrily: "Fuck you, grandma!"
"Children are not allowed to speak dirty words." The elf girl patted Jack's head and warned patiently.
The concise and concise Buff nodded to his sister and expressed his approval: Look at me, I never say bad words.
Jack mocked: "You don't want to say it? It's obvious that your vocabulary is too poor and you can't say it at all!"
Fufu counterattacked with a calm and cold expression: "You..."
"?...!" Jack was stunned, "Sister, you have fallen!"
When the two children were pinching each other, Tim, who was still unclear about the content of this mission, asked Bailang curiously: "Master, is the world of this mission the ancient Greek era?"
Bailang looked at the [script] in his hand and responded: "It is not pure history, but the world of Greek mythology with 'history' as the carrier. The world's erosion rate has exceeded 33%, which is not high. The [intensity] of this world
】Also generally, there are gods, but the expressiveness of the gods is not exaggerated, and they belong to the category of traditional myths and epics."
In the mission world derived from the same 'mythical story', in addition to the index of erosion (reality), there is also another index of the 'expressiveness' of the power system.
To give a simple example: the children's cartoon version of "Nezha Makes the Sea" and the "Nezha" in the Honghuangliu Nitian novel were both embodied by [Paradise] at the same time, and the erosion degree is the same.
Can the strength of the gods and Buddhas in the two worlds be the same? Obviously they are different. If the bragging version beats the children's version, that is the difference between the Monkey King and Calabash Baby.
The lower the power system of a 'mission world', the lower the difficulty of dimension upgrading. As for a 'high-end mission world' with a grand world view and an equally huge map area, if you want to complete two dimension upgrade tests (30%, 60%),
The investment cost must also be huge.
It often requires multiple [Paradises] to work together to develop, attracting countless high-level leeks to bet [World Fragments], and smash this huge 'world (reality)' one by one.
This is also the reason why [Mountain and Sea Realm, Doufen Continent] frequently collapses.
The ambition was too great, the foundation of the "mission world" was too large, and too much external "injection" was absorbed, which led to a sudden increase in uncontrollable factors during the dimension upgrade, and eventually completely out of control.
Countless leeks were sacrificed on the spot, a huge amount of wealth evaporated out of thin air, and the mission world was destroyed. The tycoons' withdrawals were exposed, and the remaining 'endgame' was reacquired by [Paradise].
Those high-end mission worlds whose foundations were consolidated (>30%) due to the failure of dimension upgrades. After a wave of bankruptcy and reorganization, Gorgeous Dimension Upgrade was re-listed. The amusement park made huge profits.
After receiving many negative teaching materials, the more rational contractor bosses also began to start from the basics. Instead of expecting to get rich overnight like a casino, they started from a young age by recruiting a group of partners.
First apply to [Paradise] to rent some mirror worlds that are not too basic as base materials, then hire Level 123 to perform tasks, fluctuate the world line to accelerate world development, and finally steadily invest in [World Fragments] for modification (magic modification) to increase the dimension.
.
…
For example, in [A Greek Epic World], which invited Bai Lang as the big boss this time, the intensity is stuck at the level of classical mythology. With the human world as the big stage, the gods certainly exist, but they are not overly heaven-defying.
The [script] in Lang's hand at this moment is the mission strategy manual sent to him by [Monsters Inc.], which introduces the current world in detail.
The map is no longer the earth, but a [plane world] slightly larger than 'Europe'.
But it is not a pure 'mythical world view', but instead introduces a 'historical view' similar to that of the earth. It starts from the false Trojan era (12th century BC) and is obviously going to develop along the way of the 'kouhai rap historical view'
Go down.
Bailang made a guess. If this 'mission world' becomes bigger and stronger in the future, it will probably change from the 'Kouhai Hippo Epic' to the direction of 'real history' and connect with it.
As 'Investors (Contractors)' continue to smash into [World Fragments] with purpose, they can guide orthodox 'historical events' into more explosive 'mythical events' in different 'historical eras', thereby significantly fluctuating the world.
line to accelerate the development of the mission world.
This chapter is not over yet, please click on the next page to continue reading! When it has developed into modern society, it is an orthodox urban myth.
And it is a 'complex, deep and quality world' with a long history and a long history of magic reform. The more solid the 'foundation' of this type of world, it represents its own stability. When it breaks through 60% or 90%,
The success rate is higher.
