At this point, the plot of the European chapter has completely come to an end. This is probably the most difficult volume I have ever written.
When I originally wrote it into the volume, I had a lot to say to you. I wanted to tell you about my design and my conception.
But after I actually finished writing it, I didn’t want to go into details anymore.
Because even explaining in detail the creative difficulties I encountered has become a very difficult thing.
I believe that the story in this volume may not be a perfect experience for book pirates. After all, after writing almost every story, I had to revise it the next day.
In some places, I even took the time to almost rewrite it.
The story in this volume is so complicated, it’s probably the most complicated plot I’ve ever written.
This is also my own upward breakthrough and a challenge. Although it is a tired and passionate heart of a young man, I don’t want to write a routine that always saves people and explodes.
So in this volume, I set the conditions for Fangran to be able to leave even if he had to leave.
There should be a difference between being forced by external circumstances and choosing to be one yourself, right?
..
There are also people who have said that I always write about my inner changes over and over again, and I just feel that those who say this may not have read those words carefully.
The Arctic Plane is when he acknowledges his strength and moves forward even if he is uneasy. The National War Volume is when he steps onto the stage and no longer stands still and leaves his daily life.
Wandering in London means admitting that you can do something even if you don’t have the strength, and at the same time, you have to think about what you want to do.
On the escape train in the wilderness, he was the one struggling with why he chose to stay.
After escaping from the UK, I had already thought about this problem clearly on the hotel rooftop. I faced my heart frankly. I had already decided what I wanted to do in this incident, but I had not yet decided what I wanted to be in life.
people
And finally heard the voice of desire,
So these are completely progressive changes in my mind. I don’t know why some people always say that I am always sensational and repetitive.
In fact, I don’t know how much easier it would be to write if I didn’t have to worry about these things.
But I have always believed that characters who simply experience events without any change in mood are very monotonous and mindless, like a novel that only pretends to be cool and slaps in the face.
It is these that support Fangran's actions, from rushing into the manor and desperately trying to save Ophia, to joining the cult group, to his flamboyant rush out of Paris,
Psychological activities are linked to character actions. I don’t know how long I had a headache in order to filter these out.
...
Then let’s talk about the plot of this volume as a whole, which is roughly divided into five parts:
London, Paris, mentor base, rush to Rome, final battle,
As for the London part, to be honest, I was very happy when I wrote it, because it was really exciting and interesting to have nothing to do with wandering to a foreign country, being hunted, and being confused.
I really liked the story about Tang Bing working in the supermarket. In order to write this well, I didn’t know how much I learned about studying in London and living in London during that time.
I spent several hours checking the prices in the supermarket
As for the escape part, I was influenced by the character Tang Bing and I couldn't grasp the rhythm and atmosphere. It was obviously an escape but the writing was too everyday. I later rewrote it.
I was actually confused by that part and didn’t know how to write it down.
Fortunately, the appearance of Osphia gave me a breakthrough to start the main plot.
As for Xiao or Ma Ma’s foreshadowing, it was finally recycled.
In fact, I initially planned to let Fang Ran and the others cross the sea to Paris, but because Bath was on the left side of London and the plot was conflicting, I gave up.
To be honest, the writing of this part in the second half is not perfect. If I could design more in advance, it might be more interesting;
[Paris Part], among the five parts, this is probably the best section I have written, because the outline of this section is relatively substantial.
I have been thinking about what to write here for a long time, so it went quite smoothly.
Likewise, it took me a lot of time to look up information about Paris (and it also made me completely disappointed with this city)
And based on the lives of the people at the bottom, the plot of the cult, the dark side of reality, and the witch hunt are designed.
Just like London is divided into two parts: city and escape, Paris is divided into two ends: the upper class and the lower class. The high-class dance is used to contrast the lower-class cult group, and the foreshadowing of Cream and Li Dana is recycled.
This part is full of all kinds of things,
For example, I carefully thought up the settings for extracting companions and abilities in the night game. Because the arrangement of various things was relatively compact, I couldn't focus on the description. It would be more interesting to write.
It’s my little regret,
Of course, the most important part of this part is the two pieces of Out of Paris. At that time, I had just completed the alien invasion. Listening to buttfly's divine song made my soul warm up and I was bursting with inspiration.
[Mentor Base Part] There is nothing special to say, it is just various setting foreshadowing about the birth of the mechanical dragon, as well as the foreshadowing of the moon god's hunting, and then using the attack to induce Fangran to make another choice.
The spying plan and the story of going to Rome are part of the continuation of the past. In order to be more dramatic and to correspond to the scenes of the witch cult, the queen's appearance in the night can be regarded as highlighting the strength of the mentor.
