Everything from porcelain to sugar to soap was handed over by Hu Sisi and Sun Youniang.
When she heard the news that Hu Sisi had brought soap, Sun Youniang felt happy.
Everyone will be happy to have another profitable business.
In fact, someone had already asked Sun Youniang if she could make some soap to sell.
As a trading company in Min County, of course, we have some ideas about the soap that is selling like crazy in Min County.
But Sun Youniang's answer all along is that it can't be done.
Compared to outsiders who don't know, Sun Youniang knows everything clearly.
The soap was actually made by Pei Yun.
And unless Pei Yun has an idea of his own, even if he begs, it will be in vain.
To be more precise, even if it was possible, Sun Youniang would not do anything that made Pei Yun reluctant.
The result is, I got the soap.
Things have proven that there is no point in asking for some things, and some things will come even if you don’t ask for them.
Holding a piece of soap in your hand, it feels silky and smooth, and when you smell it, it emits a unique fragrance.
Sun Youniang has heard about soap for a long time, but she has never used it. This time, she can finally use it properly.
Sun Youniang: "Sister Hu, there is a reply from Huangshang, saying that someone needs to come and take a look first."
Hu Sisi: "This is your own matter, you can decide by yourself, but there is a saying you have to remember, the young master does not like trouble."
The Imperial Chamber of Commerce came, naturally, for porcelain, sugar, and even soap.
Just for these things, it won't be a problem.
If the time comes to get to the bottom of it.
As Ruo Hu Sisi said, the young master doesn't like trouble.
Sun Youniang: "I know that if it really causes trouble to the young master, the worst possible outcome is not to join the Royal Merchant."
The mornings in Yun Mansion are always full of vitality, as the Qin Detachment of Women is training one by one.
In the eyes of outsiders, Pei Yun is the only man living in Yun Mansion, and the others are all women.
The entire Yun Mansion should be characterized by an upsurge of yin and a decline of yang, and should not be described as vigorous.
But if you see the real situation in Yun Mansion, then you will know what it means to be full of vitality.
Women are sweating, and they are wearing simple clothes that outline their figures.
This is completely different from their daily dressing. Looking at their daily dressing, you will only think it is ordinary.
And looking at how they are dressed now, they all look heroic.
And their postures are all very different.
This is after training again and again, I have refined my posture.
You can't see obesity or thinness in them.
Each one of them is as if they were made of steel.
For such a woman, you would say Yin Sheng...
A woman like this can knock a man down with one punch.
This also includes Pei Yun.
If he really had to fight against Qin's Detachment of Women, Pei Yun didn't think he could win against any of them.
Pei Yun also tried to participate in training, but found that he was not the material at all.
In the end, all I can do is pursue physical fitness.
Fortunately, I am not the least beaten person in the Yun Mansion, there is also Nangong Qianrong at the bottom.
It needs to be compared with Nangong Qianrong, Pei Yun is also good enough.
After all, this is also true.
Compare to others.
Needless to say, Qin Qier, Qin Qier could knock Pei Yun down even with one hand from Pei Yun.
As for Hu Sisi.
She was a member of Qin's Detachment of Women before. At that time, she and Pei Yun could only be abused.
Now that her identity is different and she has many things to do, she can no longer train with the Qin Detachment of Women.
She is not as good as she was before.
Compared with her, Pei Yun is barely 50-50.
The daily morning exercises are divided into two groups. One group is Qin Qi'er leading the Qin Women's Army for training, and the other group is Pei Yun and Nangong Qianrong exercising their muscles.
But today, Pei Yun was the only one who moved his muscles and bones. Nangong Qianrong was holding pen and ink in her hand, drawing on paper. What was drawn on the paper was a person, and this person was Pei Yun.
As a famous prostitute, Nangong Qianrong has very good painting skills.
What Nangong Qianrong draws is each action performed by Pei Yun.
First quickly draw its shape, and then carefully add its meaning.
As a true painter, you must not only get the shape, but also the meaning.
Nangong Qianrong is indeed capable, and the painting she drew was of Pei Yun, which really cheered her up and made her interested.
The only fly in the ointment is that the young master told me that there is no need to paint the facial features.
Drawing facial features is too troublesome and time-consuming, and the content of this painting has nothing to do with facial features.
"Young Master, the painting is done, take a look." Nangong Qianrong said.
Pei Yun took the painting, and there were little people on the painting. These little people were lifelike, and each little person represented an action. These actions were exactly what Pei Yun had just done.
If you look carefully at these movements, you will find that they are doing Tai Chi.
Yes, what Pei Yun just did was a set of Tai Chi.
This is why Pei Yun didn't let Nangong Qianrong paint her facial features.
The content of a set of Tai Chi is naturally its movements, and the focus is not on the person’s facial features.
Looking at the little man in the painting, Pei Yun said yes.
Originally, Pei Yun's request was to have Nangong Qianrong painted as a stick figure.
I didn't expect that Nangong Qianrong could draw so fast and her painting skills were so good.
For such an ability, it is not too much to describe her as a talented woman.
After being praised by Pei Yun, Nangong Qianrong smiled happily.
She doesn't care about talented women.
The so-called talent is meaningful only when it is shown in front of the people you care about.
There are a total of twenty-four little people in the painting.
Twenty-four little people, twenty-four different movements.
It corresponds to the twenty-four postures of Tai Chi.
Letting Nangong Qianrong draw each action is just the beginning.
Pei Yun dipped his pen in ink and started writing on the painting.
This is annotation.
It’s not enough to just take action, you also have to tell others how to do it.
Just like the name of each move.
The first move is to take a stance, the second move is to part the mane of the wild horses on the left and right, the third move is to spread the wings of the white crane, and the fourth move is to hug the knees to the left and right and take steps...
The 21st turned around and moved to block and beat, the 22nd seemed to be closed, the 23rd made a cross, the 24th closed...
It can be seen that Pei Yun is serious, down to the names of every move and style.
Of course, these names are still written in confusion, they are real Tai Chi moves.
It is not enough to have moves, the moves only need to have their form.
Painting all pays attention to the combination of form and meaning, and this is especially true for moves.
The moves also need to have meaning.
Pei Yun then wrote an outline in the blank space on the painting.
The contents involved include:
Breathing should be coordinated with movements.
Be calm and relaxed.
Calmness of mind means eliminating all distracting thoughts and not being disturbed by the outside world.
Body relaxation, based on correct movements, consciously puts the whole body in a relaxed state to the maximum extent.
What follows is coherence and tact.
Coherence means that the limbs should be coherent and there should be no interruptions or pauses between movements.
To be flexible means to learn and apply things flexibly on a coherent basis.