As he read through it, Bailang discovered something fishy.
The area of the current [Greek Epic World] is not large, much smaller than the standard earth, and the four poles or edges of the world are clear and have boundaries.
But 'this world' still retains a lot of [geographic interfaces] and world fog. For example, the south of the world retains its connection with [Egyptian Mythology]. Exploring to the north is naturally an interface with [Norse Mythology].
Although a large number of 'plane interfaces' are not used, if the 'investors (contractors)' of this world negotiate with other organizations that hold and develop mythological worlds such as 'Nordic, Egypt, and Persia', they will end up with similar painting styles.
, the system matches' and comes together.
Then there is the possibility that this 'task world' will continue to develop and become bigger and stronger. This is growth (expansion) at the level of 'world volume/model', and is not the same thing as an increase in 'erodibility'.
In the same way, it seems very reasonable if I import [Eighteen Levels of Gourmet Hell] as a plug-in?
Mutation from 'villain script' to 'mission world partner (nail household)'? This is worth doing!
Compared with the 'big map, high intensity' [Mountain and Sea Realm] developed and decorated by [Food Paradise], if you take root in this world and become a nail shop, this group of contractors will not be able to do anything for you.
Maitreya dares not to give himself face. He is not a contractor but an aboriginal of the [Mountain and Sea Realm]. An innate soul is now the Buddha. To a certain extent, he represents the attitude of [Shan and Sea Realm/Gourmet Paradise].
If the world rejects him, of course he, Alang, can't do anything better.
But this time the ‘mission world’ is different. The world’s will and attitude are unknown, and it comes with 30% affinity at the beginning. The power of the hirers can never be stronger than the natives of [Third Xinling Mountain].
…
Bailang wears the title to try to trace the origin of the mission world, starting directly from 'Greek mythology'. However, the era that truly belongs to the 'gods' is only recorded in [Kouhi Rap], and there is no related 'in the mission world'
Traces of real fight scenes.
If you think about it from the perspective of a movie, it's probably cheaper to make an 'epic movie' with less money and space. If you're filming the history of the first generation of God-Kings, the second-generation God-Kings, and the third-generation God-Kings, then the special effects costs
How fucking expensive is it?
When filming a Greek mythology (Clash of the Gods) in [Paradise Alliance], what is needed is not traditional special effects, but directly pinching out the relevant 'first-generation gods, second-generation titans...' one by one to create a real world.
to perform.
The cost of creating a god is not expensive. After applying to the park, the 'mission world' usually comes with the corresponding template. But if you want to increase the dimension (over 30%), you have to use real money and silver' high-dimensional matter (the power of dimensionality)
)' to fill (render).
Too expensive, too expensive!
Therefore, the powerful and ancient primitive gods, the first and second generations of gods, theoretically exist, but now all the gods are hidden. In the future, if the "Greek World" successfully expands its dimension, it will also be locked in the "Epic Era" (as the starting point).
The gods that currently exist are just [the 12 contemporary gods of Olympus] and a series of [gods] with upper limits on their power systems. Even so, the data provided by [Monsters Inc.] also emphasizes that the danger level of 'Zeus' is at 5
Wandering between -6 levels, you need to avoid them carefully.
Bad news: The strength of the gods is still very terrifying, and the number of locked gods is complete, and there is no absence. Fufu can even find the 'Grandma Gaia'. But those who have no role, the more ancient 'second generation, first generation'
God, the original God' is collectively hidden. (Deleted!)
Good news: Because the studio was relatively poor and the special effects funds were insufficient, the gods retained their strength, but lost their dignity. In that kind of high-end mythological world, the god king waved his hand, thousands of low-level gods, and the fourth-level legendary cannon fodder tsunami
There is no general situation where you are besieged.
Although the gods are powerful, there are not many mazai (gods) around them. The overall number of gods has plummeted, remaining at less than a hundred. They mostly use proxy warfare to manipulate the "epic heroes" in the world to fight.
It can be regarded as the "ancient melee combat saint version" without the holy clothes and the small universe. Everything is close to the mythical story, and there is no such thing as a "noble phantom".
Very poor, Lang likes it very much. The villains he produces all wear beautiful [Carp Saint Clothes], and hold various 'copycat treasures' to create a new style!
