Originally, normally speaking, Xu Guangling would be able to play "Scorching Flowers", which was also the song he planned to record today. But at this time, under a small accident, memories suddenly emerged and his feelings changed.
, what flowed out from his fingers was another song that was born at the same time as this piece that night.
"Lanke"!
The beginning of the song is the setting of the background, including peach blossoms and streams, and the series of overtones just now are petals of peach blossoms, leisurely, without any urgency, in the spring sunshine and gentle breeze.
, scattered in the creek.
Then, after the overtones, there is a series of gentle and shallow string flicks.
And in this fiddle, the stream, the slowly flowing stream, is presented. The next short section is the accompaniment of the overtones and the fiddle, the two go together, the stream flows, the peach blossoms occasionally fall, and
With the different and staggered landing points, the element of wind is also presented.
Later, with the slight change of the strings, the feeling of light waves in the flowing stream and illuminated by the sun was also presented.
At this point, the background is laid out.
Peach blossoms, creeks, gentle breeze and beautiful sun.
This is also the first section of this piece of music, and in the progress of this first section, it naturally cuts into the second section. The perspective, or the descriptive center of the music, is moved to the shore, from the falling tree in the stream.
The petals moved to the peach blossom tree on the bank.
The peach blossom tree is in full bloom.
The Tao is about pear blossoms, the Tao is about apricot blossoms, white and red. The trees are full of flowers and blooming, and thousands of red branches are blooming in spring!
Xu Guangling's hands changed from flicking to clicking on the strings of the zither, and with the series of extremely fast and almost dazzling clicks, it seemed like "white and red" one after another,
Just like that, "blooming" out of the strings of the guzheng in a vigorous and lively manner.
Flowers, creek, gentle breeze, beautiful sun.
It's still the same four elements, but this time, the atmosphere of the music is completely different from just now. Just now, it was just a lay-out, but now, it is the theme and the rich colors. This is not a paintbrush, but there is something called "synaesthesia".
The benefits of synesthesia are that it allows people to see words from pictures, hear sounds from words, and see pictures from sounds...
In fact, at this time, even Xu Guangling himself was a little intoxicated and a little shocked.
Of course, he is intoxicated. He is a player, but he is also an appreciator. He is a composer, but when composing, no matter how hard he is, he cannot present the real sound in his mind, so in a certain sense
In other words, this piece of music is not truly completed until this moment, um, or it is in the process of being completed.
Xu Guangling was shocked to discover that his current playing level was not only different from what it was before. Even the 111,000 players he played in the past were no match for him now.
Whether it was the overtones just now, the string strumming later, or the tapping now, Xu Guangling felt that his hands were on the strings, and there was actually no structure. However, when the music unfolded in his mind, all the techniques needed
, and it appears freely between the fingers.
In other words, his fingers can move completely according to his wishes, and can produce the effect he needs on the strings of the zither at will.
Moreover, the effect far exceeded his own expectations!
In the intoxication, the second section of this piece of music quickly completed the transition. Yes, the background of the first section was just a setup, and the heavy colors of this second section were also a transition, not the real theme of the piece.
The topic is next.
What's next? That's a person, standing with hands behind his hands, standing on the shore, standing in the beautiful sun, standing in the gentle breeze, standing under the peach blossom tree, slightly raising his head, looking at the brilliant tree, smiling,
In indifference, in love, in appreciation.
Then, he sat on the ground with his back against the peach blossom tree.
As the perspective moves downward, the sunlight changes from intense to warm, from warm to warm, and from warm to dappled shade, and the peach blossom tree also changes from the warm and brilliant just now to what it was like at the beginning.
, occasionally, some petals fall down.
It was floating in the stream, on the grass, on this person's hair, on his shoulders, and on the books spread out in front of him. Some of them were just floating in the breeze, like clothes.
This section is also the section of the whole piece that tests your playing skills the most.
Xu Guangling himself is a composer, but when he composed the music that night, he only completed the general melody of this part and the specific arrangements. Because this was not a commercial composition or composing for others, he was planning to play it himself in the future, so in
There is no specific setting on difficulty.
Everything can be determined according to his playing level, just like playing certain games. You can choose easy difficulty, medium difficulty, or of course, advanced or even so-called hell level difficulty.
At this time, Xu Guangling unknowingly did not have the mentality to show off his skills, and it was impossible for him to have the mentality to show off his skills. But the fact is that extremely frequent and extremely difficult skills are here.
At this time, in his hands, it was like the peach blossoms on the blooming flower tree in this song, blooming and appearing wantonly.
In terms of melody, this section of the song can only be described as melodious, but not high-spirited at all.
The real "brilliance" of this piece of music has actually passed just now, in the second section, but now, when entering the third section, not only does it not feel at all depressing, but it feels like
It is like mountains and rivers recovering, like willows and flowers blooming in darkness, like the spring breeze blowing away a peerless picture.
In this picture, there are still peach blossoms, brooks, gentle breezes, and beautiful sun, but they are both the same and different from the previous two paragraphs. The most important thing is that they have jointly given up the center of the picture and no longer serve as the center of the picture.
The main role, and the main role, was taken over by one person.
Rather than saying it is a person, it is more like an atmosphere.
Of course, people are presented by the atmosphere. How to express a person in a piece of music? It is not difficult. When it cannot be expressed directly, indirect expression is enough. Just like a painting, you draw an umbrella and an open place.
For an umbrella in the rain, you don't need to draw what's underneath it. The viewer will naturally figure out that there's a person underneath the umbrella.
And if you draw the hand holding the umbrella, you don’t even need to draw all five fingers, but only draw one finger, whether it is vigorous, old, or thin and green, then next, okay, people looking at the painting.
Not only do you know that there is a person under the umbrella, but the image of that person is probably ready to emerge in your mind.
But there are two different things between being ready to express something and directly depicting that person in a painting.
Drawing it out is concrete, but precisely because it is "concrete", there is not much room left for imagination.
And many times, beauty is born from imagination.
At this moment, even Xu Guangling himself was slightly intoxicated by the person and the image presented in the song. Because what is depicted in the song is pure. It is precisely because of the virtual that it can eliminate the worldly world.
It is free of all the messiness, but simply expresses purity and beauty.
And that kind of purity and beauty cannot be found or is difficult to find in the world.
This is a melodious and even slow rhythm, but on the contrary, when the performance reaches this point, the movements of Xu Guangling's hands are the most complex and rapid, with many kinds of subtle images intertwined and running in parallel.
Together, let the presentation of this section of the song be completely three-dimensional.
Then, after this section passes, it is the end.
The end came unknowingly. When Xu Guangling's hand movements slowed down from extremely fast and complex to simple and slow, the piece also gradually progressed towards the end. Until the end, a series of fast and slow movements began.
After a slight overtone, the song officially ends.
At the end of the song, everything in the piano room was completely silent.
It's obviously in a busy city, it's obviously on the street, but at this moment, this piano store with an area of more than 100 square meters seems to have become a small independent world.
==
Thank you to "Minghou Bingling" for your recommendation vote and support.
Thanks to "iv Xiaoxi" for supporting me with monthly tickets. (To be continued.)