In April and last month, I just finished writing the third phase of this volume.
To be honest, it feels like a very difficult process
Compared with the first and second stages where the content concept is already very complete, I need to solve a lot of plot arrangements and foreshadowing settings in the mentor base section, which made me rack my brains.
In addition, I have been sitting for a long time, which is seven or eight o'clock in one sitting. Most of the posts are not updated until 90 o'clock in the evening. Some time ago, my waist really couldn't sit still.
As a result, it became even more difficult for me, who was already stuck in writing, to write.
One thing that makes me uncomfortable is that I took a total of six days off last month, mostly because of Cavan. I remember that it was just one day that I used to play.
However, there are not as many words as I used to update every seven or eight days a month, and I can write smoothly.
What’s even more uncomfortable is that the word count is the same as when I went to Huhe to take the civil service exam and took 14 days off.
It's too slow, it's really too slow, even I can't stand it,
Maybe it’s because my mentality is different from when I was in college, and it’s really more difficult to write as you get to the end. If you want to take into account all aspects of the effect, it takes a lot of effort to write one.
None of my friends stay at home all day, and my inspiration is not as good as it was in college. I want to write as well as possible, so I have to spend more time.
And this volume is one that I think is very important.
But I haven't thought about the plot of Rome yet. I have many questions in my mind, all involving the direction of the final rhythm of this volume and other big issues. I don't know what to do.
For example, how long should the first paragraph be?
If it is too long, it will affect the tight rhythm of the attack. If it is too short, it will not be full enough, and the scenes of many characters will be compressed.
Qing Ning and Yuota are already complete. How to design the plot of Mucheng? There is no crisis and no opportunity for her to show off.
And if a crisis is to be designed, will it be mixed between the recent attack and the breaking point of the Roman stage, which will make readers feel tired? How can we write a touching bond?
And what exactly should be written about the Roman stage? How to express the unique style of this ancient city and the feeling of the tense and urgent end of the adventure?
What to do with Fangran’s performance during this period, the first stage of change and growth, and the second stage of self-confidence. These have all been written. What will he do next?
What should his mentality be like? What attitude should he show if he doesn't have the confidence of a trump card like Paris?
How should I design the Roman plot so that the explosive point in the final stage can be pushed to the highest level of atmosphere?
And then enter the ending plot of the final head-on battle?
Too much too much....
I feel like I can say a lot more. In addition to these big issues, there are also many small issues that need to be considered for each picture.
Do you remember the design of Fang Ran’s excuse to go to the toilet in the previous volume? The design of this volume’s double card setting and giving the night game a reasonable understanding of accepting his appearance in Europe?
There are many issues that will affect the future direction and require me to spend a lot of time and brainpower thinking about them.
So this time it’s not like I stopped for a day to catch my breath and then started writing immediately.
I may have to take a few days off this May Day,
I really can’t fix it anymore
Another thing that suddenly struck me recently is that most of my book friends are too tolerant of me. They just post a text and go to the group chat to relax, and they all tell me to just do it.
This makes me very ashamed.
After graduating from college, I gradually realized that among ordinary people, I had lived a very happy life.
There is no need to find a job haphazardly, and you can do what you like, and you don’t need to experience the hardships of society. Although it is not free, it is still very stable.
I really, really realize how precious and rare this is,
So for example, I only took four days off last month. I really want to work harder to do all this, and tell myself that I have to cherish it more and work harder.
But I don’t know if it had the opposite effect. Without the ease and ease I felt before when I regarded it as a hobby, my writing was not going smoothly. And when I couldn’t write, I felt like I hadn’t tried as hard as I should, and I struggled and felt uncomfortable.
Haha, when I say this, I always feel very hypocritical.
All in all, it is still the same sentence,
[Thank you for your support, allowing me to get to where I am now]
We'll see you in three days. I hope I've already thought of the next plot by then.