In this part, I want to highlight the character of the mentor, and the rest are foreshadowing and foreshadowing.
[As for running to Rome], alas
This plot is the worst one I wrote among the five parts.
Because when I wrote this, I was almost exhausted. Inspiration, enthusiasm, status, and outline were all lacking. I didn’t know what to write or how to write this paragraph.
And because of the pacing (that is, when the base is attacked, it already creates the same atmosphere as the final moment), I can't write any light-hearted plot in this section, which ruins the atmosphere.
The whole month of May tortured me to death,
I originally wanted to write about a group of people rushing to Rome, but they encountered many obstacles, like an RPG (this volume is an RPG).
Although it is actually written, it still feels unorganized. How can I describe it? It just feels like the plot design is not very neat and clear.
This chapter is not over yet, please click on the next page to continue reading the exciting content! And I dare not slow down the pace in this section, because it will make all the tension of the previous attack in vain (after all, the timeline is only one night)
So it’s very tiring to write, and I guess it will be very tiring for you to follow. I don’t know how I feel about fattening up. After all, I didn’t see any comments about my thoughts at the end of the paper. (The only one sent to me by a group friend was
It's very subjective. In my opinion, the things he doesn't want to see are shortcomings, and he's just blindly spraying them.)
It is also a pity that Mucheng and the eldest young master were originally selected in this part.
I was very concerned about the overall scene. The eldest young master only showed his face. Mucheng's plot was compressed. I couldn't even write about Le Guin carefully.
What I regret most about the European volume is the characters who were drawn in the night game.
I originally wanted the members of the Night Bureau who had not appeared before or who had appeared less in this volume to supplement their characters, stories, past, and other things to strengthen the bond with Fangran.
However, due to the failure to design all aspects of the problem, only Yota's writing was probably pretty good.
The second most regrettable thing is the planned actions of the association. I found that I wish I was not good at writing this kind of thing. Although I tried hard, I still feel that I can't write it well.
In addition, there are also the clichéd lack of scenes and no place to write about these, and I don’t really like to write the plot very straightforward, which probably makes it even more difficult for you to understand.
I've probably always told you that they seem to be doing something awesome, but I feel like I don't know what they're doing.
Maybe I played too much Sekiro and was influenced by the old thief Hidetaka Miyazaki...
...
As for the final battle, there’s not much to say.
I won’t share with you how difficult it was to write the final climax, and how hysterically I screamed meaninglessly after finishing it.
The source of inspiration was probably when I was in my junior year of college. I heard the song "Light Envoy", with its old-fashioned rhythmic lyrics and nostalgic background special effects.
I couldn't help but think of the picture of a huge silver dragon standing behind me, and then I always wanted to write a plot about being thrown into a foreign country for adventure.
After that, the national war and the association plan were smoothly followed up.
With this volume of European guide.
Yes, I actually planned to write this volume when I was a junior in college.
At this point, the inventory in my mind of the handsome plot in this major stage of the book has almost been exhausted, and the second part is half finished.
So I’m still hesitating about the story in the next volume.
The extreme torture of May and June left a deep impression on me. The pain of not knowing what to write was actually quite good.
The most painful thing is the feeling that you don’t know what to write and you continue to write something that you know is not good at all.
This is too painful for an author who wants to make his debut and can be regarded as a dream writer.
Believe me, if I wanted to make more money, I would be able to come up with plots that I would continue to write, and I would not have to slow down and occasionally interrupt updates to ensure quality.
But, I want that sense of authority,
That sense of "this is how it must be written, and it will be great if it is written like this" in the plot.
Oh, I have a headache,
As for the last thing, let’s talk about the characters,
Tang Bing, Ao Feiya, Kerim,,
They have different divisions of labor and responsibilities, and their characters and experiences are also completely different, so with the addition of Fang Ran,
In this way, four different people formed a team and finally solved the incident.
I don’t know how long I’ve been imagining in those RPGs I played
I like the three of them very much. In this volume, the other characters may be because of the rhythm, or maybe because the content is out of place, the scenes are lacking, and the characters are not well described.
But with only three of them, I can confidently say that I have written the best I can.
(Gourd, hum, interesting woman)
call.....
In the past, I would always ask you if you were satisfied or not at the end of the paper, and then say that I was very satisfied.
But this volume has allowed me to see my upper limit and my shortcomings. I can’t say I’m satisfied with it. I still have many places where I can write better.
But anyway, this volume is finally finished.
I should send this synopsis to the all-subscription group. If you are curious, you can read it. However, the plan cannot keep up with changes. Many plots are completely different from what is in the synopsis.
